Tag Archives: gothic horror

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Super Short Novella Clear-Out

I’m making a real effort this year to clear out any book clutter. I’m focusing on quantity, which means knocking out some of the shorter books on my shelves in order to reduce the actual number of books I scroll through, etc. So, here I’m focusing on short novellas, books that are over 100 pages, but not by much. Technically, by my own blog rules, I could give them their own post. (100 pages is my unofficial minimum page count for a blog post.) However, for the sake of expediency, I’m combining several into one post, and I may return later to add to the list.

So, here we go. I read:


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Reviews:

Black Briar, by Sophie Avett

Honestly, just florid and confusing. Half the time, I didn’t know if whatever was happening (if I could figure out what was happening at all) was happening in real life or some dream realm. I’m generally pretty tolerant of purple prose, so long as it doesn’t get in the way of the story. But the prose here isn’t just purple, it’s luridly so. To say I was confused is an understatement.

There is no character development or worldbuilding to speak of. Plus, there isn’t much of a plot, which would be fine if this were erotica, where the sex was the point. But despite starting the story with a sex swing, there is one singular sex scene in the book. And it’s overly long and full of purple descriptions of a whole lot of not-sex. Somewhere in the middle of it, the FMC had a personality shift that made all of the resistance and fight of the previous pages pointless.

Essentially, the reader is dropped into the middle of a scene with no context. The story continues from there, before the FMC undergoes a personality transformation, and we’re told they lived happily ever after. (I still know nothing about the MMC, least of all why he was so interested in the FMC.)I may be being too generous in giving this two stars.

Leather and Lace, by Rebel Carter

Very sweet. It’s clearly part of a series, all but instalove, the town is so accepting as to be fantastical, and the narcissistically cruel mother is pretty cliched. But Minnie and Alex are sweet characters who make an endearing pair. If you’re looking for a light and fluffy quick read, you could do a lot worse than this one.

To Run with the Wild Hunt, by Mallory Dunlin

Meh. I’ve read several of the Monsters of Faery books, and I can confidently say that this was my least favorite. Which is a shame because I liked Lexi, and Key is just adorable. Their fem-dommy relationship was wonderful and sweet. I wish we had gotten an equivalent for Hunt. Obviously, there’d be little sweetness there, but there could have been a little something of relationship growth before the sex. And don’t get me wrong. I picked up a spicy book for the sex. But by the time we got to it here, I just didn’t particularly care. I’ll continue the series. I liked the other books a lot more. I suppose this was just a dud for me.

Shared Veins, by Emily Elder

Not horrible, but pretty mediocre. The FMC is a doormat, though she does have a pretty drastic attitude shift at some point and grows the beginning of a spine. The men are not given equal attention, and I don’t feel I really know them as anything more than caricatures (the sunny one, the brooding one, the brainy one, the leader, etc). Also, it is heavily in need of further editing. There are several super obvious errors that a basic spellcheck should have caught.

The Good Body, by Eve Ensler (V)

This was an interesting read. I think a lot of women will find something to relate to in it. However, I also think that others will find it fails to say anything new or noteworthy on an old and well-trodden path. I suppose both can be true.

Entangled with an Elf Prince, by Amanda Ferreira

This was really sweet. Honestly, I often didn’t know exactly what was happening outside of the very tight focus on the two characters (and there are only the two characters). But watching them discover one another was lovely.

Treasure, by Marleigh Kassidy

Meh, I mean, it is what it is, right? It’s an erotic short; sex pretty much is the point. The sex is fine; a little rushed in the v to dp journey, but ok, whatever. I mean, it’s not great, but again, it is what it is. My only real complaint is that it’s lopsided. Too much time passes as she tries to escape, and what remains after she is finished being scared isn’t enough to balance it out. Oh, and it ends on a cliffhanger, FYI.

A Monster In The Dark, by R.K. Pierce

Erotic horror(ish) that isn’t particularly spicy. There’s a whole lot more talk of what he wants to do to her than them actually doing anything. He is appropriately obsessive for a demon (though he has a relatively sudden personality shift toward the end). She is understandably panicked and scared, although she got over it remarkably quickly. All in all, it’s an amusing enough read for what it is.

Finding Her Minotaur, by Evangeline Priest

Meh. This was an entertaining enough read for the evening. But I read it last night before bed, and this morning, writing a review, it’s already fading from memory. Nothing of note stood out as worth remembering. Despite its cover and Minotaur MMC, it’s not particularly spicy. And while I realize, of course, that it is a novella, it’s exceptionally shallow. (Plus, it could use an editing pass to shore up the past/present tenses.)

It feels very, very much like it is part of something bigger. People are given titles, honorifics, or social standing, while world and galactic politics are referenced, and a mystery surrounding the FMC’s origins is hinted at; however, none of these elements are explained or contextualized.

The MMC seems sweet, noble, and loyal, but you don’t get to know him at all. You get even less of a read on the FFC. Priest gives you her circumstances, but basically nothing of her as a person.

All in all, I don’t regret reading it. But I honestly won’t remember I did by tomorrow. So, it’s not a winner either.

Thrum, by Meg Smitherman

Perhaps I misunderstood the brief, or the marketing of this book is off the mark. But I expected a monstery romance involving a deep space edlrich horror. This has a light sex scene or two, but sex scenes do not a romance make. This is horror, maybe gothic horror if you’re willing to stretch it far enough to encompass space. That’s not to say I didn’t like it. It’s atmospheric, and the reader truly feels the main character’s crumbling reality and fear. But it’s not what I was led to believe it would be. I was left with questions, and the sudden reveal and wrap-up at the end felt rushed. But generally, I enjoyed this.

