Tag Archives: YA

Graceling

Book Review of Graceling, by Kristin Cashore

Graceling

I bought a copy of Graceling, by Kristin Cashore.

Description from Goodreads:
Katsa has been able to kill a man with her bare hands since she was eight – she’s a Graceling, one of the rare people in her land born with an extreme skill. As niece of the king, she should be able to live a life of privilege, but Graced as she is with killing, she is forced to work as the king’s thug.

When she first meets Prince Po, Graced with combat skills, Katsa has no hint of how her life is about to change.

She never expects to become Po’s friend.

She never expects to learn a new truth about her own Grace – or about a terrible secret that lies hidden far away…

Review:
Well, that was a pleasant surprise. I went through a YA phase a couple years ago, but almost every YA book I’ve read since them has made me all sorts of ragey. This was an exception.

I thought Katsa was a marvelously strong female characters, but also able to be compassionate and kind. (Not just a man with tits, which is a very common misrepresentation of strong women in my experience.) In fact, learning this fact was one of her biggest challenges of the book.

I liked seeing a common gender trope turned on its head, as it’s usually the tortured hero, instead of a heroine. The few other times I have encountered this, it’s been accompanied by an inference that she struggles with her own violence because she’s female and a man wouldn’t be so bothered, because he’s strong enough to handle it. Making her reluctance to kill a gendered fault, not a moral dilemma. I never felt that here, even as Katsa fought to move past being little more than a brute. It was personal growth, not personal weakness.

We had male/female platonic friendships. We had supportive female/female friendships. (It passes the Bechdel test.) We had a same sex couple. We had a male romantic partner that was empathic, expressive and liked pretty things. We had a romantic pairing that was presented as valid, even when it didn’t end in wedding bells and baby bonnets. We had men willing to accept a woman as their leader and be more skilled than themselves, without feeling humiliated. So much to appreciate.

I did think Katsa’s dislike of dresses and hair and such pretty things compromised the authors attempt to make her both strong and female. Why can’t she be a strong fighter and like female things? It’s like she can be female and strong, but not feminine and strong. She can remain a woman, but she has to give up the trappings of her gender before she can be convincingly strong and valiant? (This is one of the few man-with-tits strong female character traps I noticed Cashore falling into.)

This and some of Katsa’s obliviousness and ‘specialness’ felt a cliched. As was the use of sexual deviance to make the villain especially evil. This is plot device that has been used so often that it’s lost all effectiveness for me. I see it and think, well, the author just grabbed a pre-formed baddie for this one, didn’t she? Sexual deviance is frequently used in books to telegraph that a man is not just a bad man (a bad man might just be violent), but a very bad man and if he targets children a very, very bad man. No depth or exploration of character needed, because these actions are already conveniently placed on the continuum of evil for reader connivance. Plus, I didn’t really think it matched the tone of the res of the book.

Lastly, I thought there was a notable change of pace between the first and the second half of the book and Katsa was a little too resilient, accomplishing things that really should have killed her, even with her Grace. But all and all, I enjoyed this book.


What I’m drinking: A sample of Gwy-u Latte, given to me by the proprietor of Traveling Tea, when I last visited. I’d mentioned that I enjoyed chicory and she thought I might enjoy Gwy-u Latte tea. I did, very much. It’s a “green guayusa herbal honeybush rooibos blend.”

Captains Boy

Book Review of Captain’s Boy, by K. D. Sarge

Captain's BoyWay back in 2014, I bought a copy of K. D. Sarge‘s Captain’s Boy.

Description from Goodreads:
Donte spent his teen years orphaned and homeless in a snowbound smuggler’s port. Now he’s a university student. The hot meals are nice and everything is warmer on his new planet, but life among people is so much more complicated. With only two friends—young Jordan whom Donte tutors and the fiery Selene who shares his table in the coffeehouse—Donte has things somewhat under control, but still he struggles with both unfriendly and friendly people, and he can’t shake the feeling that he’s getting it all wrong.

None of that matters after Jordan is stolen by slavers. Donte enlists Selene to help rescue the boy, and when Jordan is taken off-planet Donte and Selene follow. But determination and luck can only get them so far, and the closer the pair come to Jordan, the nearer they get to Donte’s deepest fears, and a past he’d worked to hide from everyone—especially himself.

