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Review of the Redneck Apocalypse series, by Eden Hudson

I picked the first book of the Redneck Apocalypse series, Halo Bound, up as an Amazon Freebie. I then bought Hell Bent and God Killer. It would have been cheaper to just buy the boxset, but of course I didn’t think to do that in advance. Oh well. I wrote the following reviews as I finished the books, prior to reading the next in the series.

This description is for Halo Bound, but it describes the whole series well enough:

The holy champion chosen to save the world is enslaved to a sadistic fallen angel and losing the battle for his sanity.

The guy chosen to save the holy champion is his binge-drinking redneck brother.

So, basically, the world is screwed.

Meet the Whitney boys:
Colt—a mentally unstable holy soldier with a rapidly deteriorating hold on reality. His last plan to rid the world of evil either failed horribly or went off without a hitch. With the constant torture and brainwashing, it’s getting hard for him to remember.

Tough—a smart-mouthed honky tonk hero addicted to music, women, and good times. He hasn’t spoken to Colt in five years—not since their disagreement over a nymphomaniac vampire turned into a drunken slugfest—but they’re still brothers. Tough knows he can’t leave Colt fighting for his life and his sanity alone. The question is whether Tough can fight off his personal demons long enough to save Colt from the literal ones.

Halo Bound, also called How to Kill Youself in a Small Town:

Good enough that I immediately bought book two. (And when you have thousands of ebooks on your reader, buying a new one to continue a series is a big compliment to the author.)

It started out quite rough. It’s set several years after a big human/fallen angel war and you definitely feel like you’re missing a little something…and like people are just getting on with the new normal a little too easily. There’s no sense of it the new laws are only in effect in Halo or in the rest of the world too.

Also, the characters are meant to be in there twenties, but they feel very much more like teens. Take the sex out and this could easily be a YA book. I do wish they felt a little older. Lastly, the naming convention for women is a mess. Honestly, Mitzy, Tiffani, Sissy, Tempie and Desty? (I’ll add a post-read edit to mention book two has a Candi too!)

But despite those two real complaints, the book is dark, funny and plot is an interesting one. It grapples with some heavy themes that I appreciate. All in all, worth the read. I’m glad I took a chance on it.

Be warned however, it’s a cliffhanger. And not the ‘some threads wrap up, while others are left open’ cliffy. The sort where the plot just stops because the book is the prescribed length and the story needs to be broken into a series.

Hell Bent:

This is an enjoyable second book. The characters are still dealing with some dark issues and it turns out being the chosen of God isn’t all holy robes and angelic music. Being his representative in a Holy War is just as dirty and bloody and shit-stained as any other war…more so.

I didn’t think this one had quite the depth of book one. A lot more of it is spent in the minds (and spiritual warfare) or two characters. It fills the pages, but the plot didn’t progress as far as I’d hoped. Having said that, I plan to read book three.

God Killer:

This ended largely as you’d expect, given the subject matter. But it was still nice seeing how it came to be. Though, Hudson doesn’t shy away from letting people die. She and George RR Martin must lunch on Mondays or something. But it’s good. As much as it hurt, what sort of Holy War would it really be if everyone miraculously survived? When playing in the field of the divine, humans are small and fragile.

I do have to point out that though book one uses Christian mythos in the plot, I wouldn’t have called it an explicitly Christian novel. Book two is…well it’s a middle book, but I’d mostly say the same for it. But here in book three? I think you really need to buy into the Christian belief to roll with the ending.

This is the spoiler I mentioned above, because I want to address that ending. It basically boils down to God saying ‘X turned their back on me. But I love them and as soon as they call out to me I’m there.’ And when the person does, God saves the day. Now, I’m not oblivious to the story Hudson was telling. I understand that X had to live the horrid life they did so that Y could see one person lose everything over and over again and still choose the path of righteousness. I see that. But why did God wait until the very last moment? Why was it the only one that mattered? X had called out to them many times. His brother literally crawled through the agonies of Hell calling out to him. Their parents raised their children as holy warriors, their belief was so strong. And an entire town walked into almost certain death calling out to him. (That’s just in Halo. One assumes similar things are happening around the world.) Why did none of those calls matter? Only the last one.

This is where I can see an actual Christian simply rolling with God’s plan. Because there obviously was a plan. But as a non-Christian all I see is the same disinterest in human suffering that left Y thinking he was just as cruel as Lucifer himself. The plan seemed to be let humanity suffer until the very end and then claim it was their own fault, as far as I was concerned. So, I really didn’t buy the ending. I appreciate that the writing brought the story full circle and it was well-written, but I don’t possess the needed belief system to make me interpret it the way Hudson obviously intends. I can recognize it, but I soundly reject it as not supported by the evidence. Which left it a little dissatisfying.

