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I fell through a portal and into a gargoyles arms

Book Review: I Fell Through A Portal And Into A Gargoyles Arms, by Dana Isaly

Always on the lookout for authors whose surnames start with ‘I’ for my yearly Author Alphabet Challenge, I picked up a freebie copy of Dana Isaly‘s I Fell Through A Portal And Into A Gargoyles Arms from Amazon.

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After getting laid off from my job, all I want to do is go home, put on a Halloween movie, and take a hot bath to soak away my troubles.

But things take a turn as soon as my head sinks below the water.

When I come back up for air and open my eyes, I’m not in my bathtub anymore—I’m in the arms of a very large, very gray, very masculine man.

Turns out, he’s a gargoyle, and I’m no longer in my world.

Thoren says I’m his mate, that he’s waited for me for his entire life. And there’s no denying this pull between us. But I’m determined to figure out a way to get back home.

There’s just one problem, the bond is growing stronger every day. When he’s away, there’s a heaviness in my chest. And when he’s near, my body aches for him.

Leaving him may be harder than I originally thought.

my review

I Fell Through A Portal And Into A Gargoyles Arms Dana IsalyI have read one other book by this author, which was a dark romance that I did not like at all. I chose not to continue the series, even though I owned all of it. (That’s not an easy thing for me to do.) However, I decided to give her another try with something completely different. This is a largely plotless, fluffy fantasy romance. I thought it was sweet and entertaining. There’s not a lot to it. The title tells you all of it, really. But he is a giant cinnamon roll that falls first, and she has enough backbone not to feel limp in the circumstances. If you want to read something mildly spicy just for the feels, this one will fit the bill.


Other Reviews:

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Book Review: Monsters of Ashwood, by Ariel Dawn

I picked up a copy of Ariel Dawn‘s Voices in the Dark as an Amazon freebie, and then purchased a copy of Whispers in the Woods.
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A haunted house. A protective gargoyle. A past that controls the future.

For Jenna Hellsing, the sleepy little town of Ashwood, Oregon seems to be the perfect place to hide and start over, to quiet the demons, even if it’s in a house haunted by shadows… but the darkness isn’t ready to let her go.

As Jenna attempts to navigate her new life, will she be able to resist the voices of the past? Especially the ones she hears in the dark?

Degal’s heart is colder than stone. After all, he’s been separated from his mates for more than a century. The broody gargoyle has only one focus: To protect the legendary Ashwood Manor.

When a fearless young woman buys his home, can Degal find a way to ignore the undeniable bond he feels?

my review

I’m going to give this duology a single review since I read the books back to back, and they form one continuous story. Honestly, the two books combined are less than 350 pages, so I don’t know why the author bothered to break them in two. I know there’s the sell-more-books aspect. But finding standalone Why Choose romances is like finding a treasure. I wish more authors would write them, and here I see a perfect opportunity to do so squandered.

I have mixed feelings about this series. In one sense, I liked it a lot. I liked that the men of the harem have a real, deeply felt, and openly expressed relationship with one another. I liked the characters themselves. Since I finished book one and then bought book two, I obviously enjoyed spending time with them.

BUT I was hoping for so much more than this series delivered. There are some aspects of the story that seriously disappointed me. (This will be spoilerish, by the way.) I found the heroine bland. Honestly, among the three men’s history and established relationship, she felt very much like a late addition tag-along rather than a truly important addition. Honestly, I’m not even sure she felt like the main character of the book. Degal, in terms of page time and development, and Shadow, in terms of group dynamics, fit the bill a lot better.

But mostly, the author made some choices I thought were super cliched and predictable. At the tail end of book one, I had a premonition of where the story was going and made this note:

I’m going to be so disappointed if this book/series goes in the reincarnated lover direction. Let her be important as herself, not as Virginia 2.0. Please!

Well, to risk repeating myself, I was disappointed. It wasn’t straightforward reincarnation, but it’s close enough to fit the bill. I want a heroine that the men love FOR HER, not for what (or who) she is a reflection of.

The villain was incredibly obvious. It’s the only named character with no other obvious character role (best friend, work colleague, lover, etc.), and his motivation was one we’ve all seen a billion times before. It’s serious low-hanging fruit in the plotting department. I have to say the same about the FMC’s history of rape. *Yawn* So overused as to have been leeched of all emotional impact. Again, it’s low-hanging fruit plotting. It’s evidence of either incredible laziness or an author who has yet to mature and learn to imagine plot points for themselves instead of choosing them from pre-scripted cultural story arcs.