Donte knows all too well the horrors Jordan faces, but when his secrets are dragged into an open courtroom, will Donte find the strength to speak the truth and save the boy?

Review:
It’s been a couple years since I read anything by Sarge, which is a shame because that meant my memory of the personality of The Dream’s crew was a little hazy. But that wasn’t enough to truly detract from my enjoyment of this story. It’s basically a hero’s quest in space. Donte makes an adorable hero and Selene is one heck of a side-kick/co-hero, because she is just so much more.

I love that Sarge lets female characters be strong and save the boys. I could grumble that she’s guilty of consistently making women strong by making them act like men (easy to anger and fight) and ignoring other forms of female strength. But she did include a Mothering type here, so maybe that is changing. I’m a little less forgiving in this case over the extreme stereotypical representation of the over-sexualized, fiery Latina. While I really enjoyed her as a character, I was a little uncomfortable about how close she plays to type.

For the most part however, I simply enjoyed the ride and plan to read more books by Sarge.

Wake of Vultures

Book Review of Wake of Vultures (The Shadow #1), by Lila Bowen

Wake of VulturesI borrowed a copy of Lila Bowen‘s Wake of Vultures from my local library.

Description from Goodreads:

Nettie Lonesome lives in a land of hard people and hard ground dusted with sand. She’s a half-breed who dresses like a boy, raised by folks who don’t call her a slave but use her like one. She knows of nothing else. That is, until the day a stranger attacks her. When nothing, not even a sickle to the eye can stop him, Nettie stabs him through the heart with a chunk of wood, and he turns into black sand.

And just like that, Nettie can see.

But her newfound sight is a blessing and a curse. Even if she doesn’t understand what’s under her own skin, she can sense what everyone else is hiding — at least physically. The world is full of evil, and now she knows the source of all the sand in the desert. Haunted by the spirits, Nettie has no choice but to set out on a quest that might lead to her true kin… if the monsters along the way don’t kill her first.

Review:

I found this quite enjoyable. The main character is a gender-fluid, probably bi-sexual of 16 and I liked her a lot. She was uneducated, but (with one exception which I’ll discuss) never stupid. I liked the world and the magic system. I liked the side characters and the conversational writing. For the most part I really enjoyed this.

I do have three criticisms though. The first is simply that it dragged in the middle. The second, is in and around Nettie’s discovering her gender and sexual identity, the book fell into didacticism. Perhaps being YA the author felt younger readers might need education, but as an adult I just wanted to move on.

The last complaint is a bit of a feminist rant on female sexuality. Throughout the book Nettie reiterated repeatedly that she wasn’t just a girl, she wanted to be treated as a man (though she never fully dismissed femaleness in her head). Part of this was simply an attempt to protect herself in a world where women are at risk simply by existing as woman, but some was honest gender fluidity. She also repeated that she’d managed not to be raped, which given her exceedingly unprotected status was fairly amazing.

However, there came a single instance in which she had to disclose and discuss having a female body with another. A couple people had seen through her disguise previously, but there was no need to negotiate acceptance with them. With the circumstance I’m referring to she had to convince another character that he should accept her even though he’s discovered she is a physically female, but still keep treating her as a male. In doing so she established her male persona fairly firmly.

The very next thing she did, however, was decide to use her femaleness and sex as a commodity to be bargained with, almost getting herself raped in the process and forcing the reader through a lengthy fear-of-violent-rape scene. This was abrupt and out of character, considering how hard she’d worked to never let it show.

But more importantly, in a book that had until that point treated Nettie as something more than her vagina (and focused on this heavily) it felt very much like a betrayal to suddenly turn around and do just that. And even if someone wanted to try and use the rape-was-a-reality-of-the-time-that-should-be-acknowledged-and-included argument, which is one I hate as rape is so much more prevalent in woman’s fiction than in the real world, the book started with an attempted rape of Nettie. So, that particular necessity had already been accomplished. To a large extent I lost a significant chunk of respect for the book in this one protracted scene. It so cripplingly undermined the very theme and impact the book was striving for.

Anyhow, I had three complaints, the last of which was a doozy for me. But for the most part I really enjoyed it and will be looking for more of Bowen’s work.