Tag Archives: self published

ensoulment nick askew

Book Review: Ensoulment, by Nick Askew

I won an ebook copy of Nick Askew‘s Ensoulment through Goodreads.

ensoulment nick askew

Every being is infused with a soul upon their creation, but what would happen if a soul was split?

Running from his troubled past, Andrew arrives in LA, greeted by his loving boyfriend and headed for a night of celebration. When Jack gets down on one knee, the last thing either of them expects is Andrew’s sudden death, a tragedy that sets in motion a chain of events that will alter the fabric of reality itself.

As death thrusts him into a strange world full of outlandish and dangerous inhabitants, Andrew embarks upon a mission to reunite a princess with her long-lost prince. As familiar as it feels, he soon learns shadowy forces are working against him, and nothing in this land is as it appears. Andrew’s in a different kind of fairy tale, and he must seek out the other half of his soul if he ever hopes to find his way home again.

my review

Just yesterday I said I was going to make a concerted effort to be more tactful in my reviews, even negative ones. And here, the very first review I have to write after, I find I have very little positive to say, even when trying.

I’ll be honest. I found this immensely dissatisfying. It took almost a quarter of the book to even figure out what was going on (far too long) and, even then I often barely kept up with the erratic plot and perspective shifts. It was so dedicated to being Bizzaro that the plot itself suffered for it.

Then there is the writing. Some of it is just wrong in an editorial sense, like, “They were cold, tried and looking for any excuse…” But there are quite a lot of sentences that might or might not be wrong, but are just off, odd in a way that pulls you out to the story. Here are a few example.

“The ache in his heart, a pain he worked so hard to rid himself of, took bloom once again.”
—Do things take bloom? They take root, take flight. But do they take bloom…or just bloom?

“I left my wife in bed and crept down the hall to get a better listen.”
—You get a better look, does it work the same way for hearing?

“There was energy to his veracity, almost to the fact she wasn’t sure even he knew the reasons he did the things he did.”
—To the fact….or should it be to the degree?

“We were being precatious.”
—You have caution, you are cautious, you take precautions…Merrian Webber says precautious is a word, but man is it awkward in that sentence. Do we actually use it that way?

“He hoped repeating the name Lily would somehow convert the bird to find her…”
—Are we actually converting the bird—it’s possible in this odd book—or do we mean convince?

“As she attempted to lift her head, the dull pain retreated to sharp.”
—Does dull pain retreat to sharp, or should sharp retreat to dull?

You see what I mean, a lot of it is just a little…well, off. Which might be an authorial choice in a book so very dedicated to it’s own weirdness, but I rather think not. Then the whole thing ends with so little conclusion that I feel it better referred to as a fizzle than a bang.

All in all, I think the author had an interesting idea. The anthropomorphic animals were interesting. I liked Andrew to the degree I could, considering we get to know so little of him. But I’m not interested in reading more of this series.

ensoulment

 

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Book Review: Fatal Shadows (The Adrien English Mysteries #1), by Josh Lanyon

I received a copy of Fatal Shadows, by Josh Lanyon, through Netgalley.

fatal shadows

Los Angeles bookseller and aspiring mystery author Adrien English finds himself the prime suspect when his employee—an old high school buddy (and more)—is found stabbed to death in a back alley following a loud and public argument the previous evening.

Naturally the cops want to ask Adrien a few questions—and when a few hours later someone breaks into Cloak and Dagger Bookstore, the law is inclined to think Adrien is trying to divert suspicion from himself.

Adrien knows better. Adrien knows he’s next on the killer’s list.

my review

I quite enjoyed this. It’s really more of a mystery with a gay main character than a m/m romance, but I have no complaints on that front. I quite enjoyed the late 90s-ish setting and following Adrien as he pieced the mystery together. I’d picked out the killer early, but learning the how and why was fun.

I said this isn’t a romance, but it did seem as if scaffolding was going into place for a romance to develop in future books. The problem is that the possible love interest was such a jerk in this book. He’d have a lot of ground to make up for in my eyes.

All in all, I look forward to continuing the series.

fatal shadows josh lanyon

Tristan Tour Banner

Book Review: Tristan (The Hawks, #1), by Jennie Lynn Roberts

Jennie Lynn RobertsTristan was promoed on Sadie’s Spotlight (a couple times actually). I didn’t agree to review it for the tour (so, I hope no one minds me borrowing the banner), but everyone who participated in the tour was given a complimentary copy. And since I think the cover is pretty darned awesome, I gave it a read.

His redemption might be her downfall…

Tristan has nothing left to lose. His best friend’s betrayal cost him everything. Now, he’s going to take it back. All he has to do to get the Hawks reinstated to their rightful position at the palace is track down the traitor’s younger sister and turn her over for execution. But Nim’s not the girl Tristan left behind years ago; she’s a stubborn, loyal, beautiful woman, and he can’t stop himself from wanting her.

Nim fled with nothing when the king’s favorite came for her. All she has left is the conviction that her brother is innocent—and her determination to free him. She’ll do anything…even if it means convincing Tristan to help her. But the man he’s become is a far cry from the boy she fell in love with so long ago. He’s formidably stern and deeply untrusting. She’ll just have to hope he still has a heart under that battle-scarred exterior.

When love and duty collide, will Tristan follow his orders or follow his heart?

my review

I generally enjoyed this. The writing is eminently readable, editing pretty clean, it has a gorgeous cover, and I liked the characters and the dynamic of the Hawks in general. I only really have one big complaint and a couple small ones.

My biggest complaint is the cliched use of rape to signal evil. I swear to the Goddess, I sometimes think authors have been told there is no other way to make someone truly evil, like this is required to be included or something. What’s more, it’s too often used as a proxy. Want the reader to know this character is evil, but don’t want to develop him? Just make him try and rape someone. No need for more; the reader will follow  the signal. But, as a reader, I don’t want a proxy or a signal. I don’t want something to stand in for character development and tell me a character is evil. I want to understand that character and their evil.

Roberts is guilty of that here. She wanted the king, his chancellor, and the guards to be evil. So, she made them all open, sadistic rapists. (Though there is no on-page rape, thank goodness.) Sure, I understand that the king is supposed to have created an atmosphere that allowed others to do as he himself does, maybe even surrounded himself with like-minded men. But it was just ridiculous and angering as a female reader. I want better from authors, especially female authors. There are so many other, more subtle ways to make a character evil. Why keep bashing us with this blunt instrument?

My first smaller complaint is that the love is insta (at least for the reader). Which I find especially amusing because the author says, “This book is intended only for readers who love slow burn romance, fast-paced adventure, soul mates and found family…” I wholly disagree that this is a slow burn. I literally laughed out loud when I read that sentence. The soul mates part makes more sense. The romance is a lot more like shifters finding their mates. The beast knows, and all that. I’d call it a lot closer to insta-love than a slow burn. A LOT closer.

Lastly, the main characters kept trying to sacrifice themselves for each-other, for example, “She had to get out. Get to Grendal. Hand herself in. Save Tristan…” when it was very clear that the villains would kill both, not one or the other. They were clearly dealing with individuals who were not going to let one go if they had the other. So, the fact that both characters repeatedly overlooked this obvious fact and kept trying to trade themselves irritated me. As did the contrived misunderstanding about Keely, at the end.

But really, other than the rape thing (which is huge for me and probably, sadly, one of my most common criticisms in reviews, which tells you something about why it needs to be pointed out if it’s that problematically frequent in general), I have very little to criticize. I enjoyed Tristan and will happily read another Roberts book.

tristan