Author Archives: Sadie

the internet made me do it

A thought on sexual assault in books…or the internet made me do it.

This is another one of those “I saw something on the internet that got me thinking” posts. Earlier today, I was scrolling through Instagram and came across a reaction reel of someone holding up a well known epic fantasy with a caption that read something along the lines of “reading a fantasy without any sexual assault in it.” It was followed by an author pissily reacting with “You know what, it’s almost like those books aren’t written for you.” And a lot of the comments were along the lines of “I hate when readers shame authors or other readers for including sexual assault.”

I’m not going to link the post, because I’m honestly not trying to start anything with anyone. They are 100% entitled to her opinion on the matter. I can even see where they’re coming from. There are a myriad of reasons to include a sexual assault and/or rape in a story—from authors and/or readers working out their own trauma, to it fit the plot, to the fantasy is sexy, and more. Nowhere in the following post am I suggesting sexual assault and/or rape should not ever be used in a book. That isn’t my argument here.

But the reel did make me wince and think, “Oh man, they’d hate me and my reviews.” Because I call out sexual assault and rape in books ALL THE TIME. And sometimes I even say things like “Come on author, could you really not think of anything more original to give this character a backstory?” And that can feel pretty shamey.

But I have a reason for this. It’s not usually about the inclusion of sexual assault in the singular, it’s about the sexual assault scene as a part of the collective. I read a lot of fantasy and a lot of romance, and sometimes it feels like, no matter how hard I try, I can’t even find a book that doesn’t have at least a rape threat in it. It’s just so very prevalent. And the knock-on effect is that, even when an individual book includes a sexual assault that serves a purpose and fits it’s plot in a way something else wouldn’t, it just feels like one more rape in a downpour of rapes, rather than one purposeful plot point.

So, at some point in the past, I started noting sexual assault and rapes in my reviews. Because it comes down to the numbers for me. Here’s one, and one more, and one more, and yet another, and another, and another, and another, and another, and another. At this point, I don’t even get triggered, or angry, or anything as strong as disgusted. I usually just sigh in disappointment, note it, and move on. But even that apathy is sad.

I don’t like what this says about our society, that sexual assault and rape feels the go-to for plot progression, drama, character development, etc. At this point, I think it too often feels lazy. Don’t want to take the time to develop a strong character, just have her boss rape her. Does she need a traumatic backstory to overcome, date rape to the rescue. Need to knock a competent female character down a peg or two, write a violent sexual assault into the story. Need to add a little danger that the hero can save the heroine from? There’s always a stranger ready jump out and try to rape her on her walk home from the bus stop. Want the reader to know your bad guy is really bad? Murder isn’t enough, but a rape fantasy will send the message every-time. Want the the reader to know the woman is in a bad neighborhood, have a few sexually explicit cat calls that read like rape threats get thrown her way. Want to let the reader know she was being impetus and acting in anger, let her storm off and then narrowly avoid a sexual assault (but make sure the reader has to read four paragraphs about what he plans to do to her before she escapes or is rescued).

And so, so, so, so often there are better option available to the author. My fear is that we’ve all read these stories so many times that we’ve set the precedent and expectation within our selves. We subliminally expect it and therefore, when we create our own stories, we  replicate what feels familiar without even realizing it. Again, I’m not saying no author should ever include a rape or sexual assault in their story. But I often call out rapes and sexual assaults in books because I feel like the author didn’t critically consider their own use of it. They just wrote what felt like should come next, because so often it does in stories. I WANT TO BREAK THAT SUBCONSCIOUS PATTERNING and I feel like the first step is to acknowledge it. So, I point it out in the hopes that others will notice it too.

Authors, all I’m asking is, include rape and sexual assault, sure, but do so consciously and conscientiously. Because as a reader, I honestly feel like I’m experiencing secondary trauma by virtue of being hit with a barrage of sexual assault and rape scenes, threats, and references every single day. I not infrequently realize that I’m tensing up in anticipation of the assault before it ever appears on page.

We hear about it in the media (who’s had allegations leveled against them, who’s be sentenced or acquitted, what new scandal is breaking, what war crime against women is being discussed, who’s speaking out at last, which billboard looks like an assault in lingerie, etc) and then we sit down to read (or watch a show/movie) in our down-time and get hit with more and more and more. It’s everywhere, always. I’m love it if there was a little less of it in the books I read for fun.

So, a single scene is just that. But I’m asking authors to also consider how that scene fits into the larger body of the genre you write in. Some books are always going to include references to sexual assault and/or rape, if not the act itself. If you’re writing erotica that explores the dynamics of power, control, and consent or if the story is about overcoming a rape, for example, then I have no complaints. But if it’s not a necessary component of the story, why not at least consider using something else?

If I’m honest, even if you consider and still decide to go with the rape or sexual assault, it’s a first step. It’s how often the scene doesn’t feel considered that really bothers me. I cannot tell you how many fantasy villains I’ve read, spouting off rape threats and I’ve just stopped and thought, “Well, that came out of nowhere and relates to nothing.” This is the sort of thing I’m thinking we could do without.

That’s it. That’s my reaction to a random Instagram reel I encountered on the internet. It’s not based on science or research. It’s completely anecdotal. But also 100% heart-felt.

