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Book Review: The World Behind series (#1-3), by W.R. Gingell

I purchased e-copies of W.R. Gingell‘s The World Behind series. Well, I preordered the 3 that are currently available to order—A Whisker Behind, Behind Closed Doors, and Wet Behind the Ears. (Goodreads says there will be 5 in the end.) However, I somehow forgot that the third one wasn’t out yet when I started reading book one (and then two). So, I held off posting this until I could review all three together.

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Searching for redemption in the shifting realm between the human and fae worlds, not-so-reformed fae steward Athelas seems likely instead to find death, dismemberment, and deadly magic…

Exiled, excommunicated, and with a bounty on his head, Athelas is lying low in Seoul for exactly one reason: he has a wedding to attend. Whether or not he’s welcome is another matter.

Luckily for Athelas, several bodies have turned up with their soft insides gnawed out, whether by magic or Behindkind—and the latest of those bodies is at the very wedding hall he has been staking out. The Behindkind investigators suspect one of Athelas’ housemates: YeoWoo, a gumiho with a thirst for revenge and an even greater appetite for soft underbelly than Athelas. To buy herself time, YeoWoo barters alibis with the suspiciously quiet fae sharing her house, but to remain free, she must find the real murderer.

By joining the investigation, Athelas has exactly the chance he needs to prove that he is now a repentant, changed, and selfless fae, bent on atoning for former deeds…no matter how many Behindkind and humans he has to cut through to confirm that impression.

my review

You know, I didn’t think Gingell could top The City Between series with a spin-off, and I don’t know if I’d say this tops it. But man, is it right up there with it! I love what I have read so far, which is the first three books (all that are currently available).

The series does start out kind of slow and takes a little while to truly get invested in, even knowing and loving one of the main characters. But once it happens, there is a lot to love here. For me, the best part is the gruff, prickliness of both Athelas and YeoWoo that hides an absolute gooey center that both would deny until their dying breath…probably with their dying breath, actually. I ADORED them both! And seeing each paired with people who see right through them is a joy.

I do think there are a few phrases used too frequently (fancy and my dear come to mind). Though the humor and language are great, sometimes I wasn’t wholly sure what was happening. For example, a character would think, “Oh, I see,” and then the narrative would move on. But I was left going, “Wait, what do you see? I don’t see.”

Lastly, I very much enjoyed the glimpses of previous characters but was admittedly frustrated that those glimpses are all we get. All in all, I can’t wait for more. I admit, I originally thought it was going to be a trilogy. (I don’t know where I got that idea.) So, I’m both disappointed not to have reached a climactic conclusion and thrilled that I’ll get more time with these characters in the future. I have pre-ordered book four, Behind the Curtain.

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Image by Ryan McGuire from Pixabay

I am not interested in reviewing books written by men.

I know I’m going to get flack for this, should the very men I am writing this to avoid find it. But I am no longer interested in accepting books written by men for review. I am literally changing my book review policies to bar men.

I understand fully that it’s not all men, and the very men who are going to show up in my comments claiming to be victimized and oppressed by my personal decision to avoid them are the very same men I’m hoping to avoid interacting with. Those that are tolerable will kindly leave me alone as asked. There is no winning in this situation.

I’ve been following the Matt Shaw drama online. He’s an extreme horror author who has gone after a reviewer for a poor review. (No, I’m not linking him.) He apparently wrote a whole book that he nastily dedicated to her. I’ve not read it. I’m not going to read it. But the screenshots that I have read scream misogyny made deniable because it’s packaged as ‘art.’ Therefore, anyone who criticizes it (i.e., women) must not be smart or cultured enough to understand it. *Insert eye-roll at the most trite, over-used strategy imaginable, again, being passed off as intellectually top-tier.* Men and their delusions of grandeur are so exhausting.

As if art can’t be (and often is) author-self-insert abusive fantasy. In fact, it so often is that it’s a large part of why women say men can’t write women well. Too many can’t keep their rape fantasies out of sex scenes or their dehumanizing ideation of women out of the most basic character descriptors. Hell, a certain portion can’t keep their rape fantasies out of the most basic character descriptors or their dehumanizing ideation of women out of sex scenes. It’s exhausting, and I long ago limited how many male authors I trusted because of it.

