Author Archives: sadie

Review of Bitten and Stolen (The Otherworld #1-2), by Kelley Armstrong

I borrowed Bitten and Stolen (by Kelley Armstrong) from my local library.

Description:
Elena Michaels seems like the typically strong and sexy modern woman, She lives with her architect boyfriend, writes for a popular newspaper, and works out at the gym. She’s also a werewolf.

Elena has done all she can to assimilate to the human world, but the man whose bite changed her existence forever, and his legacy, continue to haunt her. Thrown into a desperate war for survival that tests her allegiance to a secret clan of werewolves, Elena must recon with who, and what, she is in this passionate, page-turning novel that begins the Women of the Otherworld series.

Review:
I liked but didn’t love this. I liked the idea of it. I enjoyed Elena’s stubborn nature and could relate to her not wanting to forgive someone for doing something that diverted her whole life, even if by accident. Plus, I like Armstrong’s writing style. But something about the whole thing just never wowed me. Perhaps it’s just a matter of the book being from 2010, so it feels like old news now days.


Description:
Elena Michaels, the female werewolf who finally came to terms with her feral appetites in Bitten, is back—and she has company: Katzen the sorcerer, Leah the telekinetic half-demon, Cassandra the vampire, and Savannah the twelve-year-old witch who is just coming into her considerable powers.

Vampires, demons, shamans, witches—in Stolen they all exist, and they’re all under attack. An obsessed tycoon with a sick curiosity is well on his way to amassing a private collection of supernaturals, and plans to harness their powers for himself—even if it means killing them. For Elena, kidnapped and imprisoned deep underground, separated from her Pack, unable to tell her friends from her enemies, choosing the right allies is a matter of life and death.

Review:
I enjoyed the first book in this series. I didn’t love it, but I didn’t regret reading it. I almost didn’t finish Stolen. I pretty much hated it from start to finish. Armstrong lowered herself to using TSTL stunts to put Elena in danger and move the plot alone. While in book one Elena was strong and stubborn, here she talked a big talk but just acquiesced over and over again. Even her escape wasn’t really of her own doings. I have the third book in the series, but I don’t think I’ll bother reading it.

Book Review of Pick Your Teeth With My Bones, by Carrie Newberry

I won a copy of Carrie Newberry‘s Pick Your Teeth With My Bones through LibraryThing.

Description from Goodreads:
Tattoos. Scars. Wild black-and-silver hair. A near-permanent scowl. A collection of knives, and a vocabulary to make an oil rig captain blush like a virgin. Not to mention the tail. No one ever accuses shape-shifter Kellan Faolanni of being beautiful, but she’s very good at her job. Until now.

Kellan is a member of the secret Sankhain society, protectors of a deep and ancient forest magic, and their most devout warrior. When a man appears, smelling of Earl Gray tea and old books, he unravels secrets of the Sankhain that should no longer exist, secrets Kellan lives to protect. With the help of Tony, another Sankha, and her dog Galen, Kellan uses her unique sense of smell to follow the trail of lies leading to the traitor bartering Sankhain secrets. Answers hide in the very heart of the forest. What she uncovers there will shake her world to the core.

Kellan is over two hundred years old, and she’s living proof that you’re never too old to learn who you are.

Review:
This wasn’t wholly bad. It had an interesting idea, but it also had several elements that irritated me. The most obvious of which was the “strong woman” equals emotionally stunted, angry woman. I see this all the time. Authors want to write a strong, warrior woman, but they don’t know how to craft a warrior, except to give them male characteristics. As if a woman can’t possess female qualities and still be strong and warrior-like. The result is a woman so angry, sarcastic and emotionally illiterate that the reader is left wondering how she’s lived 200+ years.

What’s worse, she’d been in a sexual relationship with her boss for 180+ years without ever realizing that she wasn’t an equal in that relationship. She was so incapable of forethought and rational behavior that a 24(ish) year old boy showed up and she basically handed all decision-making off to him. Pair all this with the fact that she had lustful thoughts about every pretty man she encountered and formed unwanted attachments, and it made her feel stupid and child-like, as if she couldn’t control her temper, her thoughts, her actions, or her libido.

I’ll grant that a lot of the banter was funny and I do like the idea behind the world. I also appreciated the presence of some racial and sexual diversity in the cast. Even if of the four LGBT characters, the only gay man was mauled, one of the lesbians died and one turned out to be a villain. (That’s not really a resounding success for the LGBT crowd. There’s a trope named Bury Your Gays for a reason. This is sadly a rather common outcome of LGBT characters.)

All in all, I liked the idea of this book but thought it’s presentation was clumsy enough to detract from my enjoyment of it.

Book Review of The Florentine Bridge, by Vanessa Carnevale

I won an MP3 copy of The Florentine Bridge, by Vanessa Carnevale through Goodreads.

Description:
Young Australian artist Mia Moretti has been cancer free for nine months. But her battle with the illness has taken its toll, leaving her depressed and tormented by overwhelming fears. What’s more, she can’t seem to paint anymore. Mia needs a fresh start so when a surprise opportunity to travel to Tuscany presents itself, she takes it. With any luck, this trip will help her find whatever it is she needs to open her heart and start painting again.

What she doesn’t count on is meeting Luca, a handsome Italian mechanic. With his smile, his warmth and his inspirational outlook on all the good things life has to offer, he sweeps her off her feet. As Mia slowly lets down her walls and allows Luca in, her passion for life is reignited and her new perspective begins to inspire her art. But just when she’s ready to let go of her past, will a tragedy threaten her new life with Luca?

Review:
This was really sweet, with an uplifting theme and good writing. And if that’s all you’re looking for, and you’re not too concerned with details, grab it, because it is good. But details often catch me out and some of them irritated me with The Florentine Bridge. For example, Mia is supposed to be 19. And yes, she had a traumatic experience and might have matured a bit more than the average teen. But honestly she reads like a 30-year-old. Some of it is cultural. For example, she goes out and blithely orders wine with dinner. As an American reader that’s problematic, as the legal drinking age here is 21. Mia wouldn’t be able to drink in public. So this frequently pulled me out of the story. (Of course I understood she was in Italy, with different rules, it just always caught my attention.) But some of it wasn’t. Mia was still 19 and the classy dates she and Luka went on were not the dates of a 19-year-old. Almost nothing about Mia, except for her relationship with her parents, was teen-like.

Then there was the insta-love. Mia and Luka had a deep meaningful relationship from the moment they met. Some of it was explained, but not enough. This isn’t a fantasy of any sort, so I couldn’t figure out what their LOVE was based on so quickly.

Angèle Masters did an amazing job with the narration though. Yes, her accents slipped on occasion. But the characters were native and non-native speaking Italians, an Aussie, an American and a Brit, male and female. So, when I say her accent slipped on occasion, what I really mean is it’s amazing that her accent only slipped on occasion. There were a lot of different speakers to give voice to and she kept is all straight.