 

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Book Review: The Rise of Chaos, by Aeyla Reed

It would be an exaggeration to say that I downloaded this book by accident, but it wouldn’t be an untruth. I signed up for Edelweiss a long time ago, possibly even years ago. But since I was happy with Netgalley (and familiar with it), I never really explored it. Until yesterday, that is.

Let me tell you, Edelweiss may not actually be overly complicated, but it is so HUGE as to feel complicated. In all of my floundering around I ended up downloading The Rise Of Chaos, by Aeyla Reed. I mean not in an “Oops, look what I did” way; more of an “Oh, I started the download process without really meaning to commit to that…well, might as well stick with it” kind of way. I had time to backtrack, but opted not to. I let fate take the wheel, or whatever

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A perilous adventure with trouble lurking under every unturned stone.
In the world of Terae, a war-torn place ravaged by eldritch monsters and wild magick, a young officer named Airis suddenly finds herself in the midst of a rebellion in humanity’s last city. Along with two close friends, she begins a long journey to secure a home for her lost people. Amid all this: a new romance blooms, secrets of a lost empire reveal themselves, and heroes are forged in the flames of combat.

my reviewI used to read quite a lot of manga (and watch as much anime). But I’ve fallen out of the habit over the years. Lately, I’ve been drifting in that direction again and have been wanting to explore books that are manga or anime-like. I’ve seen the genre called Progression Fantasy, but there might be a more precise title out there. (Just in case the previous sentence doesn’t make it obvious, I’m not coming at this from any sort of expert position.)

Regardless, looking at the cover of The Rise of Chaos you can probably understand why I picked it up. I figured it would be an anime-like story, and it is. But I didn’t realize it is also full-on LitRPG —with all the D&D-like character mark-ups and abilities, video game-like character health bars, etc—which I’m not an avid fan of. I flat out skimmed ever time a one of these passed (and some of them were quite long):

I skipped thes

But outside of the LitRPG aspects that didn’t appeal to me, I liked the characters. There was quite a lot of cute interplay between characters and I appreciated the m/f platonic friendships and the budding f/f relationship. However, I did feel like the world was only loosely described and we’re given the framework of political upheaval and then the book settled into filler and monster-battles that did little to move the plot along…or develop it at all, really.

All in all, I’d say this was a middle of the road read for me. It wasn’t bad. But it wasn’t really an all out winner either.

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Other Reviews:

THE RISE OF CHAOS: Genesis

 

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Book Review: Harrowing Roses, by Barbara Cooper

I accepted a review copy of Barbara Cooper‘s Harrowing Roses from Lola’s Blog Tours. The book was also featured over on Sadie’s Spotlight. You can hop over there for author information and contact details.

Harrowing Roses

Can our heroine save the missing girl’s life … and her own?

Dana feels the atmosphere of the marsh seeping into her skin with each day she spends in the cold unwelcoming mansion of her father’s estranged family.

When her young cousin, Debra Lee, mysteriously vanishes, Dana turns to Henry – an attractive neighbor in the isolated cabin nearby, to help her search for her.

Is her cousin dead? What are these strange visions and dreams that her new friend is having … could they be connected to the missing girl?

Despite the hint of something unnatural and strange, Dana is inexplicably drawn to the surrounding woods and to Henry himself.

Does he know more about Debra Lee’s disappearance than he’s revealing… and is it the right time for Dana to start being afraid?

my review
I’m going to state up front that this book starts out very rough. The narrative is rambly— very stream-of-consciousness that repeats and contradicts itself regularly.  I found it hard to follow and there are some obvious grammar mistakes that yanked me even farther out of the narrative. But the book does eventually manage to reign it in (to an extent) and becomes readable.

What’s more, many (not all, but many) of the grammar mistakes are double negatives so common as to practically be regional colloquialisms (or actual colloquialisms, things people commonly say but aren’t correct). Page two, for example, has this one: “…she would leave, and he wouldn’t see her no more…” Had these speech patterns been used consistently enough to feel purposeful, I would have believed the author did it to provide color and depth to the character’s internal thoughts. And this would have added subsequent depth and character to the book itself. But they aren’t and, when combined with the other more pedestrian editing errors—to vs too, then vs than, odd punctuation, super inconsistent tenses, etc—it’s clear this wasn’t authorial choice. It’s lack of external editing.

I took several sentences to make that point. But please don’t take it to mean the book is an editorial disaster. It really isn’t. The book is quite readable. I mention it mostly because I feel it was so close to being something meatier than it turned out to be. But there’s just an informality to it that I don’t think was intended and this often results in lack of clarity, which kept me from really being able to sink into this story.

If this is where I stopped the review I can’t imagine I’d rate the book very well. But for all of the quirks in the writing (that I think a competent editor could clean up and make a stronger story) there is something in the book that appeals…or there is if you stick with it long enough. It has a gothic…dare I say, harrowing quality to it. It reminded me a lot of The Ocean at the End of the Lane and/or We Have Always Lived In the Castle, not in plot but in atmosphere and tone. By the end I had largely forgotten the rough start.

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Other Reviews:

https://ahippiesbookshelf.com/2022/03/10/book-review-harrowing-roses-by-barbara-cooper/


Edit:

Barbara Cooper has informed me (over on Goodreads) that I am wrong and the book is considered to be without grammatical errors…

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