Category Archives: books/book review

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Book Review: The Heretic Royal, by G.A. Aiken

It’s been two and a half years since I read the first two books in The Scarred Earth Saga. You can go here to read the reviews. While all of the series’ details weren’t immediately available in my mind, I did remember that I’d really enjoyed The Blacksmith Queen and The Princess Knight, which made winning a copy of The Heretic Royal through Goodreads especially exciting.

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Gods save the queen!

Ainsley Farmerson has always planned to break free of the family business—and the family drama. But what was once farming, smithworking, and bickering over the dinner table has turned into open warfare between sisters. Sides have been taken, lives are on the line, and Ainsley has no doubt which sister must be queen. She’ll do whatever is necessary to take down the soulless Beatrix. Even if that means joining forces with angry battle nuns, irritating monks, and overbearing centaurs.

Gruffyn of the Torn Moon Clan has no time for human beings. And yet . . . there is something about the uncontrollable princess that he can’t ignore. Maybe it’s the way her eldest sisters underestimate her. Or her bravery facing down dragons and mad queens from distant lands. Whatever the reason, Gruff is willing to fight by this human’s side. Not only for the entertainment value, but because she’s right. Beatrix must never be queen. So whatever he has to do, whoever he has to destroy, Gruff will battle beside Ainsley. Fast. Hard. And with absolutely no mercy . . .

my review

I don’t use star-rating here on the blog. But I often do when I cross-post to Goodreads. When I look at this series, I see that I gave The Blacksmith Queen a 5* rating, The Princess Knight a 4* rating, and I’ll give The Heretic Royal a 3* rating. I loved book one, but have liked each subsequent book less and less. The reason was especially apparent here in The Heretic Royal.

These books are fun. The characters are zany. The world is full of fantasy creatures. The writing is sharp and witty. But the series has also always been chaotic. That’s part of the fun. But as the series progresses, the balance between utter chaos and substantive plot is faltering. Here in this third book, there is almost no plot progression at all. Aiken leans very heavily on the chaotic good of the characters and brings in a whole host of new crazy characters. And here is where my main problem arises.

All these characters? They’re the characters from her Dragon Kin series. So, here, three books into a series, we suddenly have a series mash-up. These new characters from an old series took up most of this book, and, as a result, the characters from this series were cast in shadow. We the heretic royalgot little more than surface interactions with any of them.

That’s without even considering how it felt to come to this book as someone who has not read Dragon Kin (which I think is 9 books and several novellas long), didn’t know or care about the characters, and didn’t know to expect this sudden influx of new, unrelated characters.

To say I was disappointed is an understatement. I still like the author and am hoping the series balances out because I want to reclaim that feeling from book one.


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REVIEW: The Heretic Royal by G. A. Aiken

Review: The Heretic Royal by G.A. Aiken

 

Book Review: Fearscape #1 & 2, by Ryan O’Sullivan

I accepted copies of Ryan O’Sullivan (author), Andrea Mutti and Piotr Kowalski‘s (Illustrators)  Fearscape and A Dark Interlude for review through Rockstar Booktours. The latter was also featured over on Sadie’s Spotlight. So, you can hop over there for a sample page, author and illustrator details, and a chance to win a copy of your own.

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THE WORLD IS TRAPPED AND DOOMED

Trapped in a cycle of infinite sequels, the world is doomed to repeat tired tropes and clichéd conflicts without end. Unless, that is, unreliable narrator, notorious plagiarist, and sequel denier Henry Henry can unleash something so awful it deserves no repetition.

After the stunning success of Fearscape, comes A Dark Interlude, the story of “—No! The only offence to literature greater than the loathsome synopsis is the sequel. I will not stand idle while some poor excuse for an editor mangles and confuses my story, which is intact, perfect, and concluded, with this derivative drivel. Mark my words, this nonsense has nothing to do with my tale. I am not in it. I do not condone it. And you, dear reader, should not buy it.” –HH

But don’t listen to Henry Henry – the only way to escape is to buy this book! Collects the complete five-issue series.

my review

These graphic novels were fine, cleverly done even. The author is obviously a deft hand at believably untrustworthy narrators, which is precisely what Henry Henry is. And I found it interesting watching events unfold and then seeing him re-remember them. His delusion is almost a character of its own in the story, book one especially. (Though there was a moment or two, early on, before it became quite so clear just how far from reality Henry Henry had strayed, that I thought, “Yep, I’ve met men this convinced of their own genius before.”) I also liked the art.

I did see book one’s reveal coming from the first hint. Both books, but especially book two, have some large blocks of print that feel out of place in a graphic novel, and frankly, I started skimming all the literati-babel by the end. I understood what the author was going for, but I got bored with it.

