Tag Archives: self published

dead eye

Book Review of Dead Eye (Tiger’s Eye Mystery #1), by Alyssa Day

I picked up a copy of Dead Eye, by Alyssa Day, during a freebie day on Amazon.

Description from Goodreads:

For Jack Shepherd, tiger shape-shifter and former soldier, life is heading for a dead end. Dead End, Florida, to be exact. When he learns that he inherited a combination pawn shop/private investigation agency from his favorite uncle, Jack’s first job is to solve his uncle’s murder. Because sometimes it takes a tiger’s eye to see the truth.

Review:

I thought this was amusing, but a little light on content. I liked the characters but didn’t think the romantic subplot was developed well enough. (Day seemed to be hinting at something interesting that never came to anything.) The plot stood alone, but I definitely felt the fact that it is a spin-off series. There were just too many references to past events the reader has no access to if they’ve not read the other series. The mystery was neatly set up, but the villain was dispatched with shocking ease and the whole thing felt anticlimactic. All in all, I liked it enough to read more of Day urban fantasy/ paranormal mystery writing, but not enough to call her a favorite.

kain

Book Review of Kain (Sex, Drugs, and Cyberpunk #1), by Brie McGill

Apparently, I picked up a freebie copy of Brie McGill‘s Kain way back in 2013. It’s one of the books I unearthed when I went through all my ebooks recently.

Description from Goodreads:

Beaten to a pulp, drugged into a daze, and brainwashed into oblivion, human experiment Lukian Valentin gambles his life to evade another eviscerating afternoon with his trigger-happy superiors. Fifty stories of a maximum-security building and hundreds of trained special operatives can’t hold a candle to his will to escape. Beyond the laser bars of his holding cell, Lukian must surmount the even greater challenges of repairing the fragments of his broken mind, forgiving himself for his unwilling involvement with the Empire, and learning what it means to live on his own.

The sassy and commanding Naoko Nai wonders just what to do with the soft-spoken, socially awkward, and totally ripped guy she was assigned to train for employment. She knows nothing else about him, other than the fact he was granted asylum, is great with a knife, and his little white apron gives her distinctly unprofessional thoughts.

When the Empire comes to collect, Naoko unwittingly provides the perfect bait to reel Lukian back to headquarters for a fresh series of brain implants and repair.

To save the woman he loves, Lukian must summon the deadly powers implanted in him by the Empire–powers he fears he can’t control, powers he struggled to forgive himself for using, powers that may drive Naoko away forever–because no ordinary man has struck a blow against the Empire and lived to tell the tale. To save Naoko, Lukian must emerge victorious from the battle against himself.

Review:

I picked this up thinking it was a paranormal romance (or sci-fi romance). You know, supersoldier romance, wherever that falls. It is not. Not at all. The only romance in it serves the cliched and disappointing role of allowing for ridiculously long and out of place sex scenes and providing the male protagonist motivation to act. That’s it. There are two female characters of note, one of which is barely a side character and the nympho girlfriend who literally has no character development outside of the bedroom and nice tits.

The book started out well. Once I’d accepted it wasn’t a romance, I thought it was lining up to be a smart and interesting sci-fi with themes of autonomy and self-determination. Then the whole thing spiraled into pseudo-mysticism (including several loooong visions), purple prose, and supersoldiers that don’t manage to be particularly super. What’s more, the supersoldiers literally did things like let the villain (who are caricatures, at best) monologue, pause, dig a syringe out of a drawer, inject themselves, put on a pair of gloves and reenter the fight. There were several (several!) ways and times that the villains could of and should have been disposed of and they just kept letting them come back to try and kill them again. It was ridiculous.

I did appreciate the side characters. Sven, J.J., and Rue (who all seemed to get more camp as the book went along) are probably the only reason I actually finished it.

Mostly, however, the book is just too long. I’d say a full hundred pages could have been cut and it would have been a better book. On a side note, that cover makes it look like the woman is the creepy, sexual molesting doctor, not the girlfriend (that I assume it’s meant to be).

 

the vampire's curse

Book Review of The Vampire’s Curse (Things in the Night #1), by Mandy Rosko

I think I picked my copy of Mandy Rosko‘s The Vampire’s Curse from Smashwords. Though if I’m honest, I’m not 100% sure.

Description from Goodreads:

With this kiss… In a city that cannot be found on any map that is inhabited entirely by witches, warlocks, vampires, and werewolves, Kyle McKane is seeking a cure for a curse that turns him into a blood hungry vampire during the night, and leaves him an exhausted, sleep deprived human during the day. …she will cure him… Jackie Moore is probably the worst witch in the city apart from her ability to heal wounds and illnesses with a touch of her lips. She rarely sees outsiders and is stunned to come face to teeth with Kyle when he finally succumbs to his hunger and attempts to bite her. …whether she wants to or not… Instead she grabs him by the ears and kisses away his curse before he can sink his fangs into her. The problem is that the cure is only temporary until Kyle turns again the next night, and then goes out in search of Jackie so that she can cure him again, whether she wants to or not.

Review:

This simply wasn’t all that great. But more important in terms of my personal review, it didn’t push any pleasure buttons for me. So many times I stopped and asked myself, why do authors do that. Why do they never truly punish the villains? Why do they use the protagonist’s capacity to forgive to prove how good they are, even when the person doesn’t deserve (hasn’t done work toward) forgiveness? Why do they think sappy backstories make them forgivable? Why do they give the male half of a mystical pairing special powers, but not the female? Why do they make female characters so wishy-washy and internally uncertain? Why do they set the bar so low for male characters that they get credit for being wonderful for doing almost nothing? Why do they make twist so damned obvious? Why do some authors make the ultimate villain literally the only other named character in the book (not too hard to figure out when there is only one person on the board)? So many times I found myself asking why did this author have to ruin this book this way. Plus, it took me 3 whole days to finish it. So, it felt like it went on forever.