Matched to the Mafia, by Jenika Snow

I’ve tried several of Snow’s books now. (I bought several all at one time, at some point.) And I think she just isn’t for me. I thought this was pretty trash. We get ‘he’s a bad guy and wants her’ in 15 variations, and that’s honestly about it. I know it’s a novella. But it’s not a very good one, IMO.

Starbinder, by Mark Timmony

Very clearly just a small taste of something larger, Starbinder is an intriguing teaser to the series as a whole. The writing is clear, and the world seems interesting. But I do think it was a bit too big to squeeze into a novella.

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Book Review: The Poisoner, by I.V. Ophelia

I purchased an e-copy of The Poisoner, by I.V. Ophelia.

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Amidst the gaslit alleys and cobblestone streets of Victorian London, two killers find themselves entangled in a waltz they cannot escape.

Alina Lis, a botanist and hobbyist poisoner, has a pastime of killing unsavory men in her twisted sense of poetic justice. When she targets the conceited playboy, Silas Forbes, only to find him in her apothecary the following week, she discovers human men are the least of her problems.

The pair’s unlikely association sparks gossip among affluent society. As their mysterious bond deepens, a chilling truth emerges—concealed identities, lurking foes, and questions as plentiful as the hydra’s head brew within this haunting Gothic tale of violent passion.

Will Silas and Alina find themselves in each other’s arms, or will the shadows of their past keep them apart?

my review

I really enjoyed the sheer chaos of the first 2/3 of this. I liked the characters and the world. Plus, the writing was easily readable. But I feel like the plot diverted too far in the last third. Plus, I feel like Silas’ character lost a lot of his previously established strength. He just felt useless in the face of the challenges at the end. I realize the situation was part of that, but those are the poisoner photocircumstances the author chose, and she undermined him as a character, IMO. (There better be significant groveling in book 2!)

I still liked the book. It’s like the author read The Lost Apothecary and then said, “Now add vampires.” If the second were out, I would have jumped right in. (Though I was disappointed by the cliffhanger, since I didn’t know it was part of an unfinished series.) But I didn’t love it as much as I could have (and expected to).


Other Reviews:

Books, Burgers, and Backpacks: The Poisoner

Somebody to Open: The Poisoner

 

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Book Review: The Hunted Mate, by Darcy Dahlia

Here we are in 2024, and my first read was Darcy Dahlia‘s The Hunted Mate. I picked it up as an Amazon freebie back in September 2023. I think there was some sort of horror stuff-your-kindle sort of event.
the hunted mate cover

The only thing I want is revenge. I just never counted on the monster that wants me.

The ocean’s seemingly endless depths call to me, tempt me not to surface. I want to obey, to push myself until it’s too late to turn back. For years, I’ve fought the call. But when an accident claims my mentor’s life my resolve weakens. Only my anger keeps my feet on firm ground.

The only thing stronger than my grief is my hatred for the man that so casually takes her place.

Jack Hunter.

He erases her memory and no dares to stop him.

I will.

The only thing that can stop my quest for revenge is the monster. When I’m trapped on the beach alone with it I have to admit it’s real. A thing that isn’t just shadows. It’s something that is real, and hungry for me.

Now I’m a woman hunted by something I don’t understand and as much as I want to get away from Jack, I’m drawn to him. Hungry for him.

It’s no longer a matter of revenge, but survival of both my body and heart.

my review

This was a fine—if rambly—read. Often, when I give such vague praise, it’s because I didn’t like the book but can’t explain why. That’s not the case here. I generally liked the book. But I also quibble with both the description (which is accurate but also gives all the wrong impressions) and its categorization of gothic romance. Personally, I would call this light horror. Just because two individuals have sex and eventually become mates does not necessarily make it a romance. I, for example, would not call the ending a happy one. And that is a must for a romance novel.

This paragraph is a spoiler: While on paper, the female character is happy to be mated to Jack at the end, she had been magically coerced and biologically adapted to be so. It is very clear throughout the story that this was not something she knew would happen or wanted. In fact, she was horrified and tries to escape. The fact that she failed and, thus, the transformation was successful was not a good thing for her autonomy. Let’s compare it to brainwashing. If she had been forcefully brainwashed into accepting something that she fundamentally did not want, would we call that a happy ending? I consider free will essential to happiness, so I would not. Thus, this cannot be called a romance, in my opinion (not even dark romance). Others may disagree. But that is where I am.

Further, the fact that she (as a whole person) was handed over to a man as a reward makes me angry. This is such an old trope—going all the way back to the texts of the ‘religions of the book.’ I hate it more than I can speak because it literally treats women as objects to be exchanged and owned. Have we not progressed past this? Dahlia really leans into it in this book, especially in the sex scene, which is, at best, dub-con. I would call it violent non-con myself. I disliked it. I honestly think the book would have been significantly better without the ‘you’ve been given to me’ element. The plot could have the hunted mate photoremained largely unchanged without it, a sure sign it wasn’t really needed.

In the end, I quibble with the categorization. But as light horror, it’s pretty good. (If I read more horror, I could probably say which horror subgenre to put it in—probably gothic—but I don’t read much horror. So, I’m going to stick with light horror as a hand-wavey descriptor.) I’d read more of Dahlia’s writing.


Other Reviews: