Author Archives: Sadie

Super Short Novella Clear-Out

Reviews:

Black Briar, by Sophie Avett

Honestly, just florid and confusing. Half the time, I didn’t know if whatever was happening (if I could figure out what was happening at all) was happening in real life or some dream realm. I’m generally pretty tolerant of purple prose, so long as it doesn’t get in the way of the story. But the prose here isn’t just purple, it’s luridly so. To say I was confused is an understatement.

There is no character development or worldbuilding to speak of. Plus, there isn’t much of a plot, which would be fine if this were erotica, where the sex was the point. But despite starting the story with a sex swing, there is one singular sex scene in the book. And it’s overly long and full of purple descriptions of a whole lot of not-sex. Somewhere in the middle of it, the FMC had a personality shift that made all of the resistance and fight of the previous pages pointless.

Essentially, the reader is dropped into the middle of a scene with no context. The story continues from there, before the FMC undergoes a personality transformation, and we’re told they lived happily ever after. (I still know nothing about the MMC, least of all why he was so interested in the FMC.)I may be being too generous in giving this two stars.

Leather and Lace, by Rebel Carter

Very sweet. It’s clearly part of a series, all but instalove, the town is so accepting as to be fantastical, and the narcissistically cruel mother is pretty cliched. But Minnie and Alex are sweet characters who make an endearing pair. If you’re looking for a light and fluffy quick read, you could do a lot worse than this one.

To Run with the Wild Hunt, by Mallory Dunlin

Meh. I’ve read several of the Monsters of Faery books, and I can confidently say that this was my least favorite. Which is a shame because I liked Lexi, and Key is just adorable. Their fem-dommy relationship was wonderful and sweet. I wish we had gotten an equivalent for Hunt. Obviously, there’d be little sweetness there, but there could have been a little something of relationship growth before the sex. And don’t get me wrong. I picked up a spicy book for the sex. But by the time we got to it here, I just didn’t particularly care. I’ll continue the series. I liked the other books a lot more. I suppose this was just a dud for me.

Shared Veins, by Emily Elder

Not horrible, but pretty mediocre. The FMC is a doormat, though she does have a pretty drastic attitude shift at some point and grows the beginning of a spine. The men are not given equal attention, and I don’t feel I really know them as anything more than caricatures (the sunny one, the brooding one, the brainy one, the leader, etc). Also, it is heavily in need of further editing. There are several super obvious errors that a basic spellcheck should have caught.

The Good Body, by Eve Ensler (V)

This was an interesting read. I think a lot of women will find something to relate to in it. However, I also think that others will find it fails to say anything new or noteworthy on an old and well-trodden path. I suppose both can be true.

Entangled with an Elf Prince, by Amanda Ferreira

This was really sweet. Honestly, I often didn’t know exactly what was happening outside of the very tight focus on the two characters (and there are only the two characters). But watching them discover one another was lovely.

Treasure, by Marleigh Kassidy

Meh, I mean, it is what it is, right? It’s an erotic short; sex pretty much is the point. The sex is fine; a little rushed in the v to dp journey, but ok, whatever. I mean, it’s not great, but again, it is what it is. My only real complaint is that it’s lopsided. Too much time passes as she tries to escape, and what remains after she is finished being scared isn’t enough to balance it out. Oh, and it ends on a cliffhanger, FYI.

A Monster In The Dark, by R.K. Pierce

Erotic horror(ish) that isn’t particularly spicy. There’s a whole lot more talk of what he wants to do to her than them actually doing anything. He is appropriately obsessive for a demon (though he has a relatively sudden personality shift toward the end). She is understandably panicked and scared, although she got over it remarkably quickly. All in all, it’s an amusing enough read for what it is.

Finding Her Minotaur, by Evangeline Priest

Meh. This was an entertaining enough read for the evening. But I read it last night before bed, and this morning, writing a review, it’s already fading from memory. Nothing of note stood out as worth remembering. Despite its cover and Minotaur MMC, it’s not particularly spicy. And while I realize, of course, that it is a novella, it’s exceptionally shallow. (Plus, it could use an editing pass to shore up the past/present tenses.)

It feels very, very much like it is part of something bigger. People are given titles, honorifics, or social standing, while world and galactic politics are referenced, and a mystery surrounding the FMC’s origins is hinted at; however, none of these elements are explained or contextualized.