Here’s the cliff-notes version of the Matt Shaw situation if you want to catch up:

I’ve not had a male author write a gross dedication to me, let alone one in an extreme horror book whose introduction includes a dead mother and multi-generational incest (possibly rape, depending on how young the sister is meant to be). But I have had an author write a rape scene so graphic that when he told his writers’ group it was based on punishing a reviewer who gave him a bad review, one of the members felt compelled to warn me about it. (This is another common male tactic, the use of rape as punishment and fantasies about it to soothe their bruised ego.) So, I 100% understand why this reviewer feels threatened by this behavior. (If I have to explain to you why Shaw or Mann’s actions are a problem, then you are part of the problem, and I do not intend to waste my time with you.)

I’ve also had far more male authors than female ones aggressively tell me my review is wrong or mansplain my own opinion to me. And when it comes to book-review requests, more male authors than females ignore my stated genre preferences and waste my time requesting a review for a book (or entire back catalogs) that my policies tell them I’m not interested in (and not infrequently try to convince me to change my mind once I’ve politely declined). I received a request today, for example, to review a coming-of-age crime thriller, when my policies state that I’m only open to non-YA “Monster and Why Choose Romances of the fantasy/paranormal/sci-fi (etc.) variety.” *big exhausted sigh*

Men also frequently have a perplexing habit of sending me book review requests that include no actual request but rather an assumption that I’ll read their book. The palatable sense of entitlement is often astounding. None of this even touches on how often men just think they are smarter and all around better than everyone else, in general. *Again, men are exhausting.*

And, men, if you are tired of hearing how exhausting you are, then maybe do something about not being so exhausting. If you’re not one of these men doing gross, threatening, or entitled things, it’s time to step up and start talking to those who are. Because until you do, you are complicit and also exhausting, just in a different manner. Thus, you are still part of the problem and exhausting.

You can now thank that same lack of action for the loss of a review resource. I feel no need to continue to function within a space where I have to navigate such behavior. Seeing the Matt Image by Gordon Johnson from PixabayShaw scenario play out is just my personal last straw. I’m out. I will no longer accept review requests from men, regardless of the genre, plot, praise, or circumstances under which I’m asked. The answer is and will be no.

It’s not that I’ve never had good interactions with male authors or given any of their books five stars. But as is always the counter to the tired ‘it’s not all men’ mantra, maybe not, but women can’t know which men. So, I’m choosing to simply avoid you all. Thank your toxic bros for that. That’s where the blame lies—not with me, not with feminism, and not with women in general. But with you and your brethren.

Good-bye.

 

 

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Book Review: Alpha Queen Legacy series, by Laurel Night

I picked up Laurel Night‘s  Wolf Shunned, the first book in the Alpha Queen Legacy series, as an Amazon freebie. I then bought the omnibus of the series so that I could read Pack Claimed, Queen Crowned, and Legacy Fulfilled.

alpha queen covers

It’s amazing to be a powerful wolf… if you’re male.

When you’re a nineteen year-old girl who can beat the crap out of every wolf in your pack, suddenly it’s not so great.

Love isn’t everything, I know; but even the most powerful she-wolf submits to her mate. If you can’t be beaten, you can’t be mated.

And an unmated wolf has no place in the pack.

My one hope is the clan gathering in the Blackwood Fortress. Every wolf in the continent attends, and a few seriously sexy wolves catch my eye. I’m bound to find at least one who can match me, right?

Then there’s my other problem: My pack leader is a grade-A jerk. After treating me like a genetic freak my whole life, he suddenly decides to stake a claim. But I can’t refuse the challenge, and my wolf won’t back down. Either I submit to the pack leader and become mated to his skeezy pelt, or I win the challenge and my freedom… by taking his place as pack leader.

Only no one has ever heard of a female pack leader, and if I become one, I’ll never find a mate.

my review

With a few exceptions (which I will address), I really enjoyed book one of this series. I finished it excited to continue the story. However, that excitement wained as the series draggggggggs. Time went on. Days went by, in fact, where I just couldn’t seem to find the end. This despite the plot events slowing down and getting repetitive. I started dreading having to pick the book back up. I honestly think the author could cut enough chaff to reduce the series by an entire book! I never quite got to the point of disliking it. But I sure did get awfully bored.

