Tag Archives: Martha Wells

network effect fugitive telemetry

Book Review: Network Effect & Fugitive Telemetry

I pre-ordered a hardback copy of Martha Wells’ Network Effect and received an e-copy of Fugitive Telemetry through Netgalley.

Description from Goodreads:

Murderbot returns in its highly-anticipated, first, full-length standalone novel.

You know that feeling when you’re at work, and you’ve had enough of people, and then the boss walks in with yet another job that needs to be done right this second or the world will end, but all you want to do is go home and binge your favorite shows? And you’re a sentient murder machine programmed for destruction? Congratulations, you’re Murderbot.

Come for the pew-pew space battles, stay for the most relatable A.I. you’ll read this century.

Review:

OMG, full length Murderbot book; cue incoherent and excited babbling. Except, I do this weird thing when I’m really excited to read a book. I buy it and then I sit on it. Not literally, I just mean I don’t immediately read it. I don’t know why. But I do it often enough to recognize a pattern and I did it with Network Effect. So, I’ve had the book and the anticipation for a while now. But I read it yesterday. So good.

I did think the beginning a bit rough. Murderbot has a tendency to sarcastically name thing and make internal commentary. The result was several passages I had to read more than once to grasp the meaning. At one point, for example, Murderbot entered a room with what I thought was 2 people (and Amena). I had to go back and read it again and again because I couldn’t figure out how some were dying and still running away. Turns out it was 4 people; I’d just misunderstood Murderbot’s naming structure.

It did smooth out and I loved seeing Murderbot grow. I think there is more emotional growth in this book than all the others combined. And please give me more of ART and Three. I’m so curious about Three! I, as always, look forward to continuing the series.

network effect


fugitive telemetryDescription from Goodreads:

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?)

Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans!

Again!

Review:

After stepping away from Preservation Station in Network Effect, we’re back during Fugitive Telemetry. It was a little jarring, because it didn’t feel like it fit the timeline, like maybe FT should have come before NE. But either way I enjoyed it after those first few disconcerting “when am I” moments.

As always, Murderbot is wonderfully sarcastic. Here we see it working with people who aren’t (or aren’t yet) it’s people. It’s a struggle sometimes. As was Murderbot trying and do it’s job while ham-stringed by not being able to hack the computer systems. It was forced to interact with outside individuals more. All of it was a lot of fun.

The writing is readable and editing clean, as it has been with all the books so far. I can’t wait for more.

fugitive telemetry

Review: The Death of the Necromancer, by Martha Wells

I borrowed a copy of The Death of the Necromancer (by Martha Wells) from the library.

Description from Goodreads:

Nicholas Valiarde is a passionate, embittered nobleman with an enigmatic past. Consumed by thoughts of vengeance, he is consoled only by thoughts of the beautiful, dangerous Madeline. He is also the greatest thief in all of Ile-Rien. Under cover of darkness on the streets of the gaslit city, he assumes the guise of a master criminal, stealing jewels from wealthy nobles to finance his quest for vengeance: the murder of Count Montesq. Montesq orchestrated the wrongful execution of Nicholas’s beloved godfather Edouard on false charges of necromancy, the art of divination through communion with spirits of the dead, a practice long outlawed in the kingdom of Ile-Rien.

But now Nicholas’s murderous mission is being interrupted by a series of eerie, unexplainable, fatal events. Someone with tremendous magical powers is opposing him, and traces of a necromantic power that hasn’t been used for centuries appear. And when a spiritualist unwittingly leads Nicholas to a decrepit old house, the truly monstrous nature of his peril finally emerges.

Review:

What if The Count of Monte Cristo merged with The Adventures of Sherlock Holmes in a magical pseudo-victorian city? It would be great, right? Right. It honestly was. I will admit that the was slow, being almost 550 pages long. But I so enjoyed the characters and the unhurried development of the mystery that I totally overlooked it in the reading.

I appreciated Wells’ willingness to allow side characters diversity and autonomy, even the female ones. (Though I have to admit Crack was my favorite. I always love the loyal, rough-hand, bodyguard types.) There was humor and both the characters and the reader had to accept that not everyone (even the good guys) always get what they want.

When I picked this book up from the library I didn’t realize that it is part of a series. But being set 100 years after the first book, I didn’t feel the lack of reading book one at all. But I’ll be happy to go hunt up book three. Wells is simply becoming one of my favorite go-to authors.

Rogue Protocol

Book Book Review of Rogue Protocol (The Murderbot Diaries, #3), by Martha Wells

I borrowed a copy of Martha Wells’ Rogue Protocol from the library. I previously reviewed the previous books, All Systems Red and Artificial Condition.

Description:
SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is.

And Murderbot would rather those questions went away. For good.

Review:
I’m still loving Murderbot, the sarcasm and social anxiety works so very well. My complaint here is that the series is starting to feel like a serial, instead of stand-alone novellas. This book references past events and people a lot more than previous ones. Other reviewers complained about this series being broken up from the beginning. But, knowing Tor specializes in novella length works, I understood it and still considered each book a separate entity. This seems to be fading as the series goes on and that makes me sad because I really HATE serializations. That said, I want more and more of Murderbot please.