Category Archives: books/book review

nightmare-by TheDigitalArtist:7177 from pixaby

Bitchy Reviewer Being Bitchy…Again

I’m going to have a little rant /slash/ in-the-reviewer’s-head session here. Earlier today I received a book review request (I’m using the term request loosely, there is no actual request anywhere in the email) which I found presumptuous and arrogant. And since I’ve received some variation of this sort of request several times before, I was “all aflutter with not-again-annoyance” (to quote myself).

The first thing I did after receiving the email request was roll my eyes, but the next was to send this tweet out.

Soon after I sent out the tweet, I had poster’s remorse. I figured it wouldn’t actually irritate someone who hadn’t received so many arrogant requests before and, therefore, wasn’t quite so primed to find red flags in it. Thus this post. I’m going to break down why this particular post raised my eyebrow.

Just in case the image above doesn’t generate, I’ll quote the email I received below, though I’m redacting the author’s name and the title of the book. My point isn’t to shame them personally, but to show why (from my perspective) this request will never entice me to read their book. And hopefully prevent others making the same mistake.

Dear Sadie,

I have chosen to send you the first chapters of my book called XXX after reading on Amazon your review of  The Alchemist.

XXX is not just a spiritual or fictional book; it is much more than that. It is one of the most concise and informative books you have ever read. In the glossary, there is a wide range of information and website links for your spiritual awakening. This book will definitely change the way you see the world and yourself, and it can save your life and the people you love.

This is NOT a new marketing strategy. The COVID-19 pandemic is speeding things up, so I’m willing to send you the book for free if I have to.

I recommend that you read the first chapters as soon as possible. You will find a PDF file attached to this email.

Namaste,

I’m just going to start at the top and move line-by-line from there.

I have no issue with the greeting. In fact, they personalized it. No, Dear Reviewer here. So, good start.

My problem starts with “I have chosen to…” This attempts to set the tone of the exchange. They chose me. I should be grateful. This first sentence attempts to place me in a subordinate position. Because when one is grateful they go out of their way to be as helpful as possible in return.

My next issue is with “after reading on Amazon your review of  The Alchemist.” Here’s what I said about The Alchemist.

the alchemist review

It’s hardly a raving review that would suggest I’m looking for similar reads. Perhaps the author of the review request meant, ‘since you didn’t particularly care for The Alchemist you’ll like my book that is different because…’ But as they didn’t say that, I can only go with the guess that they hit up all the reviewers of The Alchemist that had open email addresses. Yes, I feel chosen and important. 🙄

Moving on to “XXX is not just a spiritual or fictional book.” I know some people may not see spiritual and religious as the same. But I think it’s fair, when speaking of book genres, that they fall in the same broad category and my policies state I “would prefer no YA or religious books, please.” It’s even in red….purple….pink…ish so it stands out.

policies screenshot

But even if you read that sentence and didn’t think it included spiritual books, the book pointedly isn’t Science Fiction, Fantasy, Urban Fantasy, Paranormal Romance or an LGBTQ+ title. Thus, my policies already tell this author I don’t really want to read their book. I rather suspect this author didn’t bother reading the policies though.

We’ll just touch briefly on the assumptions about my education involved in the statement “It is one of the most concise and informative books you have ever read.” How do they presume to know what I may or may not have read? I’m a woman with two Masters degrees (and as an aside, a BSc that includes a minor in religious studies) and runs a book review blog. I’ve read quite a lot.

Next, “This book will definitely change the way you see the world and yourself,” This is either pointless hyperbole or a truly bold statement that again presumes to know an awful lot about me personally. And I simply don’t even know what to make of the claim “and it can save your life and the people you love.

This is NOT a new marketing strategy.” Then what is it? It’s certainly a marketing strategy. Is it an old marketing strategy dressed up as something different?

The COVID-19 pandemic is speeding things up...” What things, and how is Covid-19 speeding them up in any way that relates to me as a reviewer or the author’s decision to email me, pertinent?

… so I’m willing to send you the book for free if I have to.” Did you expect not to? Did you expect to request (demand) not only a review, but a purchase as well? Sending a copy of the book is a normal and expected part of the review request process. But I feel like the author included this line to emphasize how dire this mysterious situation is. Again, trying to control and manipulate the exchange, or at least my reaction to it.

I recommend that you read the first chapters as soon as possible.” This is where I really bristled. I did not ask for this author’s recommendation. In fact, I consider this a direct order from a person who should instead be humbly requesting I read the first chapter of their book at my convenience. And that’s assuming they aren’t asking if I’d be willing to read the first chapter of their book. That is a markedly different tone to what is presented. It presumes to have the authority to instruct me and the right to make demands of my time. It’s so certain of itself it has even included the chapter in question.

Then, after speaking to me as a questionably educated subordinate it signs off with Namaste, a sign of respect. Talk about a hollow misappropriation of the term!