As a side note, I’m quite tolerant of purple prose. But if you are not, this might not be the book for you. It could also do with another editing pass. All in all, this wasn’t horrible. I like it well enough. But it left me with several unanswered questions and could have been so much more than it is.

monsters of ashwood duology


Other Reviews:

Voices In The Dark (Monsters of Ashwood Book 1) by Ariel Dawn – My Review

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Book Review: Stone Cold, by H.B. Jacks

I picked up a copy of H.B. Jack‘s Stone Cold as an Amazon freebie.

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Three massive stone gargoyles. Monsters all. And now I belong to them.

I didn’t ask to be rescued. I was doing fine on my own, even if I had just lost my job, dumped my ex and taken a wrong turn down a dark alley.

So when Cararr thinks I need saving and sweeps me up in his huge claws, what am I supposed to do? Say no to this damaged, vicious and sweet as candy gargoyle who only wants to prove to his mates he’s worthy of their love?

Mates who include Viriroz, one growly grump of a gargoyle, all dominant and possessive, and the sinful Garaz who looks at me like he wants to eat me. Whole.

These are powerful monsters with a dangerous job to do, protecting the human world from the things that slither in the dark, but they need a final female mate to complete their roost and produce their heirs.

All of which means I have to decide whether to stay with these delicious, feral males who love to share a bed and each other, or whether to condemn the rest of the world the world to the darkness.

But I have to make the choice, because the war is coming and it might just rip us apart before we even begin.

my review

Think Gargoyles, the TV show, but spicy.

I dislike the cover, but I decided to overlook it and give this book a try. It started out really well with three male gargoyles in a very affectionate, committed relationship. I liked each individually and had high hopes for when the why choose element was brought in. But the book deteriorated fairly quickly into weird sex-based power dynamics and a sloppy, predictable plot full of far too many coincidences.

Let me start with my biggest disappointment. The three males were in a pre-established relationship, and they needed a female to join them in order to have children. But this left Lara feeling like a fourth wheel, the three of them in a relationship that had a female instead of the four of them in any sort of equal partnership. I really like that the three men were involved and continued to engage with one another even after she arrived, but she was never integrated enough into the dynamic to feel like a true part of it. This was very much reinforced by the weird power relations of sex.

Penetrative sex is referred to as being bred, even between men, and penetrative sex is used as a punishment. Don’t get me wrong, everyone who was penetrated seemed to enjoy it. But it is referred to repeatedly as punishment and used as such. These two facts infer, upfront, that penetration is tied to procreation, and there is something shameful about being penetrated. It is shameful to be the receiving partner in the sexual act. Sound familiar?

Plus, there seems to be rigid penetration politics involved. Alpha Viriroz can penetrate everyone. Garaz can penetrate Carrarr and Lara. Carrarr can only penetrate Lara, and Lara penetrates no one. (This isn’t just an observation, Garaz says at one point how glad he is to never let Carrarr breed him. It’s explicit.) It’s of note here that Carrarr is the most female-coded of the three gargoyles.

This ranking of who penetrates and who is penetrated seems to correlate almost exactly with authority in the relationship as a whole. The end result is that one’s place in the hierarchy reduces with proximity to femaleness, with being the receiving sexual partner as the proxy signal and being deserving of punishment (shameful) as the reason for one’s social position.

Taken together, all of this starts to look a whole lot like familiar patriarchal, misogynistic bullshit that reduces women to sexual toys and broodmares and then deems them of less worth because of it. I want none of this anywhere near my romance books, but especially in a why-choose romance that one reads largely to subvert such puritanical standards. (As a side note, I wonder if the author even knows they did this or if it is so internalized as the norm that they didn’t even notice.)

Don’t get me wrong, I don’t expect every book to be a feminist masterpiece. A lot of what makes dark romances fun is that they play with the very cultural norms feminism fights. As women, these are our reality, and it can be satisfying to engage them from a position of control. (I can shut a book at any moment, and there is a compact between the author and reader, then the heroine is really safe, no matter the current plot point.) But I adamantly dislike books that do so uncritically, that feed the reader raw patriarchal, puritanical mythos as romance. There is nothing subversive here, and I find nothing in female oppression erotic without it.

Plus, a lot of the sex scenes were repetitive (both in the acts and the language used) and defied photo of stone coldthe limits of human capacity. I know it’s fantasy. One always has to suspend their disbelief. ButJacks so threw out any limits to what the female body can accommodate to pull me, the reader, right out of the scenes, the last one especially.

Add all of this to the convenient and often unexplained coincidences and Dues ex Machina solutions to problems, and by the end of the book, much of my hope had simply evaporated, and I was glad to be shot of it.


Other Reviews:

Review: Stone Cold (Monster Prey Mates, #1). ⭐️⭐️⭐️⭐️⭐️