Tag Archives: science fiction

Book Review of Crossing in Time, by D. L. Orton

I won an Audible copy of Crossing in Time (by D.L. Orton) through AudaVoxx.

Description from Goodreads:
Race against the clock through a dystopian nightmare. Climb naked into an untested time machine (carrying only a seashell and a promise). Wake up twenty years younger on a tropical beach, buck naked and mortally wounded, with your heart in your throat.

This is a journey of love, loss, and redemption that will make your pulse gallop and your palms sweat, have you laughing out loud through your tears, and leave you flush with the sublime pleasure of falling in love.

Review:
Look, I simply did not like this book. I’ll admit that the editing seems fine. (I listened to the audio, so I wouldn’t know if there are a lot of copy edit mistakes, but it sounded structurally competent.) But the farther into it I got the more I hated it, until I simply had to force myself to finish it. I would literally dread pushing play, too afraid of what new shit way the book would find to piss me off. Yes, I’m serious with that attitude. I hated this book.

Before I get into why, let me pause and be positive about the narrators. They both did a marvelous job, Noah Michael Levine especially. Erin deWard did a good job too, but the choice to voice Isabel sounding so desperate all the time only exacerbated my problem with her. But that was a style choice, not a quality problem. The narration is good.

Now back to the negative. It’s all freakin’ negative from here and there will be SPOILERS. I’m going to start with the romance, or lack there of. Two people (ex lovers) accidentally run into each other after not seeing one other for 15 years. They go to dinner, have a fight (about their past), she walks out. There’s a bit of drama requiring him to rescue her from a burning building and he asks her to marry him before they get out. That’s the romance and we’re suppose to believe it’s the romance to end all romances. Meant to be and all that jazz.

Here’s my issue. First, it’s 100% unrealistic. Yes, this is fantasy/sci-fi, but people change a lot in 15 years and this isn’t addressed. Two, if it’s so perfect they wouldn’t have given it up so easily 15 years earlier and/or would have made contact before 15 years passed. And he apparently had her cell number the whole time. It didn’t change. (And don’t think I’m not seriously side-eyeing someone having the same cell phone number for 15 years. Anyone remember what cells were like in 2000?) Three, as a reader I felt cheated out of seeing them get to know each other and fall in love. I suspect Orton meant for the reader to feel this in the second time-line, but I 100% DID NOT. Because that was not romantic either. That was Isabel being incompetent and Diego being unbelievably sway-able.

Now let me move on to my big issue. Diego was lovely, too wonderful actually. But you can’t help but like him. Isabel however was cliched beyond belief. Let me tell you her role in this book (and this just off the top of my head). She almost dies saving a kitten (not even her kitten, just a random kitten) and has to be saved from being burned and crushed in a fire. She gets stabbed. She gets septic. She almost gets raped (and turns out to probably actually have a history of being raped). She essentially gets kidnapped by her ex-husband. She almost dies in a miscarriage and she gets sick and almost dies from traveling through dimensions. And I lost count of how many times she was either in debilitating pain or confused because she’s barely conscious. She was the perpetual victim. I hated her. Or rather I hated that Orton could come up with no better role for her than to be the victim that spurs Diego into action.

Their love is supposed to save the multi-verse. But Diego gets to go through to another world and retrieve a vaccine, bring it back and save millions. Isabel? She gets to travel through dimensions to teach Diego to be a better lover to her apparently unstable future self. How do I feel about that? Fuck you Orton. Isabel was supposed to be a smart scientist. She never does anything intelligent in the entire book. She’s too busy navel gazing and being cliche.

Speaking of science, it’s all hand waving. I actually think calling this science fiction is almost a stretch.

I find myself in a difficult position now. I think I won this audio book and I have the second book too. I feel obligated to listen to it. But considering how much I hated this one, I just don’t want to.


On an amusing side note, I had to call the fraud department of one of my charge cards this morning and the person I spoke to (Tomeo) had a lovely accent that sounded very much like how Noah voiced Diego. It was quite charming and made me smile.