The MMC seems sweet, noble, and loyal, but you don’t get to know him at all. You get even less of a read on the FFC. Priest gives you her circumstances, but basically nothing of her as a person.

All in all, I don’t regret reading it. But I honestly won’t remember I did by tomorrow. So, it’s not a winner either.

Thrum, by Meg Smitherman

Perhaps I misunderstood the brief, or the marketing of this book is off the mark. But I expected a monstery romance involving a deep space edlrich horror. This has a light sex scene or two, but sex scenes do not a romance make. This is horror, maybe gothic horror if you’re willing to stretch it far enough to encompass space. That’s not to say I didn’t like it. It’s atmospheric, and the reader truly feels the main character’s crumbling reality and fear. But it’s not what I was led to believe it would be. I was left with questions, and the sudden reveal and wrap-up at the end felt rushed. But generally, I enjoyed this.

Matched to the Mafia, by Jenika Snow

I’ve tried several of Snow’s books now. (I bought several all at one time, at some point.) And I think she just isn’t for me. I thought this was pretty trash. We get ‘he’s a bad guy and wants her’ in 15 variations, and that’s honestly about it. I know it’s a novella. But it’s not a very good one, IMO.

Starbinder, by Mark Timmony

Very clearly just a small taste of something larger, Starbinder is an intriguing teaser to the series as a whole. The writing is clear, and the world seems interesting. But I do think it was a bit too big to squeeze into a novella.

Book Review: One Cursed Rose & One Dark Kiss, by Rebecca Zanetti

One Cursed Rose:

They christened me Alana—and while the name means beauty, beneath that surface is a depth I allow very few to see. I’m sole heir to Aquarius Social, a media giant about to succumb to an unseen enemy. My father’s solution is to marry me off to the son of a competing family. My reaction? Not a chance. Now I have just a week before the wedding to change my fate.

Who knew the unforeseen twist would be an assassination attempt on me and an unwanted rescue by Thorn Beathach, the head of the rival social media empire driving Aquarius under? The richest, most ruthless of them all, the Beast protects his realm with an iron rule: no one sees his face. When he shows himself to me, I know he’ll never let me go.

Thorn may think he can lock me in his enchanted castle forever, but I’m not the docile Beauty he expects. If the Beast wants to tie me up, I’m going to take pleasure from every minute of it …and we’ll just see who ends up shackled.

MY REVIEW:

I don’t think Zanetti is the author for me. Which is a shame; I’ve one more of her books that I’ve committed to reading (if only to myself). When I picked this up, I didn’t realize I had read a book by Zanetti about five years ago. I just went back and read that review. It says:

Honestly, I thought this was pretty bad. The plot has too many holes in it. The heroine is spineless, and the hero is a neanderthal jerk. (I can handle an alpha a-hole hero in a paranormal romance, where being a werewolf or vampire or sea monster explains away the assholeness. But in a plain old human, he just feels abusive.) The sex wasn’t sexy, being of the no foreplay, “he pounded/hammered/slammed into her” sort. The science was handwavey. And the whole thing just felt ridiculous. But hey, I do an alphabet challenge every year, and I always struggle to find a Z-author. Now I have.

With the exception that this theoretically has magic in it and the FMC isn’t spineless, this review of Scorpius Rising could also apply to One Cursed Rose. I recently saw someone else say morally grey male characters in this sort of book are supposed to do bad things for her, not bad things to her. I’m not sure that holds true all the time (dark romance can be very dark at times), but I think it would be the case for this book. This isn’t a particularly dark romance, but there’s nothing about the FMC and MMC’s interactions that leads the reader to believe love should develop between them. He’s a “a neanderthal jerk” who “pounded/hammered/slammed into her” and did little else beyond spout obsessive “You’re mine” BS. However, his obsession begins before the book and is never fully explained. So, it too feels unsupported and unbelievable.