All in all, these were middle-of-the-road reads for me. I am, after all, Henry Henry’s most despised class of people, the casual reader (especially of graphic novels). But I’m sure will find their audience.

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Other Reviews:

Comic Bookcase: Fearscape & A Dark Interlude

 

 

 

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Book Reviews: Apex Society 1 & 2, by C. Rochelle and Cassandra Featherstone

I received a signed copy of C. Rochelle and Cassandra Featherstone‘s Come Out & Prey in a mystery box I ordered from The Story of My Life Bookstore. Then, Because it’s a prequel (and I, therefore, knew that it wouldn’t be a whole story and I’m avoiding such scenarios), I preemptively ordered Let Us Prey to read with it.

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In this world, you’re either predator or prey.

I come from a long line of pure-blood predators, but when my shift finally happened, I turned out to be prey.

A bunny to be exact. A freakin’ bunny.

The guy I’d been promised to since birth rejected me. My own father has turned his back on me – shipping me off to Apex Academy even though it’s practically a death sentence with what I am.

Oh, and of course, my ex-fiance and his friends are here at the academy and more than happy to make my life a living h***.

But then I met my teachers. Five incredibly gorgeous apex predators, each one more mysterious than the last. And all of them, very much off-limits.

There is something dark at Apex Academy – something that’s killing off students and teachers alike. As prey, I’m afraid I’m the easiest target, but who can I trust to keep me safe?

my review

Come Out & Prey:

I really wanted to like this. I did. I went into it with such high hopes. But it doesn’t live up to its potential in several ways. For one, it’s a prequel that isn’t enjoyable. Sure, it gives everyone’s tragic backstory—Delores’ especially—but what fun is reading 230 pages of people being miserable in entirely predictable and unimaginative ways?

Second, Delores is so very ‘not like other girls’; it honestly made me cringe…repeatedly. The book is at least self-aware on this front. But that doesn’t make it any more enjoyable to read.

Third, and relatedly, Delores is the only female character in the book who isn’t over-the-top evil in utterly cliched and slut-shamey ways. Why do female authors keep doing this, villainizing all other women?

Fourth, the naming convention of putting pred and prey in EVERYTHING was distracting and frankly embarrassing after a while. It was shtick that went on WAY too long.

Fifth, there is no progress on the relationship fronts at all; considering I picked up this series expecting erotic fantasy romance, that was a disappointment.

Sixth, the book needs editing…or maybe there are just some really odd formatting choices. The random ‘okay’ at the end of several paragraphs was especially confusing.

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Let Us Prey:

I don’t use star ratings on the blog. But if I did, this would honestly barely make it out of the two-star range and only then because it’s competently written. As with the prequel, I wanted to like this. I expected to. I recently read Rochelle’s The Yaga’s Riders and liked it a lot. I had no reason to think this wouldn’t be equally as enjoyable. I’m down with the premise. But it was utterly disappointing.

The quirky naming convention nearly drove me to distraction, I hated it so much. If used sparingly, it might have been amusing. But it’s constant and felt like a schtick that went on far too long.

The plot meanders endlessly. The book is relatively long, and several times I wondered if there was still a plot or if we were just off doing whatever random thing popped up with nothing tying it together. I’m still not wholly sure.

There is very little spice in the book. And I don’t mean that as in, ‘the book didn’t have as much sex as I’d like.’ Instead, with the list of triggers in the beginning, blurb, cover, and five mates, there isn’t as much spice as the book sets the reader up to expect. It makes promises it doesn’t keep.

I have never read a co-authored book where the individual chapters are labeled who wrote them. I was confused in the beginning. I couldn’t figure out why the random ‘Cassandra’ was in the chapter heading. Once I figured out what was going on, I found it distracting, even as I tried to look over it.

The gay BFFs were cliched. The Heathers (yeah, they’re modeled on those Heathers) were too. And I cannot tell you how saddened I am every time I read one more book, especially a female-authored book, in which all other women except the main character and her small circle are horrible in some manner. And to have them horrible in very Kardashian ways has been done a million times and is probably steeped in more than a whiff of internalized misogyny.

The mother (who is the primary face of villainy) was beyond cartoonish. The men were buffoons, and only one of them was meant to be. If I had to read how perfect Deloris was one more time, I might have instituted a vom prom of my own. The dialogue got stiffer and stiffer as the book progressed. And, while Deloris (note the name) is technically over 18, the book plays with pedophilia in some subtle ways.

The occasional joke did land. We don’t talk about Bruno, after all. And I liked the heroes on the surface. I think that’s what makes this so disappointing. I can see how it could have been everything I was hoping for. But it went for slapstick ingénue over just about everything else, and I was eventually simply glad to come to the end of it (even with the cliffhanger).


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