Here’s the thing though. I can pick this email apart line-by-line, but it’s not the line-by-line sentences that are the problem. It’s the overall tone and what it tells me as a reader and reviewer. I’ve been doing this for seven years, I’ve learned a few things. Here’s what I can guess about this author already. And I’m pretty confident about it too.

I would normally say they’re almost certainly male (which leads me to wonder if they’d have employed the same domineering tone if they’d been writing to a male reviewer). But Google tells me the author’s name is generally female (and if it’s a man writing under a woman’s pen name I’d never know). Regardless, they are used to a certain amount of entitled pandering.  The book is almost certainly self-published and has probably never been seen by a professional editor. And here’s the real kicker. The author will almost certainly not deal well with criticism. If I give this book anything less than a 4-star rating I will probably deal with grief over it.

I’ll give as an example here the time I gave a someone’s book a 2.5 star rating and equivalent review. Then, TWO YEARS later was informed by a concerned by-stander that the author was having an explicit rape scene critiqued in a writers group and bragging about how he’d written it to avenge the reviewer who panned his book. This is the sort of vibe I get from this review requesta person who won’t take rejection well and then won’t want to let it go.

But Sadie, how could you possibly know that, you might ask. Well, I don’t know. But that is the impression the ‘request’ gives me and it’s backed by a fair amount of anecdotal evidence. Anyone who sends me a request that over-blown and pompous is obviously used to getting their own way, not being contradicted, and will assume they don’t need the help normal people do. After all, they don’t have to follow the social niceties. Not even when requesting a review of a book about spiritual awakenings.

At least that’s what I think the book is about. The email doesn’t actually give me any real concrete information about the subject of the book. After all, I’m not supposed to be deciding to read it because of any interest in the subject, but instead because the author is so impassioned, impressive, and told me to. In that regard, I’m not even supposed to be deciding to read it. I’m just supposed to do it. You’d think someone writing about some variant of spirituality would be a little more socially aware. But, oh well.

All in all, no, I won’t be reading this book. I wouldn’t be regardless of how the request was worded. It’s not within the stated genres I read and, since I can’t find a whiff of it online (Amazon, Goodreads, etc), probably not available in physical form, the only format I’m currently open to, per my policies.

So, while I admit I’ve written this in part simply for my own amusement, I think it’s also a point authors and publishers (or whomever is making a book review request) might take on board. Tone matters, manners matter. Words are not just words, they tell stories and give impressions. And that is as true outside the confines of your book cover as inside. This author burned a bridge pretty badly here. How many times have you (or I) inadvertently done the same?

 

 

Takaush banner

Book Review: Takakush: Genus Magica, by Raine Reiter

Takakush

Takakush: Genus Magica
by Raine Reiter
Genre: fantasy

Evil stalks the rainforest.

When Professor Elena Lukas returns to her cosy Pacific Northwest hometown with a broken heart, she’s plunged back into the fate she tried to escape. Like her mother and grandmother before her, Elena must now dedicate her life to a powerful ancient Lithuanian goddess. Although she is prepared to live as a priestess hiding in a contemporary tourist town, she arrives to find that a series of so-called animal attacks have terrorized her forest.

With the help of a handsome detective from the Washington Department of Fish and Wildlife, Elena uses her expertise in invasive and endangered species to identify that these are no normal animal attacks. The woods are stalked by a dark, mystical creature bent on ravaging the area in an attempt to quell its insatiable hunger. When her little sister goes missing, Elena realizes that the beast can only be vanquished if she is brave enough to face it in-person, embrace her identity as a high priestess, and expose her powers to the man she cares for.

“A fantastic tale that weaves a spell of ancient mysticism and modern charm.” –Tim Marquitz, Author of the Demon Squad series, The Enemy of My Enemy series, and more

Twanoh Press / Amazon

 Author Bio:

Northwest gothic author Raine Reiter is a lover of myth and folklore. Her contemporary paranormal novels weaves together an empowered, female-centred narrative with rich descriptions of nature and an ever-present sense of mystery. Raine lives on Washington’s Olympic Peninsula with her silly dog Luke.

Raine Reiter

 Goodreads / Twitter

 

my review

I generally enjoyed this. I’ll concede that it definitely had some cliched content, there’s some icky sexualization of a 14/15-year-old, and the teenagers speak more like an exaggerated SNL parody of teens than real teens (I have a 13 year-old and even considering they speak to their friends differently than their mother, they sound NOTHING like the ridiculous dialogue here.) But outside of those critiques, I liked the characters, the Lithuanian mythos, the humor, and the wisp of romance. I’d have liked to have seen a bit more development in the relationship department. Not necessarily even in the romance aspect, just in the two people getting to know one another. The love is a little too instant to believe, even given divine intercession, as is Boone’s acceptance of the weird. All in all, however, I was happy with Takakush and would read another Reiter book.

takakush

the size of the moon banner (from author FB)

Book Review: The Size of the Moon, by E.J. Michaels

the size of the moon cover

I won an e-copy of The Size of the Moon, by E.J. Michaels, through Goodreads.

about the book

Marcus used to ignore the things that went bump in the night. It cost him dearly. Now he helps Autumn track down these dark creatures, letting her do all the destroying…until the high-riser elves threaten his son.

