I received an advanced copy of F. T. Lukens‘ Monster of the Week through Netgalley. As it happens, I’ve also pre-ordered a paperback copy. But I won’t have that in hand until October.
Description from Goodreads:
Spring semester of Bridger Whitt’s senior year of high school is looking great. He has the perfect boyfriend, a stellar best friend, and an acceptance letter to college. He also has this incredible job as an assistant to Pavel Chudinov, an intermediary tasked with helping cryptids navigate the modern world. His days are filled with kisses, laughs, pixies, and the occasional unicorn. Life is awesome. But as graduation draws near, Bridger’s perfect life begins to unravel. Uncertainties about his future surface, his estranged dad shows up out of nowhere, and, perhaps worst of all, a monster-hunting television show arrives in town to investigate the series of strange events from last fall. The show’s intrepid host will not be deterred, and Bridger finds himself trapped in a game of cat and mouse that could very well put the myth world at risk. Again.
Review (with spoiler):
I generally adore this series. I absolutely loved the first book. I can’t say I loved this second one quite as much, but I did really enjoy it. I’ll start with what I like. There is a lot of love here. Bridger has a wonderfully supportive crew and the theme of Found Family is a wonderful one. The cast of regular characters are quirky and fun and effortlessly diverse. And I really appreciated that Lukens allowed Bridger to cut the toxic family member from his life, rather than force an artificial reconciliation.
Things I didn’t like as much was the plot dependance on the ambitious, ‘evil professional woman.’ It’s more nuanced than that here, but it’s still a pretty shitty trope that I hate. I thought things got a little didactic at times. And the focus of the book was less on the action and antics of the cryptic, here in Monster of the Week, and more on Bridger’s school life. I preferred the former.
All in all, I can’t wait for more of Lukens’ work.
I received an Audible copy of 
for review.
Pretty good. I finished the book still confused about some of the hows and whys of both the Horseman and the ghosts’ reenactments, it’s a bit hand-wavy, but I enjoyed my time with the characters (Ireland more than Ichabod). The loves are both a tad too insta-love for me, but there were hints that there might be a reason for this (some draw) that will be revealed in future books, so I’ll forgive it. The dialogue and writing were witty and the narrator did a nice job with them. I liked her voice for the modern characters a lot more than the historic ones, but I think some of the reason might have been because they were written to be more formal (fewer contractions and such). All in all, enjoyable and I look forward to more.
While not bad, I didn’t enjoy this one anywhere near as much as the first. It picked up directly after the end of book one, but I generally felt like the characters randomly went to meet some guy, who randomly had a tragedy befall him, and they all randomly went about trying to save the day. I actually wondered if I’d missed a chapter or two in there at some point, because it seemed to jump about. It was still funny and the characters dropped lots of witty one-liners and I liked the pop culture references. Further, I listened to the Audio version and the narrator did a nice job. So, again, not bad, but a disappointment after book one.
I wouldn’t go so far as to say this is bad, but I do feel like the series has run farther and farther off the tracks with each book. At the end of each subsequent book, I’ve been left with more questions than at the end of the previous one. As always, I thought Rourke’s writing was easy to read (or listen to in my case, since I had the audio) and all the sarcasm and pop culture references are funny. But I never felt connected to this story. Why, the crew went along with Well’s plan, for example, was a nagging question. Why introduce characters that were never more than props, was another. And I also thought that pulling the legends of the Horseman and Poe away from the mystical and giving them human(ish) origins diminished them. Basically, while finely written I just didn’t like it very much.