mayhem in hell banner

Book Review: Mayhem In Hell, by Kaylin Peyerk

I’m in a Readers of Fantasy group on Facebook and Audible codes for Kaylin Peyerk‘s Mayhem in Hell (narrated by Amy Hall) were on offer. So, I accepted one. And since yesterday was the day I had to break down and actually fold the giant pile of laundry, I listened to the book while I did it. (Seriously, that is just one of the most tedious chores in existence.)
mayhem in hell audio cover
I was supposed to die and go to heaven, too bad I ended up in hell.

One out of every five people end up in heaven, that’s how low the chances are. So I worked hard, never swore, and did my best to be a good girl for my entire life. Then, out of nowhere, I was hit by an oncoming car, cutting my life short at age twenty-five.

Next thing I know I’m waking up in the firey pits of hell and given a scythe. My new job is to help reap the souls and take them to judgement day. Sounds easy enough, right? Well, it would be if I was a normal reaper. . . but the moment I touched the scythe it began to glow, signaling just how talented I’m going to be. Now, the three ruling princes of hell all want me as their personal reaper.

So these days I’ve been thinking. . . What’s the use in being good when it’s so fun to be bad?

my review
I found this amusing, but also just a little too “she’s the most special, special snowflake in the special field” for my tastes. It’s reverse harem, I went in knowing that. But Lucifer, all his sons and god himself want her, if for different reasons. And the reason is either something beyond her control and having nothing to do with her or just super flimsy. At one point one of the sex men tells her she’s the most interesting thing he’s seen in ages (if not ever) and I just thought, why? There seriously isn’t anything particularly interesting about her…other than that your interested in her.

But having said all of  that, if I was willing to let my questions go and just roll with it all, I did enjoy myself. There’s some humor, plenty of low-heat sexual tension (but no sex), and a glorious bit of blasphemy that I very much appreciate. The writing is pretty good. The narrator did a good job and it was a fun, silly romp. It does end on a cliffhanger (which I knew in advance, so no complaints). All in all, I’d be willing to read book two.

mayhem in hell photo

stormbringer series banner

Book Review: The Stormbringer Trilogy, by Isabel Cooper

Last year, I won a copy of Blood and Ember (book 3 of the Stormbringer series). But I put off reading it because I didn’t have books 1 and 2. Well, lately, I’ve been making a concerted effort to read books from my physical book shelves. I borrowed The Stormbringer (#1) and The Night Born (#2) from Hoopla so that I could read Blood and Ember (#3).


the stom bringer coverAbout the Book:

Raised to be weapons against the darkness, Sentinels spend their lives fighting the monsters that prey upon humanity. Their hands will shape the world, and their swords will seal its fate.

A warrior lost to time…

Pursuing her latest quarry deep into the wilderness, Sentinel Darya finds herself in an ancient city that should no longer exist. There she comes upon a handsome warrior in ancient clothing, held in a deathlike sleep—Amris, hero of the last great battle against the Traitor God. His discovery, and the weakening wards about the city, can only mean one thing: the Traitor is gathering his armies again, and the storms are returning.

Amris has been trapped in dreamless sleep since the final battle raged centuries ago. Now he is awake…and so, it seems, is humanity’s greatest threat. Determined to save the world from being swallowed by the oncoming storm, Amris and the fiercely beautiful Darya must learn to trust each other—and the powerful bond that’s formed between them—as they fight their way through a land swarming with monsters in a last desperate bid to get word back to their allies before it’s too late…

my review
Having read this, I can now say that I enjoyed it a lot more than I expected. I thought both Amris and Darya were lovely characters. They were just so unfailingly kind to one another and those around them—good people. Plus, they’re both well into adulthood. I also very much appreciated being given a bisexual hero (without it being any drama) and several LGBTQ side characters. Similarly, Darya and Amris had different skill-sets, but both were allowed to excel together and apart. (And they do fight apart, even after getting together.) So often, us readers are given a ‘badass heroine’ who goes limp in the presence of the hero. Cooper didn’t do that to us. Darya stays just as competent and dangerous after meeting Amris as she was before and I loved that.

I did feel a bit thrown into the story. The book starts at the re-ignition of a magical war and there is a lot of history to absorb quickly. I never felt like I got a real feel for the villain. For that matter, I don’t really feel like I got to know Darya and Amris particularly deeply either. I liked them, but they are on the go for the entirety of the book and I didn’t feel like there was ever a chance to pause, breathe, and get to know them outside of the circumstances of the story.

All in all, however, I can’t wait to jump into book two. Though I do want to make a quick point about the cover. One presumes that is Amris, the male lead. He spends the entire book in plate armor. He briefly takes it off to bathe, sleep, and for the single (very mild) sex scene. But he is notably in armor the whole book. So, why are we given a shirtless cover? It’s not that I dislike the cover, or that I’m a prude about skin. But I do feel like it misrepresents the sort of story one will find under that cover. Just, sayin’.


the night born coverAbout the Book:

Raised from childhood to be weapons, Sentinels spend their lives fighting the monsters that prey upon humanity. Their hands will shape the world, and their swords will seal its fate.

