Tag Archives: romance

Feral Ice

Book Review of Feral Ice (Ice Dragons Book 1), by Ann Gimpel

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I borrowed an audio copy of Ann Gimpel‘s Feral Ice through Hoopla.

Description from Goodreads:

Doctor and biochemist, Erin signed up for six months aboard an Antarctic research ship to escape her stifling surgery practice. Jerked from her cozy cabin, she’s dumped in an ice cave by men who assume she’s dead. 

Konstantin and Katya, twins and dragon shifters, have lived miles beneath the polar ice cap for hundreds of years. Other dragons left, but they stuck it out. When several humans—all but two of them dead—end up not far from their lair, the opportunity is too good to pass up. 

If the lore is to be believed, humans can become dragon shifters. Delighted by a simple solution to their enforced isolation, the dragons lure the humans to their home. Surely, they’ll be thrilled by the prospect of becoming magical. 

Or not. 

Too bad no one shared the script with the humans. Science be damned, they’re horrorstruck in the face of fire-breathing dragons. All they want is to escape, but home is thousands of miles away.

Review:

This was bad…like really bad. I thought, in the beginning, I might be able to enjoy it in the ‘it’s so bad it’s amusing’ sort of way. But no, it didn’t even manage that. The story moves along in robotic jerks. The romance is so underdeveloped I literally thought it was going to be between the two humans, instead of the dragon and female human. Honestly, I think it would have been a better pairing. But mostly it just meant I didn’t feel anything for or about the couple. The lore is ridiculous and poorly explained. And dialogue is super cheesy.

The narrator did and OK job. But I don’t understand why Gimpel would choose a male narrator (Gregory Salinas) for a book in which the only first person POV is female.

The Queen's Gambit

Book Review of The Queen’s Gambit (Rogue Queen #1), by Jessie Mihalik

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I borrowed an audio copy of The Queen’s Gambit, by Jessie Mihalik, through Hoopla.

Description from Goodreads:

When the Quint Confederacy and the Kos Empire went to war—again—young Queen Samara wisely kept her Rogue Coalition out of the conflict. But staying neutral in a galactic war doesn’t pay the bills, not when both sides refuse to trade with neutral sectors.

With her people on the brink of starvation, Samara hatches a daring plan to snatch the kidnapped Kos Emperor from the Quint mercenaries holding him. The Kos Empire will pay a fortune for their emperor’s return, enough to feed the Coalition’s citizens while they wait for the return to a begrudging peace.

But when her plan goes sideways, Samara finds herself evading Quint mercenaries with the very man she intends to capture. And the more time she spends with Valentin Kos, the more she realizes that he’s not the coldly indifferent villain she imagined. Torn between duty and desire, Samara must decide if saving her people is worth giving up the one thing she’s always wanted.

Review:

This wasn’t bad, it was just kind of weak. The plot was weak. The romantic development was weak. The world-building was a little less weak, but still not strong. It felt like someone had taken a knit comb to a full length novel and picked out everything that fleshes a story out. What we’re left with instead is an unlikely couple who experience almost insta attraction, a galactic war in which the two largest, most powerful, wealthiest combatants can’t swat a minuscule fly of a woman, political intrigue that can be solved with an email or two, and a happily ever after that is so pat it feels like an afterthought. 

Now, I know none of that sounds positive. The story development really was lacking. But once you get past all the gratuitous-to-the-plot physical descriptions of the male lead (which I wouldn’t have minded if they had been balanced with more actual plot development) the story is entertaining. And when it comes right down to it, I value that over a lot of other elements in a book. 

Now, a word on the narration: I disliked how Dulude read this. I thought she made everyone (but especially Emperor Kos) sound a little too soft and….well weak, which was problematic with an already weak plot. But more that, her speech pattern had regular micro-pauses (I don’t know what else to call them) that interrupted sentences, broke them into pieces. It drove me absolutely batty. To be fair, it might not bother anyone else at all though. 

love on the train

Review of Love on a Train, by Colleen L. Donnelly

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I received an Audible code for a copy of Colleen L. Donnelly‘s Love on a Train.

Description from Goodreads:

The moment Martha noticed Raymond on the train, everything her mother warned against erupted – romantic notions, palpitating heart, the desire to write it all in a novel and tell the world. 
Martha lived and wrote that love story until the day Raymond handed her a sketch. “Want to see a picture of the girl I plan to marry?” The penciled profile resembled Martha… But when Raymond went away, she knew. She wasn’t the girl he planned to marry. 
David was her father’s apprentice, everything Martha’s mother said made a good husband – hardworking, no romantic tendencies, no tolerance for writing about it. 
Martha added a fictional happy ending to her and Raymond’s story and published it. Cleansed herself of romantic love, ready to marry David. Until a copy of her book appeared. Full of sketches, Raymond’s version of their love story, drawings that enticed her heart to beat once again. 

Review:

My rating (which was a 2 star) is based on my enjoyment—or general lack there of—and the fact that I had to force myself to finish the book. The writing is solid and I’ll even concede that the book within a book mechanism was clever (though occasionally repetitive). And the narrator (Amy Deuchler) did a good job with the audio version. However, I didn’t enjoy the book.

I understand that it was supposed to be set just after the end of the world war and women of that time period had different responsibilities and restrictions. But my god, Martha was a fucking doormat. She didn’t stand up to her mother when they pushed her into an engagement she obviously didn’t want. She didn’t push pack when her fiancé (and mother) expected her to give up all of herself to be a wife. She somehow fell in love and thought to marry a man she met on the train, but apparently didn’t actually know that well. She just went along with everything, internally hand wringing the whole time. And despite being obviously smart, she had NO AMBITION beyond getting married.

Then there was the fact that said man was already engaged to another and just disappeared for months without a word. But as soon as he shows up everything was forgiven and it’s supposed to be a happy ending. Ummmm, no.

And Donnelly should seriously be fined for making the reading of a novel take weeks, dragging the plot out interminably and then, after hundreds of pages of ‘should I or shouldn’t I’ marry him, having the decision and event (arguably the most interesting thing to happen in the book) happen off page, such that the reader is denied it.

I imagine this is just a case of wrong reader for the book. There will no doubt be some that enjoy this. But I did not. I was almost insulted by it.