I also thought God (or JC as one aspect of him was called) was just a little too guy-next-door. He had no gravitas. And I resented that Desty and Tempie (yeah the naming convention of women was horrible) became rape-barbies. Sure, none of it was graphic. We don’t see them, but we’re certainly told it happened over and over again.

All in all, this is a series with great writing, but one that abandoned me in the end. But for a religious reader, I think this could be a real win. Just know you have to walk through darkness with the characters first. And honestly, that’s what kept me reading the series. Not that I enjoy the horrible things that happened. But I appreciated that Hudson didn’t shy away from them. The characters did horrible things to survive. They made unbearable mistakes. They lost and stole and cheated and sided with the enemy and suffered. But still they struggled on. It’s worth the read.

Note: Please don’t roll up in my comments trying to explain the Bible or biblical lore to me. I understand it well enough for this purpose.

Book Review of Angel’s Blood and Archangel’s Kiss, by Nalini Singh

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I borrowed audio copies of book one and two of Nalini Singh‘s Guild Hunter series (Angel’s Blood and Archangel’s Kiss) through Hoopla and my local library.

Description through Goodreads:

Vampire hunter Elena Deveraux is hired by the dangerously beautiful Archangel Raphael. But this time, it’s not a wayward vamp she has to track. It’s an archangel gone bad.

The job will put Elena in the midst of a killing spree like no other—and pull her to the razor’s edge of passion. Even if the hunt doesn’t destroy her, succumbing to Raphael’s seductive touch just may. For when archangels play, mortals break.

Review:

This is a hard book to rate because though it was OK, it’s basically 10 years old and we readers demand a lot more out of our PNR now than we did 10 years ago, especially from the hero. And some of my biggest complaints about this book are things that I think authors do better about now (the publishing industry allows them to do better about). It’s a little impolite to judge a book written a decade ago by the standards of today, but my enjoyment was definitely effected by them. Hmmm….

So, the good. I liked Elena. She was a professional, good at what she did and strong without being a consistently rude (so many times authors try and write a strong woman an just write and angry bitch). I think the lore of the angels and vampires was an interesting one. All in all, I like the idea of the book and the narrator, Justine Eyre, did a fine job.

The bad. There isn’t any romance. I saw lust between these two characters and I understood it, no problem. But they didn’t even seem to like each other, let alone love. And the power divide between the two was too gaping to be crossed, IMO. I couldn’t see that Elena could or would ever be an equal in the relationship. What’s more, the sex was the sort that’s hot, but reads as if female bodies are made of steel and have to be jackhammered into. I cringed.

The really bad. I cannot even count how many times I have written reviews in which I point out that the single other significant female in the book, other than the main character, is the jealous woman who uses her sexuality as a weapon and tries to steal a man. This plot device is so common that (though I couldn’t have articulated it) I mimicked it in writing in my very first attempt to write a story at age 10. Of course, I didn’t understand sexuality then, but the character I wrote had all the trademarks of the angry, jealous, vixen that can’t be trusted. Can we maybe stop feeding women the idea that other women can’t be trusted? I’m SO sick of seeing this in books.

I’ll try book two. But if it’s not an improvement on this first book, I won’t read more. I imagine by 2009 standards it was a fine book, but by those of 2019 not so much.

Description from Goodreads:

Vampire hunter Elena Deveraux wakes from a year-long coma to find herself changed—an angel with wings the colors of midnight and dawn—but her fragile body needs time to heal before she can take flight. Her lover, the stunningly dangerous archangel, Raphael, is used to being in control—especially when it comes to the woman he considers his own. But Elena has never done well with authority.

They’ve barely begun to understand each other when Raphael receives an invitation to a ball from the archangel, Lijuan. To refuse would be a sign of fatal weakness, so Raphael must ready Elena for the flight to Beijing—and to the nightmare that awaits them there. Ancient and without conscience, Lijuan holds a power that lies with the dead. And she has organized the most perfect and most vicious of welcomes for Elena.

Review:

Oh look, the requisite book where the hero takes the heroine and buys her a pretty dress. The cliches just keep coming. The book also continues the evil woman trend. There are three significant females, other than the heroine and her best friend—who are of course perfect (and I wouldn’t consider the friend significant)—and they are all evil. Every one.

The plot was pretty obvious, both what would happen and who the villain(s) would be. It was tedious. I also just plain got tired of every man Elena spoke to hitting on her, even as they told her they’d happily kill her. Between all the innuendo with the other angels and vampires and the sex with Raphael I bored quickly.

It’s a shame. I like the idea of this series, but I’m not interested in reading anymore of it. I basically couldn’t get done with this one fast enough, so I could walk away.