Autumn is a warrior living in a time when warriors aren’t needed, except to dispatch the occasional strig – a deadly creature that feeds off the living. Part elf and part human, she’s been seemingly content for hundreds of years. Things change when she discovers she has deep affection for Marcus…a human. And now his life is threatened by the rogue elf that destroyed her family.

Vowing revenge, Autumn once again takes up the sword to hunt her old prey. Though the elves despise humans, they fear Autumn and unleash a fearsome hoard of predators to stop her. Yet the elves are about to discover how dangerous an enemy Marcus can be. He’s prepared to go through man, beast and elf to keep from losing those he loves again…regardless of the consequences.

 my review

I have so many thoughts about this book that it’s difficult to synthesize them into something cogent. But the one in the absolute forefront is, “Thank freakin’ god, I’m finally finished!” This book is WAY too long. I mean, like 2, if not 3 hundred pages longer than it should be.

After that is to wonder if, despite Michael’s author picture, if the book wasn’t really written by a 15-year-old boy—full of hormones and fatally obsessed with guns and boobs. No? Are you certain? It sure felt like it. I think half the book is dedicated to describing different aspects of the female body—what it looks like, what it’s wearing (miniskirts were very popular), how it’s walking or standing or kissing or pressing its boobs against someone…again. It wasn’t always about sex, but the female anatomy was practically a character on its own. And every single one of those female characters played to the exact same note. They all sounded the same, acted the same, dressed the same (again, the miniskirts), etc. Every single one, from the teenage human ingenue trying to seduce the hero to the 4,000-year-old warrior elf who successfully seduces him, were 100% interchangeable!

And I’d just gripe that Michaels simply can’t write women, but his male characters are all cardboard cutouts, too. Granted, he wasn’t so determined they ALL throw themselves at the hero as the women, but they weren’t exactly paragons of depth themselves. The hero especially. I basically hated the hero.

Here’s the thing: he was a likable fellow, loyal and brave and theoretically badass. So, it wasn’t really him I hated. But it felt so much like Michaels couldn’t imagine anyone but the white, American Male as the hero that he convoluted the whole plot (set in Romania, among Romanians) to center on the least interesting person in the book. And I know some are reading this like, “What does him being a white American male have to do with anything?” I just mean that it’s so often the default, and this book feels very much like it is focused on The Default because it’s the default, not because of any considered reason.

At one point, the hero leaves everyone he cares about behind to go off and fight by himself, thinking, “This is my war.” I thought it was a great parallel to my experience reading the book. Because it very clearly wasn’t his war. It was a war that started before he was born and would likely continue after his blip of a human life ended. And while that could have been a really interesting theme to explore (American men’s tendency to assume and act as if everything proximate to them centers around them), that wasn’t the case. It was just Michaels forcibly centering the book on the American man when the book felt like it would have been better served to focus on…hell, almost any of the other characters, but especially the 4,000-year-old warrior elf. Instead, she was supposed to be the most badass, dangerous elf in existence, and Michaels immediately reduced her to a simpering, injured, sex-kitten in need of oh-so-important male protection on meeting the main character. Yeah, miss me with that caca.

Which brings me to a simple irritant. If you want your characters to cuss, then let them cuss. I got so tired of all the foreign words whenever a character cursed. I have no idea if it was an actual language or a made-up one, but I hated it. It made the already stilted and barely tolerable dialogue even worse. That language was also really inconsistent. Sometimes, the elves/dwarfs/etc. talked in an old-fashioned manner and didn’t understand sarcasm or a joke, and other times, they spoke like modern teenagers.

Speaking of inconsistencies, Michaels had a habit of setting up dictates of the world (elves can only have one child each, mating is forever, whatever) and then breaking them. It made the world, and thus the plot hinging on it, untrustworthy.

All in all, while the ideas in this book aren’t bad ones, it’s not a good read. It’s an especially poor read for any woman even remotely perceptive to the treatment of female characters or gender roles in fantasy. Perhaps Michaels thought giving women swords and telling us they are skilled would offset the cliched treatment; I don’t know. I’ll grant that Michaels allows no on-page rape (though it’s insinuated that it happened in the past), there are some humorous moments (though not usually the passages played for a laugh, those were usually just too ridiculous to be amusing), and the book does have an awesome cover.

the size of the moon