Category Archives: books/book review

Please put flat covers on digital box sets, a reader’s request.

Yesterday, I fell and twisted my ankle…or twisted my ankle and fell. So, I spent most of the day laid up on the couch with an ice pack, listening to an audio book (Aurora’s End) and tending my Calibre library, which is where I keep track of my non-Kindle books. (I really wish Amazon hadn’t changed file formats to prohibit being uploaded to Calbre. That way I could have them all in one place. But that’s beside the point.) Yesterday, I made sure every book had a listed page length and, if it was part of a series, that series was listed, along with the books place in the series.

This is something I’ve wanted to do for a long time, but didn’t want to dedicate several tedious hours to. In this case, I was stuck on the couch anyhow. So, I was glad for a task that was mindless enough to do while following an audio book. And I feel super accomplished!

I’m likely to spend much of today similarly immobile. This morning I’m looking at covers. And I’ve come to the conclusion that I have definite opinions about such things. I realize, of course, that my opinion is just that. I don’t expect to suddenly get my own way in all things, even this small thing. But, as I have little else to do at the moment (and in case it make any difference to hear a reader’s opinion), I’m going to tell you about it.

I want to talk about the covers of box sets/anthologies/omnibuses/etc. (I’m going to use the term box set to include all of these.) Well, as an aside I also want to take a moment to yell at the top of my lungs ALWAYS PUBLISH A BOOK’S PAGE LENGTH! I don’t care if it’s a digital book. It annoys the ever living FUCK out of me to try and discover if I’m picking up a short story or an epic and only find “File size: 3031 KB.” But that isn’t what today’s post is about. Today is about book cover conventions for box sets.

I find that a lot of authors use 3D rendering of the books in the set instead of a flat cover. I 100% hate this. I don’t actually hate the renderings. I think they’re pretty and make great promo tools. But they are pictures of a box set, not a cover of a box set. (See the difference?) Let me show you why I feel the way I feel. Here’s an image from my Calibre library (ordered by length). I could have done the same in Goodreads, but, as I said, I’m working in Calibre.

You see, everything matches in size and shape. There’s a flow and then, BAM you hit those box sets. They’re the wrong shape, all that white space stands out, and they break up the symmetry. They basically stand out for all the wrong reasons. This annoys me more than is probably reasonable, but enough that I’m taking the time to write a whole post about it.

I actually feel the same way about authors who don’t stick to the size and shape conventions for book covers in general too.

That book in the middle isn’t an audio book. It’s just a book with the wrong shaped cover and it stands out horrendously. To me, books that don’t conform to the industry convention for cover shape scream ‘poorly done self-publishing.’ I actually hate to say anyone has done something wrong, because part of the joys of self-publishing is the ability to do things differently if you choose. But, for me, allowing readers to maintain ascetic cohesion when they are looking at their digital shelves is important. Again, it’s just my opinion. But it’s one I feel strongly about.

Going back to box sets. I don’t actually care If the cover is one created for the set and just lists the series name (like cover one), has stylized rendering of the books (cover 2), just has all the covers of the books themselves (cover 3), or something else entirely.

Just so long as the overall image is rectangular and flat, so that it matches other books on my shelves.

And in case you needed one more reason to stick to flat covers, let me mention #Bookstagram. I love Instagram. I post a ton of book pictures. So many, in fact, that between See Sadie Read and Sadie’s Spotlight, I have two accounts full of almost nothing but books. (The latter entirely ebooks.) I recently posted this one.

View this post on Instagram

A post shared by Sadie’s Spotlight (@sadiesspotlight)

Nowhere, absolutely nowhere (not on Amazon, the author’s page, or Goodreads) can I find a flat image of this book cover. And while this was an ARC, the book has been published with this as it’s cover. Tell me how much nicer that picture would have looked with a flat image of the cover! It’s got a super pretty cover. I’d have much preferred a real image of it.

So, there you have it folks, my unequivocal opinion on the size and shape of digital box sets. Am I alone in this? Anyone feel differently?

Book Review: Chase the Dark & Bind the Soul, by Annette Marie

Book Review: Wicked Savage Wolves, by Daniela Romero

Leave a reply

I accepted a copy of Daniela Romero‘ Wicked Savage Wolves as part of its blog tour, hosted by Rockstar Book Tours. The book has also been featured over on Sadie’s Spotlight a couple times. You can find author details and the schedule for this particular tour here.

Three full-length books in one from USA Today Bestselling Author Daniela Romero

The wolves of Hellbound High are more beast than man. They’re savage, sinful, and everything a girl with a good head on her shoulders is told to avoid.

But, to Isabella, Jo, and Meiying, they’re so much more than they seem.
They’re the boys with the power to break their hearts but put them back together again.
If they decide to.
They’re the ones who make them suffer, make them bleed, but can also make their hearts soar to new heights.

