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Shayna

Book Review of Shayna (The Fate of the Faes #1), by Cynthia Melton

Cover of Shayna

I received an audible code for a review copy of Cynthia Melton‘s Shayna from the narrator, Amy Deuchler.

Description from Goodreads:

A darkness approaches that only a fae can stop. 

Evil forces threaten to cover the human world with darkness. The faerie world is dependent on the human world’s survival or they, too, will perish. Shayna, a faerie warrior of the Light is sent to the human world to prevent that from happening and must convince a human to help her. 

When she reveals her true self to Detective Pierce Cochran, his world is thrust upside down. Everything he believed to be a fairy tale is true. 

The faerie and the detective join forces against a growing number of demons and vampires, enlisting the help of an assortment of creatures Pierce didn’t know existed. Magic and weaponry collide as the mis-matched group of warriors race toward the final battle. 

Review:

This is the second time in a relatively short period that I’ve found myself in the same awkward situation, having accepted an audiobook for review from the narrator. Then, finishing it torn because the narrator did a fine job, but I basically hated the book. So, let me be real clear on this:

1. Amy Deuchler did a fine job with the narration. My only complaint being a slight emphasis on the names that exacerbated my main problem with the actual story, which I’ll get into. 

2. The book Shayna sucks balls. 

Now, that complaint: Shayna is perfect. She’s beautiful. She’s innocent. She’s sexy. She’s virginal. She’s the most powerful warrior. She can do any magic at any moment to get them out of any scrape. She’s loyal. She’s clever. She’s empathetic. She’s caring. She’s…she’s…she’s… To call her a Mary Sue is an insult to both Maries and Sues. SHE CAN DO NO WRONG and it makes for a horribly boring book. (This is where my only complaint about Deuchler’s narration comes in. She says Shayna’s name with an almost awed breathiness, which I understand given the text. But when I’m already irritated with the Shayna-worship, actually having to hear it in the name itself grated on my nerves something awful.) At one point an addictive substance was introduced and I actually thought, “Finally, something that might give this character a little depth and interest.” But no, even that was given to someone else, so that Shayna could save them again. 

Further, the story itself wasn’t smooth. I didn’t feel the romance develop AT ALL. It just suddenly was. Some characters seemed to know things they shouldn’t have. While other characters had large changes of heart for no apparent reason. And 2/3 of the book was basically just Shayna running around New York putting out fires as they popped up. Then, the whole thing culminated in a large sword and magic battle that didn’t relate to anything preceding it. It had some of the same characters (plus the ones that were pointlessness added too late in the book to truly be introducing characters), but nothing that happened before that point seemed necessary or to have effected the outcome. Then it was all over, Melton basically skipping over the battle and any last chance of providing a little tension or excitement. 

Overall, I very much feel like the author didn’t really have a plan for the book, so things just cropped up as she thought of them and nothing really tied together. I actually have all three books and I hate to not fulfill my obligation to read them. But I so disliked this one that I have a hard time thinking I’ll ever really listen to them.

His Reluctant Cowboy

Book Review of His Reluctant Cowboy, by A.D. Ellis

I received an Audible code for a review copy of His Reluctant Cowboy, by A.D. Ellis.

Description from Goodreads:

Out-and-proud volunteer dance instructor, Reid Alexander, is a California boy accustomed to living in flashy luxury. He is less than thrilled upon inheriting his late grandfather’s South Dakota horse ranch. Yet, he must endure three months of cowboy hell before he can even consider selling the property. As the ranch foreman, Walker Corrigan’s entire life is Pine Ridge. When Reid arrives with cold-hearted plans to sell, Walker endeavors to endear the place to the younger man. 

Reid is unprepared for the sudden attachment to Walker, the land, and – unbelievably enough – the horses. 

Walker’s long-suffering heart takes an unexpected gallop straight toward Reid. Both men are on-board with exploring their relationship, and Reid discovers ranch ownership is more gratifying than he’d once imagined. But Reid is forced to reconsider his place on the ranch when threats put the property and employees in danger. 

Menacing events call Reid’s integrity into question, and he considers saving everyone the hassle and throwing in the reins. But how can he leave when his heart now feels at home on Pine Ridge Ranch and in Walker’s arms? 

Review:

I’m in an awkward position reviewing this book. I received an Audible credit for it in exchange for an honest review. However, the credit came from the narrator, Brad King, (not the author) and the narrator did an awesome job. But the story didn’t work for me. What do you do in that case? I guess you say just that, huh? King’s narration is very good. Ellis’ story left me cold. 

I disliked Reid in the beginning. But even after he gave up being a brat and became tolerable I was troubled. His growth came in jagged spurts, and nothing about it felt very natural. The romance was sudden and felt very much like the only two adult gay men on the ranch fell in love because they were the only gay men on the ranch. There was no gradual growth or anything like that. And as soon as the two men were together they were suddenly in love, declaring forever, and calling each other Baby. I thought the dirty talk during sex was super cheesy (King deserves some props for pulling that off with aplomb). And I almost went ragey with the way it had to be stressed (more than once) that the love between Walker and Reid was better than the love Walker had with his dead partner. That just was not necessary and was tacky to boot. The villain was practically a joke and the resolution came about because of a very convenient coincidence. Plus, I hate the cover. There I said it. 

All in all, not a winner for me in the story department. But again, great narration. My dislike is for the book.

 

Book Review of Safe Passage (Black Flag #1), by Rachel Ford

I received an Audible code for a review copy of Safe Passage, by Rachel Ford.

Description from Goodreads:

Go big or go home. For privateer Captain Magdalene Landon, it’s all about going big. For Kay Ellis, it’s about getting home. Together, they’re about to architect the most daring heist in the galaxy. Kay knows too much. She knows it’s a matter of time before a Conglomerate hitman finds her. She’s desperate for safe passage back to Union space. Then Magdalene shows up, promising a way home in exchange for that information. It’s a risky bet, but Kay is out of options. So she strikes a deal: the heist of the century for her freedom.Kay is playing a dangerous game, and she knows it. She’s made herself Enemy Number One of the Conglomerate. She’s relying on privateers for her safety. It’s a fool’s game. But the worst part is, her fool’s heart is starting to warm to the enigmatic captain. And that’s a risk for which she hadn’t planned.

Review:

I can’t say I enjoyed this book much. I didn’t find much that grabbed me. I felt the world wasn’t well developed, the romance was abrupt, the casual use of attempted heterosexual rape as motivation unoriginal (especially in a lesbian romance), and the characters were too Mary Sue like. Here’s an example, they kept people alive when they shouldn’t have. It felt like an artificial mechanism to move the plot along AND that the just author didn’t want them to seem like bad guys, especially considering those same characters end up dead anyway. It seemed inconsistent this insistence on ‘doing the right thing’ when they are basically thieves (and have already killed others).

This tendency to use obvious and inelegant artificial events for plot progression was also present in the romance. The characters got together, then one broke it off for sudden and stupid reasons. Then later apologized so they could get back together just as abruptly. You see it all coming a mile away.

Similarly, all the twists are as obvious as the sun. You know from very early on what is going to happen and when. 

The writing itself is fine, minus a tendency for characters to call Kay by name too often. And the narration too…for the most part. I actually greatly disliked how Rich voiced the characters. But that’s a matter of taste not quality. 

All in all, I think this was just a poorly matched book for me. I went in with high hopes. I love sci-fi romance, but this one wasn’t a winner for me.