This is a problem because the entire plot of the book hinges on his obsession with her. It’s why he’s so protective, possessive, and lusty. He spends the entire book giving her rules and punishing her if she breaks them (some feeling very abusive, even if—maybe especially since—it’s in sex-play), telling her what to do and expecting obedience, and making demands on her agency that amount to literal ownership. All wrapped up in ‘romance.’ Lately, I’ve been dancing with the idea of calling this “fundamentalist fiction.” Because it 100% lines up with Christian fundamentalism’s idea of male headship and female submission to their male partner. If the stories we read are meant to support and undergird society’s cultural norms, this one absolutely aligns with a Christian fundamentalist world-view. He has absolute power and control, including the right to hurt her and have her thank him for it.

One Dark Kiss:

ALEXEI
I’ve spent the last seven years in the hell of a maximum-security prison, every moment consumed by the need for revenge—revenge against the bastards who framed me, and revenge against the family who stole everything I owned. Now that I’m finally free, nothing will stand in my way. Not even her—my hot as sin new lawyer. Maybe she’s another weapon sent by my enemies to break me, or maybe she’s the key to my freedom. Either way, once she’s mine, I’m never letting her go.

ROSALIE
When I took this case, I thought I had it under control. But Alexei is no typical convicted killer—he’s a dangerously seductive force of nature. Perhaps it’s the lingering power from his days as heir to a global social media empire. Innocent or not, he’s dangerous in the worst and best ways.

I secure Alexei’s release as we prepare for a new trial, but he wastes no time turning against his traitorous relatives and plotting his return to power. Amidst the chaos, our explosive chemistry ignites, putting us—and everyone I care about—in the crosshairs of ruthless enemies. If we can’t stop them, Alexei plans to burn the whole world down. And if anything, he’s a man of his word…

MY REVIEW:

I said in the review of book one that I’d recently heard someone say “morally grey male characters in this sort of book are supposed to do bad things for her, not bad things to her. I’m not sure that holds true all the time (dark romance can be very dark at times), but I think it would be the case for this book.” I hadn’t yet figured out how to articulate why the morally grey characters felt so off in Zanetti’s books. I have now.

In a completely unrelated event, I saw a TikTok a few days back that discussed dark fiction on a spectrum from light to pitch black. While where the line is drawn is up for debate, for the sake of my point, I’ll use their scale. They broke it down like this: Diet (or light) Dark Romane is when a book has dark themes, but the characters are not bad people. Standard Dark Romance is about good people who do morally grey things that can be justified (like killing bad people), but they love each other fiercely. Pitch Black Romance is where all morals are gone, one of them (and it’s usually the male) does bad things and is a bad person, but is obsessed with their romantic partner.

Zanetti writes standard dark romance that leans toward diet even, and then tries to put a pitch black male romantic lead in it. The reader is told again and again how dark and moralless he is, but then every one we see him kill happens to be pimping kids or beating women or a rapist. They lead various organized crime families (the social media empires are just a euphemism for the Mob and Bratva) but refuse to traffic women or kids, institute moral limits within their organizations, and are basically Standard Dark Romance men. He’s not really a pitch-black MMC, even though Zanetti tries to convince us he is.

The problems come in when he interacts with the FMC because he acts in a Dark Romance way with her. Without the architecture of pitch black romance in the rest of the book, the domineering way he acts with her feels out of place and flatly abusive, like his abusive persona only comes out at home. Hell, the MMC straight-up SAs the FMC in this book, and there is nothing in the rest of the book to give it the patina of consensual non-consent. She’s unconscious when he starts, and then when she wakes, she tells him no repeatedly. After the fact, she states he forced it on her. It’s SA, and the book lacks the pitch blackness to contextualize it as anything else or successfully convince the reader that it’s really what the FMC wanted. So, the male leads in both books in this series, but especially in this one, simply feel extremely domestically controlling and abusive, and there is nothing sexy about it. Some extremely dark romances, especially those leaning toward horror, pull it off. Zanetti’s books do not. They don’t even come close. You simply can’t have a male romantic lead that is abusive toward her, but working with a moral compass with everything else, and not have it feel like your standard contemporary domestic abuser. Throw in all the stuff about ownership and possession, and you have your misogynist, too.

Plus, on a separate point, when you really break the books down. Books one and two are basically the exact same book. So, even when reading the two back to back, you feel the formulaic nature. I can’t imagine I’ll read another Zanetti book.

Other Reviews:

Ebook Obsessed: Grimm Bargains

Fiction Addictions: One Dark Kiss