Monthly Archives: March 2019

Review of The Bones Beneath My Skin, by T.J. Klune

I mentioned in my last review that my kindle* died and I was waiting on a new one to be delivered. Well it was, and I took great pains to pick the first book I’d read on it. In the end, I chose The Bones Beneath My Skin, by T.J. Klune. If you’re curious, I bought a copy on Amazon.

Description from Goodreads:

In the spring of 1995, Nate Cartwright has lost everything: his parents are dead, his older brother wants nothing to do with him, and he’s been fired from his job as a journalist in Washington DC. With nothing left to lose, he returns to his family’s summer cabin outside the small mountain town of Roseland, Oregon to try and find some sense of direction. 

The cabin should be empty. 

It’s not. 

Inside is a man named Alex. And with him is an extraordinary little girl who calls herself Artemis Darth Vader. 

Artemis, who isn’t exactly as she appears. 

Soon it becomes clear that Nate must make a choice: let himself drown in the memories of his past, or fight for a future he never thought possible. 

Because the girl is special. And forces are descending upon them who want nothing more than to control her.


Oh man, this broke me. I shouldn’t be surprised. I’ve enjoyed every Klune book I’ve read, and I picked this one up because I just finished a horrible book and I needed a sure-win. But this totally broke me. I cried in the end (and maybe a few places in the middle). 

True, you have to sort of like Klune’s writing style, with his habit of repeating words and such. But it so happens that I do and I adored the characters in this book. Art was hilariously blunt. Nate was fluxumed in the most adorable way, and Alex was just a giant teddy bear. 

I did think the whole thing was a tad longer than need be and I would have loved a little of Alex’s POV. But all in all, this was 100% a success for me.

*On a side note, can I say how much I appreciate that the new kindles come with almost no packaging?

Review of Schooling the Viscount (Cotswold Confidential #1), by Maggie Robinson

My kindle has died. Or rather, it’s decided charging is no longer a thing it wishes to do, and Google tells me that’s a rather common problem. Apparently, the charging port isn’t well soldered. I’ve ordered a new one, but it’s yet to be delivered. In the mean time, I decided this was a good time to concentrate on clearing a few physical books off my shelf.

By chance, I chose Unmasked by the Marquess as the first one. And since I enjoyed the historical romance, I decided to continue with the aristocratic theme. I read My One and Only Duke and then My Once and Future Duke (the similarity of those titles cracked me up, BTW) and now Maggie Robinson‘s Schooling the Viscount. I won a paperback copy through Goodreads.


Captain Lord Henry Challoner is a young viscount who’s left his ambition on the plains of South Africa. Wounded in the First Boer War, he’s come home and wishes he were anywhere else, until his desperate father sends him to Puddling-on-the-Wold to rusticate and recalibrate. How can Henry have any fun without any alcohol, or worse yet, any women? Kept under house arrest under the watchful eye of his draconian housekeeper and earnest local vicar, he’s bored enough to begin speaking to sheep until he literally stumbles across schoolteacher Rachel Everett.

Rachel knows she’s not on Henry’s improvement plan, but can’t seem to avoid or repel him no matter what she does to keep him at arm’s length. Could it be that she quite enjoys being in his arms, even if it’s against all the Puddling Rehabilitation Rules? Can Rachel circumvent the town fathers and Henry escape his personal jailors and demons?

Review (with minor spoiler):

My husband asked me, this morning, what my plan for the day was. I responded that I was going to “fold laundry, finish the horrible book I’m reading, and maybe play some Overwatch in the evening.” That should tell you how I feel about Schooling the Viscount. This book was almost everything I dislike in historical romance, romance in general actually. It’s exactly the kind of drivel that caused me to say, for years, that I wouldn’t read romance novels (until I realized it wasn’t the romance I disliked, but the treatment of it and women in them).

Let me start with two examples from early in the book, along with a little context to make them make sense. (This is also the spoiler I mentioned.) When Lord Challoner first comes across Rachel (the first women under 50 he’s seen in a week) he falls down. He then pulls her into his lap and holds her there as she struggles to get up. He then kisses her against her will and when she slaps him, he pretends infirmity to continue to hold her as he rubs his erection against her. When finally they stand up, he goes for her again and she hits him again. Even by modern standards this is assault. She was a perfect stranger to him and he’s just accosted her.

However, this is her later thought on the matter: “…in fact, she was beginning to wonder whether the man was as bad as he was supposed to be.” (The inference being that he isn’t.) He’d been sent to the Cotswald rehabilitation center because his father caught him in bed with two women (prostitutes). So, Rachel’s decision that he wasn’t so bad as his reputation is flat out bull shit. He’s worse.

Not too long later, he comes across her again. Her dog is worrying his walking stick. So he sneaks a knife out, cuts his own leg and pretends her dog bit him. Thereby tricking her into taking him into her home in the middle of the night for treatment. Her thoughts on this matter: “Even though he’d tried to trick her, Rachel couldn’t fault the man. He’d been lonely and wanted a few more minutes of her company.”

Keep in mind that this is supposed to be 1881, England. The irreparable harm he could do to her reputation and future prospects with either of these tricks boggle the mind. But somehow I’m supposed to believe he’s a good man and she’s just kind-hearted, not just flat out stupid. And he’s attracted to her specifically, not just the only woman he interacts with. The whole book continues in this vein, him being horrible and her falling in love with it. It makes no sense, doesn’t fit the time period at all, and irritated me like god damned dermatitis.

In fact, nothing about the book felt like 1881. The language, the viewpoints, the general tone of the book all felt anachronistic. I will grant that the descriptions of PTSD were well handled, even if it seemed to miraculously disappear with the love of a good women. (Yes, that’s an eye-roll you sense in my tone.) And the writing is passable. My only big complaint being how often Rachel said, “Dad,” in her conversations with her father. It was too many to feel natural. But all in all, I finished this book by force of will alone and hated almost every page of it.

Review of My Once and Future Duke (The Wagers of Sin #1), by Caroline Linden

I won a copy of Caroline Linden‘s My Once and Future Duke through Goodreads.


What happens at the infamous Vega Club . . . 

Sophie Campbell is determined to be mistress of her own fate. Surviving on her skill at cards, she never risks what she can’t afford to lose. Yet when the Duke of Ware proposes a scandalous wager that’s too extravagant to refuse, she can’t resist. If she wins, she’ll get five thousand pounds, enough to secure her independence forever.

Stays at the Vega Club . . . 

Jack Lindeville, Duke of Ware, tells himself he’s at the Vega Club merely to save his reckless brother from losing everything, but he knows it’s a lie. He can’t keep his eyes off Sophie, and to get her he breaks his ironclad rule against gambling. If he wins, he wants her–for a week.

Until now. 

A week with Jack could ruin what’s left of Sophie’s reputation. It might even cost her her heart. But when it comes to love, all bets are off . . .


Having just finished My One and Only Duke, I figured I might as well stick with the ducal theme and read My Once and Future Duke next. When I cross-posted to Amazon/Goodreads, I gave both books three stars. But this is a good example of how inadequate that middle rating can be, because I like My One and Only Duke a lot more than My Once and Future Duke. There was simply more meat to it. But neither was good enough for a 4-star or bad enough for a 2-star.

I thought this book was perfectly adequate. The writing was sound and the characters unobjectionable. But it was a fairly one-dimensional story, focusing quite heavily on sex. Which is fine. I’m not complaining on that front. But I was a tad bored with the book, on the whole. All in all, this is one of those books you finish and go, “Meh.” It wasn’t great or horrid, but it passed the time pleasantly enough.