As war looms, Sentinel Branwyn seeks military aid from the High Council, attracting interest from its youngest member, Zelen Varengir. He’s intrigued by Branwyn but can’t risk helping her cause. Instead, he must learn all he can about the intriguing newcomer—especially who’s behind framing her for the murder of the High Lord and threatening to tear apart the world as they know it…

 

my review

Oh man, what is with these covers?! Yes, I do realize that I said much the same thing about book one and it is the least important aspect of a book for a book review. But honestly, Zelen is a healer and a diplomat. He does know how to use a sword, but he is 100% not a warrior. Plus, he’s tall and slim (and not prone to walking around shirtless). So, what is that cover! Who is it supposed to be? Because it is NO ONE in the book. And the fact that I’m starting my review with it tells you how strongly the disconnect between it and the actual story truly is! It not only is inaccurate, it gives you the impression the book is in a totally different sub-genre than it is (erotic romance instead of fairly low-spice romance).

Now, about the actual story. I didn’t like it quite as much as book one (The Stormbringer), but I also feel like I got the chance to know these characters better than Darya and Amris, which I appreciated. Much like book one, Zelen and Branwyn are lovely 30 plus year-old people who are honest and kind to those around them (including each-other). In Branwyn’s case, she’s tied to a god who values honesty, which just makes her disinclined to be anything but straight forward. I can’t stress how lovely it is to read a romance that doesn’t bother with drama produced by avoidable dishonesties. Both characters are clear with themselves and each-other about they want.

The writing is clean and easy to read. There’s a notable amount do diversity too. Off the top of my head, I remember a counselor with a sex sex partner, a healer in a wheelchair, and peoples of various ages, sexes, and appearances. All of whom simply existed, without there needing to be a ‘reason.’

All in all, I’m still enjoying this series and look forward to reading book three, Blood and Ember.


blood and ember coverAbout the Book:

A century ago, the Traitor God’s fury left the world broken by violent storms and twisted monsters born of darkness and death. Now those storms are sweeping across the continent again and it will take everything the armies of man can muster to survive. As a sworn knight, Olvir is prepared to do his part—even if that means journeying deep into the magic-tainted Battlefield to face the enemy alone.

Sentinel Vivian Bathari has lost too much to allow her closest friend to make such a sacrifice on his own. Besides, there are whispers that Olvir’s strange new powers are somehow connected to the Traitor God, and she’d rather be by his side should the worst occur. But as they travel deep into the heart of danger, their growing attraction burns into mutual desire, and the true depth of Olvir’s connection to the evil haunting their world is made clear. In the end, Vivian will have to decide what she’s willing to sacrifice to save their world…and the man she loves.

my review

I thought this a satisfying conclusion to the trilogy. It did drag a bit. The book is largely two character walking from one place to another, talking, and encountering the occasional challenge. But I liked both of the characters a lot. And I very much appreciated what Cooper let them be. Of the two, Olvir is the younger by close to 10 years and Vivian is 40+. That’s not a pairing you see often (except in ‘sexy cougar seduces younger man’ scenarios, which this isn’t). And both are just unfailingly kind to one another in very difficult circumstances. I feel like Cooper went out of her way to subvert a lot of tropes and that didn’t go unnoticed or encouraged on my part.

The book reminded me a lot of T. Kingfisher‘s The Saint Of Steel series, with the tragically noble knight and the practical older romantic partner. Luckily, I really enjoyed those book (at least what I’ve read of the series, I’ve not finished it). I recommend both it and this one though.

the stormbringer trilogy photo


Other Reviews:

The Reading Cafe: The Stormbringer

Describe your characters to me. Don’t compare them to actors.

It’s random blog post time. In other words, time for me to randomly give my opinion to the ether space that is the internet. So, how did we get here?

Earlier today, I came across this tweet:

Which is apparently about this tweet* that the twitterverse dog-piled on the poster about:

stop using pop culture referencesI actually missed the drama and went back to search it up after I saw Sadie’s tweet and got curious. I’m not going to get into the Twitter battle or if pop culture references are good or not (that’s too subjective to answer), but it did get me thinking about related things. Not so much pop culture reference, but the use of comparisons to actors as a substitute for character description**.

Yeah, I know it’s not the same. But it’s in the same ball park and I feel about this method of describing a character kind of how I imagine M. does about pop culture references. (Notice the imagine in there. I obviously don’t know for sure.) But I figured I’d give you a run down of the thought process that brought me to this post. And it followed the track of Sadie, to M., to ‘Yeah, OK, I get that,” to “That’s kinda how I feel about using actor references instead of character descriptions.”

As others have pointed out, if M. is 14 she may simply be too young to feel engaged in many of the pop culture references she’s encountering (and some of us may be too old for new ones). Which is a legitimate reason to dislike seeing pop culture references in her books and to have an opinion on the matter. Others have different opinions and that’s fine too.