The writing is clean and easy to read though, and I liked the characters well enough (individually and together). I liked that the men became family among themselves, as well as with Kali. A significant chunk of the books is about them learning to give up their toxic machismo, follow a woman, and come to accept that having some softness doesn’t make them weak. I thought Night addressed some surprisingly heavy topics in intelligent ways throughout the series.

There is surprisingly little sex in the series. It’s not fade to black, but there are not many sex scenes, and none of them are particularly explicit. I definitely wouldn’t call them overly erotic. (All but one of them is a virgin. So, no one knows enough to really get down from the get-go, and no single male mate gets more than one sex scene.) So, those looking for a Why Choose on the “cleaner” side could read this fairly comfortably. (But those looking for a spicy read will likely be disappointed.)

In the beginning, my biggest complaint was the age of the characters. They are all 19, weeks from turning 20. (Something important happens at 20.) Nothing about any of the characters feels 19. Most of them are the leaders of their clan, some having been so for years. They are experienced, jaded, and authoritative in a way that feels at least 35, not 19. This is addressed in the narrative with wolves maturing faster, etc. But it still yanked me out of the narrative over and over again because they so very much do not feel the age they are meant to be. (Plus, maturing faster means things like mating and bearing children are shifted back several years to accommodate, too, and that’s just icky. Especially since the characters are appropriately uncomfortable with 15-year-olds having babies, which counters the whole ‘matures early’ narrative to accommodate modern Western ideals.)

My biggest complaint, however, is not a plot point, per se (though it sure feels like one). I’m not making any allegations against the author, but I do want to acknowledge that there is something seriously hinky going on with race in the books. We’re repeatedly told the heroine is unusual and stands out as more beautiful than anyone else because she is fair-skinned, blonde, and blue-eyed. We are explicitly told that most people are dark (haired, eyed, skinned). So we have a ‘not-a-drop’ blonde who is more beautiful, powerful, and dominant than anyone else, coming to save (and rule) all the muddle skin/hair/eyed people. Read that as not white, though that terminology is never actually used. Even the single explicitly coded black man is never referred to as such.

And if this was just a time or two, I might not say anything. But this happens over and over again. The heroine has five mates, so there are five opportunities to talk about someone seeing her for the first time, narrative descriptions of the societies in general—five different clans, actually—and just a plethora of chances to admire Kali’s looks (imagine Kali from the Game of Thrones show and you’ll be in the ballpark) and talk about people and their looks.

I picked the pattern up fairly early and couldn’t stop seeing it. But then it got worse. [This is a little bit of a spoiler.] The main characters are post-apocalyptic, genetically non-human werewolves. At some point, the group discovers that there are, in fact, still some true humans secretly alive. And, you guessed it, while they aren’t as striking as Kali, their limited genetic gene pool leaves them all fair and blond, and their circumstances have them miles above and beyond the primitive wolves technologically. The only true humans in the book are blond/white (and Christian, as it happens), while the non-humans are not. In fact, Kali even asks if there could have been some intermating between the humans and the wolves since she looks like the humans more than the wolves.

I don’t know that the author made purposeful racial associations here, but she did make them, and it is not even subtle. Frankly, I don’t know if internalizing such racial biases to the degree they slip through into your writing by accident is truly better than doing it on purpose. Lastly, before you consider coming for me to argue such explicit worship of the blond doesn’t necessarily mean white, read some Tressie McMillan Cottom, who writes about blonde as a signifier of race. Or here, have a TikTok primer that crossed my feed with truly miraculous timeliness as I formulated this review:

@daniellamestyanekyoung

♬ original sound – Group Behavior Gal’s Shop

I also thought that the wolf/shifter aspect of the plot was underutilized. The wolves play very little part in the story. As a result, I kind of feel like the characters could have been genetically modified in ways that would make a lot more sense—just stronger, or heartier, or bigger humans, for example—without going all the way to able to shift into wolves and it would have been a stronger plot element.

All in all, I was super icked out by the race issue, but otherwise enjoyed book one and was apathetic about the last three. I didn’t hate them, but they didn’t light me on fire either.

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Other Reviews:

Wolf Shunned by Laurel Night – A Reread Review