Description from Goodreads:
Justin Reeve Netherwood, Earl of Kempthorn—a.k.a. Thorn—has never cared much for his neighbor’s daughter. But his twin brother, Gideon, befriended the wild, reckless, and wholly inappropriate Miss Olivia Lydall in youth, and two have been close ever since. So when Olivia finds herself in a state of romantic conflict and seeks out Gideon for advice, he’s only too pleased to oblige. Only problem: The man Olivia is speaking to is Thorn. And now it’s too late for him to tell Olivia the truth…
Thorn always believed that Olivia was too smitten with Gideon for her own good. So what’s the harm in steering her away from him? But Thorn’s charade turns out to be anything but harmless once he begins to see Olivia for who she really is: A woman full of spirit and passion…and someone he can’t live without. But how can Thorn claim Olivia’s heart when their deepening connection—and burning desire—is built on lies and deceit?
Review: (with spoiler)
A few weeks back, I (thought) I read all the regency romance on my physical book shelf. If you include the extra short at the end of one of them, I read books with two duke, two viscount and a marquess heroes*. Apparently, I missed this one about an Earl. It was hidden in the back of a double-lined shelf.
Regency romance is hard for me. When I find one I like, I tend to love it. But they have a high probability of including problematic ideas around female autonomy, male control and possession of women. Of course, for the time period, some of that is to be expected. But some books manage to challenge it and others seem to revel in it. Waiting for an Earl Like You if of the latter.
I liked very much that Olivia was head strong and not inclined to do what she was told. But throughout the book Thorn undermines her, which largely nullified the effect. There’s references to him setting up the rules of their relationship and hints at discipline if she doesn’t obey. I disliked it.
Further, I really just hated Thorn. Imagine the scenario…He thinks his brother is in love with Olivia.The two of them have been best friends since childhood (age difference be damned). So, he sets out to seduce her, falls in love and marries her. The fact that his brother loved her is never address. The author tried to twist the events of early in the book to make it seem like Thorn had always loved her, and therefore it’s all all right. But it’s bogus and doesn’t work. He was a jerk. The impression really wasn’t helped by the authors frequent references to he and his friends past debaucheries. They really seem like the sort that take advantage of their station, unlikable to the extreme.
Then there is a whole mystery set up around why Gideon left, where he’d been, why he came back and why he and Thorn are so distant. But it’s never cleared. It’s just a big question mark. Perhaps this is addressed in one of the other books, but it’s not here and really, this mystery was the primary reason I kept reading. So, not having it solved irked me.
Lastly, one of my pet peeves in books is how easily and off-hardly authors victimize women. In this book, Olivia is randomly almost kidnapped by three random men for nefarious purposes (one would assume rape) and then later deliberately kidnapped to be sold as a sex slave. This was taking the plot off in some ridiculous and unbelievable direction, but it was also wholly unnecessary. There are a million other ways to punish a regency era woman. But the author jumped to sex slave? I was livid.