I picked up a copy of Jordyn Alexander‘s War Queen as an Amazon freebie, then purchased a copy of War Mistress. (I also preordered book three, War Maiden.)
About War Bride:
Cursed at birth with fairy-like beauty, Queen Adalind has only ever known pain and death at the hands of men.
Always a prize to be coveted, she doesn’t know that she can trust any male. When Adalind must save her kingdom after the death of her cruel husband during a war he started with the nearby orc kingdom, the jaded queen offers herself up as a sacrifice. The orc king will receive a bride with magical beauty and she will save her subjects from more slaughter. What she doesn’t expect is to be attracted to her future husband or find him to an honorable orc.
King Rognar is merely seeking to end the war started by the humans, take his pound of flesh and go home.
What he is not expecting is to be challenged by a beautiful, politically savvy queen, who seems to offer him everything he could ever want. But as he gets to see the real woman beneath her icy exterior, he finds that what he truly wants is Adalind’s heart. As passion ignites between them, can they trust each other and rule two kingdoms?
Or will all the forces that conspire against them tear them and their kingdoms, apart?
Review:
Honestly, this was a pleasant surprise. I picked the book up as an Amazon freebie, and the cover is doing it no favors. But I thought this to be one of the better orc romances I’ve read. Often, I want to like them more than I turn out to. But Alexander walks a thin line here with her hero. He’s the ‘great king,’ alpha of alphas among the orcs, etc. But he’s no alpha-hole. In fact, he’s the opposite, a man confident enough in himself, his power, and his position to be willing to bend and follow his mate’s lead. He is so amazingly careful of Adalind and I adored him.
Adalind, in turn, is a strong, resilient character. There are some trigger warnings on this one. But even I, who is generally very critical of rape’s use in fiction (I generally think it is far too often used as cheap, lazy plotting), have no issue with its use here. There is none on-page; it is integral to the plot, tactfully dealt with, and the resulting trauma wasn’t magiced away.
I did feel like the last quarter was somehow just not as tight and well-written as the first 3/4, though I don’t know that I could articulate why. (The villain’s POV probably has something to do with it.) But I’ve already bought book 2 and pre-ordered book three, which should tell you more about how I felt than anything else.
About War Mistress: