Tag Archives: vampire romance

Book Review: The Serpent and the Wings of Night, by Carissa Broadbent

Carissa Broadbent‘s The Serpent and the Wings of Night was on Sadie’s Spotlight’s Instagram page a few months back. I was given a copy of the book for participating in the book tour.

For humans and vampires, the rules of survival are the same: never trust, never yield, and always – always – guard your heart.

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the Kejari: a legendary tournament held by the goddess of death herself.

But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival.

Everything about Raihn is dangerous. He is a ruthless vampire, an efficient killer, an enemy to her father’s crown… and her greatest competition. Yet, what terrifies Oraya most of all is that she finds herself oddly drawn to him.

But there’s no room for compassion in the Kejari. War for the House of Night brews, shattering everything that Oraya thought she knew about her home. And Raihn may understand her more than anyone – but their blossoming attraction could be her downfall, in a kingdom where nothing is more deadly than love.

I quite enjoyed this. I don’t think there’s anything particularly new or discursive in the plot. It never really departs from the expected. But the writing/editing is good, and I had fun with it.

I liked both main characters. There was humor, grit, an interesting world and politics (even if it focused pretty narrowly within it). There are platonic cross-gender friendships and exploration of characters who are both loved/loving and monstrous. Plus, I was so invested in Ibrihim (a side character). I cannot tell you!

I’ll be looking forward to book two. In fact, had I realized it’s due out next month, I probably would have held off on reading this one so that I could read them together.

Other Reviews:

https://pastmidnight.home.blog/2022/09/19/the-serpent-and-the-wings-of-night-by-carissa-broadbent-book-review/

The Storied Blog: Review The Serpent and the Wings of Night

Book Review: Bloom in Blood & Dance in Night, by L.A. Boruff and Lainie Anderson

Leave a reply

I accepted a free Audible Code for a copy of L.A. Boruff and Lainie Anderson‘s Dance in Night through FreeAudiobookcodes.com. However, I didn’t realize at the time that it is book two in the series. So, I then had to hunt up a copy of Bloom in Blood, which I did.

About Bloom in Blood:

At thirty-seven, the worst possible thing happened. Now, at forty-two, Riley has nearly given up.

Five years ago, my world was turned upside down when my husband and sons disappeared without a trace. I mourned, I searched, and when I got no answers, I began to prepare.

Nobody will catch me vulnerable again.

I was wrong to think my life couldn’t get any crazier. Now there are two vampires at my door telling me my missing family wasn’t human…and neither am I. I have a chance to regain everything I’ve lost. But first, I have to find the truth about my heritage, all while fighting the overwhelming attraction I have for my missing husband’s best friends.

No matter what, my mourning is done. My life is in my control again. And I will burn the world to the ground to get my family back.

This has an interesting premise and characters. But the execution…OMG, the execution is so bad. I picked this book up because I accepted an audible code for a copy of Dance in Night—book two of the series—without realizing it is a sequel. So, I had to step back and find this book to read first. If I hadn’t committed to reading and reviewing book two and therefore needed to finish book one, I would have DNFed this pretty early on.

The narrative is almost entirely dialogue, which leaves very little room for world-building that isn’t just info-dumped from one character to another for the benefit of the reader. And so much of the dialogue is painfully stilted. Worst of all, in my opinion (because it’s a pet peeve—once you notice, you can’t stop noticing), names are constantly included in the dialogue.

Authors, step back and think about a conversation you have with friends and family in real life. How often do you actually say the name of the person you’re talking to? I find the constant inclusion of names in dialogue one of the fastest ways to make writing feel amateurish.

Plus, the name of this series is An Unseen Midlife. The character is 42. It’s meant to fit in the Paranormal Women’s Fiction genre. A genre for women approaching middle age who are past the starting a family stage and are moving on to finding themselves again outside of the role of wife and mother. So, when the plotline is all about the importance of her babies (and ends with her pregnant with another), it breaches the contract of the genre, in my opinion.

Add to all of the above the fact that the plot rockets at such a pace that nothing is allowed time to grow or develop, and the result is a complete flop for me.

The writing and editing are mechanically sound, and the book has a cool cover. (The series has cool covers, rather.) And I appreciate that Riley is a full-sized woman. She’s a size 18 when her husband falls in love with her. But that’s about the most positive thing I have to say about any of it.

About Dance in Night:

Several months after the heartbreaking events in the ruins of the Isla Del Sol, all Riley wants is to resolve her complicated past and move on with life.

Pregnant, married, and safe, she never expects to be kidnapped while on vacation with her husbands.

Her kidnappers open her eyes to a dangerous threat to her baby’s entire existence. Her children’s safety is her top priority, and Riley will stop at nothing to achieve it. Is she strong enough to save her family?

Meh. I liked this one a lot more than the first in the series. But I 100% stand by my previous assertion that THIS IS NOT PWF. Paranormal Women’s Fiction focuses on what women do once they have passed the stage of life of marriage and babies. And while the character here is in her forties, she is freshly married and pregnant for most of the book, then she has the baby, and the rest of the book focuses on baby issues. THAT IS EXPLICITLY NOT PWF, and it feels like dishonesty on the part of the authors to pretend it is.

As for the plot itself, it’s pretty shallow and predictable. It’s not bad, per se, but there’s not a lot to it. (And honestly, I skipped past the spicy times, just not invested enough to bother.) All in all, I’m not too disappointed to read it, but I am very glad to have it off my TBR.

Other Reviews:

Book Review: Bloodlaced, by Courtney Maguire

Leave a reply

Blood Bound, book three of Courtney Maguire‘s Youkai Bloodlines, was over on Sadie‘s Spotlight earlier in the year. So, when I stumbled across a copy of book one Bloodlaced—which was later on Sadie’s Spotlight as a BBNYA finalist—I opted to start the series.

Kanjin hardly view their servants as human. Even less so when they are different.

Asagi is different. Both a man and a woman.

In the wake of his failure to protect a boy he saw as a son from their abusive master, Asagi is sold into the house of a young nobleman, Mahiro, who is the opposite of everything Asagi has ever known—gentle, kind, and generous.

Mahiro bonds with Asagi and their friendship blooms into a deep and profound love. But when Asagi is poisoned out of jealousy, Mahiro reveals himself to be youkai, a demon who feeds on blood, and he has no choice but to turn Asagi to save his life.

Asagi awakes reborn, strong, and eternally youthful. But the price for Asagi’s new life is high.

The blood of the innocent.

Just as Asagi’s trust in Mahiro falters, the boy he failed to protect, now a man, reappears.

New master, same threat.

With both a literal and proverbial monster at the door, Asagi must decide what it means to be human to protect what he loves most.

Oh man, this book was a rollercoaster for me. I took one look at the cover and the fact that it’s about vampires in ancient Japan (to use a western for them) and thought, “I am in!” I expected to love it. Then, I hated the first 25%. It’s basically trauma porn. Granted, the abuse is off-page, but it’s very clear what is happening, and the main character martyred themself more than once. So, I thought, “Oh, this isn’t for me, after all.”

Then, things balanced out, and I got a little bored. Then, at the 50% mark, the plot shifted, and I was interested again. Then, the romance (and the whole plot, really) went off in a direction I didn’t expect, and I was uncertain but invested. And THEN, I cried at the end before being given a little ray of hope on the last page. Rollercoaster of emotion!

As I said, I’m not into victimized hero(ine) plotlines. I’m not saying it’s bad in any objective way; I just don’t enjoy reading it. I did get a bit bored in the middle; the pacing is a bit off. And I have to admit that I’ve never really understood why, when a book is supposed to be happening somewhere that speaks another language (Japanese in this case), authors sometimes still throw the occasional that-language word into the English narrative, usually as expletives. It always stands out to me, breaking the flow. But overall, I will be looking forward to continuing the series.