Live. Laugh. Love. Scream. DIE. Dax and Bisa love each other. But in this new and terrifying world, love is dangerous. Feeling anything is dangerous. Love. Hate. Joy. Fear. Any of these in strong doses will bring a swift death. Earth has a new and terrible invader—monsters that smell the scent of emotion, salivate over the prey, and hunt the very feelings that make us human. A shocking tale of pent-up emotions and forced composure in the face of unspeakable horror…
It took me a little while to digest Human Remains. I finished with a feeling of, “Welp, that’s a thing I’ve read now.” I don’t know that I could have even said if it all came around to a salient point or not. However, as I sat on the experience a little while and thought on it, I decided that it did. (Of course, it did.)
It’s gory and touches on any number of heavy, trauma-inducing subjects. (I think a trigger warning wouldn’t be out of place for this one.) But watching as the characters slowly move from shocked and horrified to numb and blasé in the face of countless deaths is poignant. (Can I say a book with roughly 2 million panels of humans being violently dismembered was poignant?) But what does it mean to be human, how much will we give up to remain human, how much can we change and still be human are all important and thought-provoking questions this graphic novel seeks to answer.
I did think it took a long time to come around to those points and a few of the devices used to make them were a little ham-handed. But all in all I’ll call this one a success.
Olivia Kade wrote the book that ended the world. Now she needs someone who won’t read it.
Civilization is a lie. Hidden deep in our genes is the truth. And it is slowly clawing its way to the surface. Olivia Kade knows the truth, and she has become the prophet of the coming collapse. Her book, SATYR, is an international bestseller, and it is being blamed for acts of senseless violence and bloodshed all over the world. Olivia’s own life is in danger from those who have read her work. Determined to conduct a book tour, she hires security professional Connor Wilson to act as her bodyguard. She only has one requirement: he cannot read her work.
Collects the entire smash 8-issue series.
I thought this was OK, leaning toward Meh. I liked the art, the way it was clean sometimes, but then loose when people lost their civilized mien. The subtle ways some things were relayed tickled me—like Conner suddenly going shirtless (let’s say half naked for the sake of my comparison) at the same time that he essentially went half Wilding. I loved the coloring, and I saw where the author was going with the plot. But I still have to say ‘Meh.’
One of the main reasons is how sexualized so many things are. Now, I know when a female reader of a male claimed media (as graphic novels still are) starts saying anything like “I thought there was too much sex” or “the female character was too sexualized,” a lot of people roll their eyes and dismiss the reviewer as a pearl-clutcher, a feminazi or whatever—and yes, I know women were involved in the publication. But hear me out.
I understand that the book is saying humanity is skewing toward baser instincts. Sex and lust are just such instincts, and the Olivia’s book was called Satyr, after all. Plus, even the main characters were losing themselves in a way. I didn’t miss any of the symbolism (and I don’t have any general issue with nudity or sex in a graphic novel, not even a gory horror one). But I also don’t think any—except maybe one—sex scene is actually stitched into the plot. There are several of them and they tend to just be shoved in between chapters with no real plot-relevant purpose. And there are just so many non-sexual panels that are a little too male-gaze sexy to serve the purpose. The cover is a great example of what I mean. I eventually just rolled my eyes at it all. Not because I was overly scandalized or because of my feminist leanings, but because it was all just so darned pedestrian. I was legitimately bored by it.
All in all, I didn’t hate it. I saw value in it. But it definitely wasn’t my favorite graphic novel of the year.
I accepted a review copy of Whitney Dean‘s A Kingdom of Flame and Fury through R&R Book Tours. The Book was also featured over on Sadie’s Spotlight. So, you can hop over there for an excerpt, author information, tour schedule, and (if you hurry) a chance to win a copy of the book.
At ten years old, Raven was mysteriously willed to be the next ruler of Seolia, a kingdom nestled within the realm of The Four Kingdoms. Orphaned as a baby, she has spent fifteen years ruling over a kingdom she believes she did not earn all while hiding secrets: she possesses dark magic and she thirsts for blood. Now at almost twenty-five years old and with a sudden addiction to stealing life, Raven must fight through her new procured darkness to save her soul, but when a mysterious stranger arrives in her kingdom, she starts experiencing vivid dreams that detail who she truly is. As she slowly starts to unravel her story, what she uncovers at the end of the spool will change the course of her life and her kingdom forever.
I went into this book with such high hopes. But it honestly just strangled them, one extra page at a time. I’ll give the author that the writing is mechanically competent, the editing is pretty clean, and the world is interesting. I didn’t even hate the characters. But the book is far, far, far too long for the plot that it contains. The middle just draaaaaaags, and then the whole thing finishes on a cliffhanger. So, there’s not even any payoff after sticking with it until the end.
I might have been able to tolerate that if it wasn’t paired with constant whiplash changes in character attitudes and behaviors. “I won’t do this.” Does it. “You can’t do that” Does it. “I’ll do the thing.” Doesn’t do it. “I love this man.” Hates same man. “I don’t sexually love this man.” Has sex with him. Back and forwards, back and forwards, back and forwards, back and forwards. I’m talking a full half of this book is just characters flipping between opposing attitudes/opinions/actions. And I was just completely done with it far before the book was done with me. Yes, I understood that the author was trying to show that the characters were conflicted, but it just felt contradictory and exhausting.
Even the narrative is contradictory. Here’s an example. The reader is told no one ever goes in the woods and there is virtually no crime on the island. Raven walked into the woods and was immediately accosted by a serial rapist. If no one goes in the woods and there’s almost no crime, he’s two rarities at once. He contradicts two pillars of the world as the reader has been told it exists. Exhausting.
Further, this is labeled a dark romance. I don’t think it’s a dark romance. It’s a freaking tragedy. I recognize the elements that Dean was trying to paint as dark romance. But it’s just toxic, abusive behavior without enough shading to make it an actual dark romance. Lastly, and this
Special edition cover
one was just an annoyance, but it really annoyed me. Nothing about Raven—her situation, her attitude, her demeanor, her kingdom, her training, her history, her interactions with others or them with her—felt queenly. Nothing. The book isn’t even clear on what she rules. Was it a country, an island, a town, or a village? Village is used more often than anything else. So, she’s the queen of a village? Linguistically, it doesn’t even make sense.
I think this book will find an audience. Exhausting whiplash aside, most aspects of it aren’t bad. I am just apparently not that audience.