While there are several reasons I dislike it when authors say, “He looked like a bad boy version of Ryan Reynolds,” or a “lawyer-slick version of Zac Effron” instead of writing an actual visual description, one is simply that I can’t easily engage with it. For many years (while I was working on my last Masters, for example) I didn’t own a TV and I rarely went to the movies. Even after I finished the university program, I threw myself back into books for fun and still almost never watched television or went to the cinema. When I came to a description of “he looked like a grown up Jharrel Jerome,” I often had to literally stop and google the actor to see what was meant (or ignore it and move on).

This was not only an ineffective means of relaying information to me, it was an actively annoying one. I simply didn’t know who the bright young things of Hollywood were, let alone one Chris from another. Like M. (maybe) not getting 1980s or 90s pop culture references, I had no reference for popular actors and actively disliked being reminded of it.

This is largely true today too. I do own a TV now, but I will take a book over that TV or the movies 9 nights out of 10.  But that 1 out of 10 gives me a little more reference than I had for a long time. At least I know some of the names and faces these days. (I only had to google about half the names for this post, for example.)

And this is the general point I’m making. Pop culture references and actor comparisons in place of character descriptions both assume knowledge on the part of the reader that they may not have. And that’s fine, of course. It’s up to the author to decide who they want their intended audience to be and those of us on the outside just kind of have to suck it up. We can have opinions on the matter, but that’s all they are.

But if an author chooses to exclude those without that referenced knowledge (due to age, growing up in a different culture, or not being part of a certain group/subgroup, etcetera) they have to accept that those left out might mention, “Hey, this sucks for us.” I don’t think either group—reader or writer—should get salty about it. But I don’t see any issue with acknowledging it.

Here’s where it gets a little iffy for me. I would like to think that when authors chose to use a pop culture reference or compare their sexy male lead to Jason Momoa or Idris Elba (thereby including some and excluding some other readers) they are doing so consciously and conscientiously. But let’s be honest, there are plenty of times authors don’t consider who they are excluding. Because they are human and humans have a disconcerting tendency to think everyone is just like them—that we all know/like the same jokes and pop culture, are attracted to the same actors, etcetera.

So, please, do what your gonna do. But at least do it with the knowledge and acknowledgement that you are doing it!

And that’s where my ‘M. disliked pop culture reference and I similarly dislike actor names in place of character descriptions’ comparison ends. But I also want to take a moment to further make my case that using such actor comparisons in place of physical descriptions is a poor choice on the part of the author, IMO.

One of the reasons I would rather read a book before seeing a movie is that I want the chance to bring a world and its inhabitants to life in my head, without the influence of the casting director. I want to imagine what a character looks like. But if you hand me a picture, it’s almost certain that’s going to be the image in my head. I don’t want YOUR image. I want MY image. And you steal my opportunity to develop that when you just say, “He looks like John Cho.”

What’s more, in my opinion, it’s just plain feels lazy. Did you not develop a new image for this character yourself? Did you have a “Main Character Pinterest Board” curated from the internet and just describe what you were looking at, not what you imagined? That’s the bitchy side of me coming out, I admit. But I genuinely feel like slapping on a “He looked like Taye Diggs” is just lazy writing. You say in one sentence what might otherwise take a paragraph. I want the paragraph! I want all the lush language that will make me drool, not that clinical comparison that is just dull, unimaginative, and boring! You want me to know he looks like Taye Diggs, then describe Taye Diggs so well I can’t help but cultivate that image in my head. Make us share this vision with your skill.

Further, in the case of romantic or erotic fiction, describing your sexy hero by saying, “He looked like Tom Holland,” assumes we all find Tom Holland equally attractive. It assumes I find Tom Holland attractive enough to imagine him as the sexy hero. It ignores that I might not find Tom Holland attractive or want to image him as a sexy lead. I’m 44yo, for example, he looks too young to fill that role for me, personally. So, coming across such a comparison either ruins the sexy hero for me or requires I ignore your image entirely, which tend to pull me out of the narrative. Either way it’s doing your book no favors.

There’s also simply the matter of how badly such comparisons can date a book. If you compare your main character to Patrick Swayze I know the book is from the late 80 or early 90s as surely as if they carried pagers. I imagine a comparison to Benedict Cumberbatch will feel the same in a few years time. (Not to suggest his popularity won’t last!)

I have no idea if this qualifies as an unpopular opinion or not. And I’m certainly not making any broad-sweeping dictates to authors. But if one reader’s opinion matters, this is mine. Please describe your characters using words, not Hollywood comparisons.


*I screenshot this tweet and obscured the name because, if the poster really is 14, she doesn’t need more drama in her inbox. I left Sadie’s name since she’s an adult.

**For the sake of simplicity I’m going to say actors and use male examples. But this obviously isn’t a single gender issue. (Though I have definitely noticed it more with authors, especially romance authors, doing this for their hero more often than the heroine.)

Note: All the images in the banner came from Imbd.