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Audiobook Review: Snowspelled, by Stephanie Burgis

I borrowed an audiobook copy of Snowspelled by Stephanie Burgis from my local library to listen to while walking a 5k.

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In nineteenth-century Angland, magic is reserved for gentlemen while ladies attend to the more practical business of politics. But Cassandra Harwood has never followed the rules…

Four months ago, Cassandra Harwood was the first woman magician in Angland, and she was betrothed to the brilliant, intense love of her life.

Now Cassandra is trapped in a snowbound house party deep in the elven dales, surrounded by bickering gentleman magicians, manipulative lady politicians, her own interfering family members, and, worst of all, her infuriatingly stubborn ex-fiancé, who refuses to understand that she’s given him up for his own good.

But the greatest danger of all lies outside the manor in the falling snow, where a powerful and malevolent elf-lord lurks…and Cassandra lost all of her own magic four months ago.

To save herself, Cassandra will have to discover exactly what inner powers she still possesses – and risk everything to win a new kind of happiness.

my review

The audiobook includes the novella Spellswept. I thought it was a sweet little prequel to the series. I liked the writing style and voice of the main character and the challenge to societal dictates. I do find that when authors simply swap the gendered dynamics of social position, without also building out the implications of that, it is much less effective than it could be. That’s true here. A similar thing could be said (though I’ll try to be vague) about the decision to force the school to accept the girl, promising it is only about her, not about all women. But all in all, it was a cute read.

The main book, Snowspelled, I also enjoyed, but I have some complaints. The first is simply that, since the audiobook started with the Spellswept prequel, I expected the main character here to also be Amy, as it was in the prequel. I was disappointed to discover that this book is set years later and focuses on Cassandra. (Of the two, I was, at the time, much more interested in Amy.)

Second, though Amy isn’t the main character, she is in the book, and after building her up to be intelligent and capable, we discover that (as is SO OFTEN) the case, she had to give up her hard-earned future for love (and is happy with the decision). I hate this trope so much, and it’s beyond common. Burgis writes strong, female-forward books that frequently buck the gender norms. I was especially disappointed to see it here.

Beyond those initial complaints, I did like Cassandra. I adored her ex-fiance. He kind of remains a shadow, however, never fully fleshed out, which is a shame because he is so likable even as he is, that I wanted more of him and their relationship. The narrative tone is fun, and it is satisfying to see the group succeed against adversity in the end.

I was a tad bored throughout, however. The story feels deceptively low-stakes, which doesn’t really match the level of political world-building or authorial intent (I think). Despite that, I’d likely read the next book in the series. Or listen to it, as Emma Newman did a good job with the narration.


Snowspelled by Stephanie Burgis.

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Audiobook Review: The Shadow Queen, by Sloane Murphy

Quite some time ago, I received an audio code for a copy of Sloane Murphy‘s The Shadow Queen (narrated by Jeannie Sheneman). Unfortunately, I started a university program shortly after that and ended up with very little time to listen to audiobooks. So, it’s been sitting in the cloud since then. I finally got to listen to it.

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Once upon a time, there was a princess who lived amongst the shadows and monsters…

Pampered and coddled, Morganna didn’t know any different, until her father took the person who mattered most away from her.

The brutal lesson taught her the truth. Nothing in her world is given. If you want it, you have to take it.

What she wants now is revenge and she will take the thing that matters most to her father.

She will claim The Shadow Realm… and it will be hers.

my review

Meh, I thought this was mediocre, but it basically skirts by as fine. I have no desire to continue the series, but I didn’t dislike the book enough to DNF. So…I guess it is what it is. It felt like it was written with a lot of tropes, but not much of an apparent plot until right at the end.

The reader barely gets to know anyone. The character descriptions are very shallow. This is made worse by the fact that just about the time you get used to one mate, he gets left behind while the FMC goes off with the next. It felt abrupt and a bit like a betrayal. And I did not find the pseudo-noncon humiliation kink/trope to be a positive replacement. I could have done without that entirely. I suppose that leaves room for character development and growth on the part of mate number two. But since I won’t be around for it, the whole thing just left a bitter taste.

I found the descriptions of the FMC really inconsistent. She’ll threaten to kick someone’s ass, but she’s so weak and untrained. She talks like such a badass, but she’s so sheltered and untried. She’s so powerful, but completely unaware of what she’s capable of, and is chronically underestimated. She’s a princess, but not like other royals or girls. (She actually uses the phrase “I’m not like other girls” about herself, even.) This last one begs the question: if she’s raised in the same environment as everyone else, how did she and her brother miraculously turn out to be different?

Lastly, let’s talk about the “Fucks.” Look, I curse like a sailor and fully understand that a well-placed “fuck” can be very effective. So, I am not being prudish when I say this. But the word is the shadow queen photoused far, far, far too frequently in this book. It is so often unnecessary in the sentence that it clutters the dialogue, and, worse, makes all the characters sound the same because they all sprinkle it liberally in their speech in precisely the same way. Eventually, it just started to grate on my nerves.

Look, I’m not saying this was a bad book. It’s readable, and the narrator did a fine job. But I am saying it didn’t do anything for me. I just got to the end and was annoyed with it.


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Audiobook Review: Bloodthirsty, by Cassandra Featherstone

I’m fairly sure I picked up an audio copy of Cassandra Featherstone‘s Bloodthirsty in a freebie event.

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“Forgive me.”

Those were Professor Arnaud’s final words before I sliced through his neck. His was the first head I took, but it wouldn’t be the last.

Severing my connections to l’Academie d’Invisible was harder, but eventually, I escaped and built a reputation of my own.

Infamy suits me, and the harsh lessons of my childhood have served me well. I’m untouchable, undetectable, and untraceable. My targets are dead from the moment my name is whispered.

I am the Guillotine, and I work alone.

That is, until five criminals from my past reappear like unwanted phantoms, and I’m forced to choose between my targets and my vengeance.

Either way, heads will roll.

my review

This was, at best, ok. The writing seems readable (as best I can tell in an audiobook), and the narrators did a fine job. But, lord, was I bored, and the book is just the same thing over and over and over again. The FMC, Remy, tells us how awesome she is, what disguise she’s using, and something about her past at l’Academie d’Invisible. The book then cuts to one of the MMC who will tell us how his and his brothers’ trauma from losing her is destroying them before cutting back to her, a new disguise, etc. There are five men. They all do this. It’s agonizingly repetitive. Add to that the author’s tendency to forget injuries such as the FMC appears to heal at supernaturial speeds, and the fact that this is a slow-burn. So, ultimately, there’s no real payoff at the end. Plus, there’s a disconnect between what’s in the blurb and what Remy says in the book.

Also, as a side note. I know one doesn’t read this sort of book for the feminism. But I found it bloodthirsty photoseriously irritating to have the men written to give lip service to it, commenting on equal opportunity, and women’s capabilities, etc. But then, the author uses the same misogynistic tropes of reducing women to disposable “pussy,” etc. This is super common in the genre. I get that, annoying as it is, once you become aware of it. But it played worse than usual to have male characters who are theoretically mindful but also enact the same old misogynistic games. I wanted to be like, ‘Choose a lane.’


Other Reviews:

Review: Book: Bloodthirsty- Cassandra Featherstone