Dhata Mays

Book Review of Dhata Mays, by Greg Dragon

I received an Audible credit from the author (Greg Dragon) for a copy of Dhata Mays. At the time posting, the Kindle version was also free.

Description of Goodreads:
In a war between man and machine, he must find a way to protect them all…

After a devastating war forced humans to rely on synths for survival, the two have learned to coexist peacefully.

Until now…

When detective Dhata Mays is called in to investigate a homicide, what he uncovers threatens the serenity of this futuristic society. The gruesome murder means only one thing: someone is ready to incite another war. Now, it’s up to Dhata to ensure that the truth stays hidden–to protect both sides of the battle. But can he be unbiased in a black and white world that forces him to take sides?

Review:
I quite enjoyed this. It was a little bit futuristic noir, a little bit Maze Runner. Hell, there might even have been a little Elijah Baley in Dhata. It was a good mix. Yes, Dhata was just a little too perfect—a little too tough, with too many connections in all the wrong places to somehow be one of the few clean cops left around. But I liked him and the book all the same. The writing was sharp (though occasionally oddly formal), the mystery progressed at a nice pace, and the persecution of Synths could easily be read as an allegory. I look forward to reading more about him. And Tucker McDougall did a marvelous job with the narration.

On a side note, it’s worth knowing that there is a glossary at the end of the Kindle edition that I think may be missing in the Audible version, which is a shame. I needed it for some of the slang.

 

Book Review of To See the Sun, by Kelly Jensen

I received a copy of Kelly Jensen‘s To See the Sun through Netgalley.

Description from Goodreads:
Life can be harsh and lonely in the outer colonies, but miner-turned-farmer Abraham Bauer is living his dream, cultivating crops that will one day turn the unforgiving world of Alkirak into paradise. He wants more, though. A companion—someone quiet like him. Someone to share his days, his bed, and his heart.

Gael Sonnen has never seen the sky, let alone the sun. He’s spent his whole life locked in the undercity beneath Zhemosen, running from one desperate situation to another. For a chance to get out, he’ll do just about anything—even travel to the far end of the galaxy as a mail-order husband. But no plan of Gael’s has ever gone smoothly, and his new start on Alkirak is no exception. Things go wrong from the moment he steps off the shuttle.

Although Gael arrives with unexpected complications, Abraham is prepared to make their relationship work—until Gael’s past catches up with them, threatening Abraham’s livelihood, the freedom Gael gave everything for, and the love neither man ever hoped to find.

Review:
I thought this was really lovely. There wasn’t a lot of action, most of the tension being either in someone’s fear something might happen or in the two men tiptoeing around getting to know one another, but it was nice. Jensen’s writing is beautiful and there was a happy ending for all, except the baddies (who predominantly remained faceless).

I did side-eye the gendered representation of the men though. I don’t mean to suggest all men have to be giant paragons of masculinity, but in the face of jokes about Gael being purchased as Bram’s “wife,” the fact that he’s the physically smaller of the two and excelled at cooking, cleaning and sewing (and genre-wise, came with a kid and was the one that needed to be rescued) almost made him feel uncomfortably misgendered.

I suspect that Jensen gave him some of these same qualities in an attempt to show that a man can still be a man even if he’s not ringing each coded ‘male’ bell. Which just goes to show the thin line authors walk, trying to avoid being stereotypical in one direction only to have someone say they’re being stereotypical in another.

At least Jensen was scrupulous about consent, both spoken and unspoken, even when one partner didn’t initially understand that the other was protecting him in this regard (or that he needed it). She broke convention in not only allowing the smaller man to ‘top,’ but even addressing the ridiculous trope that it’s always the bigger man that does.

I also appreciate that both men were a little older, Bram being almost 50 and Gael 29. Plus, Bram was just one of the most lovable leads I’ve read in a while. So were Geal and Aavi, but Bram stole the show for me. All in all, I really loved this. I don’t hand out a lot of 5-stars, but To See the Sun deserves one.