The heir, the bad boy, the brother’s best friend.
They’re three grave decisions Isabella, Jo, and Meiying are on the verge of making.
And faced with the consequences of their decision, they’ll realize that a chance at love means risking it all.
Their health, their happiness, and most important, their hearts.

And in the end, will it be worth it?

***This is a dark, paranormal bully romance. Proceed with caution. You won’t
find a magical school filled with your future besties. At Hellbound High, life
is dangerous, cutthroat, and only the strong survive. Wicked Savage Wolves
includes 3 stories, each featuring a different M/F couple. ***

I have so much to say, some general and some specific. I’ll start with the fact that these books were originally written as contemporary romance and later re-written with the addition of paranormal elements for PNR readers. I don’t know how I feel about this—no, that’s not true. That’s like someone asking if you like a food they’ve offered you and you say it’s “interesting,” instead of that you don’t like it.

I don’t like seeing books written into various versions. When I read a book, I want to read The Book, not a version of the book. I don’t want to be left wondering if I’d have liked another version better or worse than the one I read. It creates an uncertainty that I do not desire. I feel the same way about abridged books or authors that publish PG and spicy versions of the same book. THIS IS 100% A ME THING. But I’m putting it here because where else would I get to say it? I’d have been happier not to have known, honestly.

Next, well, we just have to talk about the realities of Bully Romances. Like Dub-Con, or a lot of Dark Mafia or Mars Needs Women books (where women are basically just kidnapped) it’s problematic as hell. You have to accept that the plot-line will likely be along the lines of “He’s attracted to her, so he hurts her. Somewhere along the way there’s a precipitating event and he doesn’t like the consequences of his own actions and is forced to grow as a person in order to earn her forgiveness.” But the whole thing is gendered as hell and almost unavoidably predicated on her being hurt and then being the bigger, forgiving person.

But like Dub-con and such, a reader has to be willing to accept that, yes, this would be reprehensible in real life. But within the safe confines of fiction (especially romantic fiction that guarantees a happy ending) it is possible to set the realities of toxic behavior aside and explore the play of power and control, as well as any other element an author chooses to incorporate. And there is a place for this in the romance genre.

Now, about the individual books…

Wicked Wolves & Tangled Truths:

At the broadest level I enjoyed this a lot. I liked Isa as a character. One would have a hard time saying they liked Rafe, but he was a sexy alpha a-hole lead. And I didn’t feel like the shift from bully to romantic partner was too rushed. There was enough growth between them for it not to feel too artificial. Plus, I very much appreciate that there wasn’t just a blooming lust to love relationship. Isa formed strong platonic relationships too. (Though it might have been nice to see a few females in there.) I also really liked that both characters were Latinx and the importance familiar, cultural food is given in the story.

I did have trouble with their ages. They’re supposed to be 17-year-old high school students. But they all seemed to have easy access to alcohol (even being served by adults at times), are covered in tattoos, and have some fairly explicit (and practiced), on-page sex. So, they felt older than they should have for me. This wasn’t a big deal, but it did pull me out of the story a bit. Similarly, I found myself frequently pausing to notice how similar this paranormal world and the language used to describe it is to some other series I’ve read—Ilona Andrews‘ stuff especially.

More importantly for me, if I never ever have to read another book where all the women not in the heroine’s immediate circle (of which there is one, who is the heroine of a future book in the series) are represented and treated as slutty trash (little more than sentient fleshlights) I will be a far happier reader. There are some seriously gross messages about the value (or lack of value) of sexually available women built into it. Add in the aspect of gleefully hurting each other over the attention of the men who callously treat them as disposable commodities and I start to want to burn things to the ground (especially when this is written by female authors).

I acknowledge that in the context of exploring power dynamics there is unavoidably an aspect of resource guarding involved in this trope. But I feel like too often it’s used more as an easy, pitting women against women in the way we’ve all been subtly taught to never trust (or value) each other than in any sort of thoughtful exploration or subversion of the patriarchy’s favorite trick. (It’s the whole, ‘divided they fall,’ right?) So, can this cliche just go die a quiet, grisly death somewhere where I never ever have to see it again? Please!

This isn’t so much a critique of this book or series, since this is such a common element of contemporaneously written romances, as it is a general plea to the universe. But I do feel that this particular trope was especially heavy here and I, I don’t think, used subversively in any manner.

Despite these latter complaints, I found this well written and worth reading. I look forward to reading the rest of the series.

Savage Wolves & Dangerous Deals:

This second review will be short than the first, simply by virtue of “ditto.” A lot of what was true in book one is true in book two as well, and I don’t see any reason to repeat it all. Jordy is a different sort of alpha a-hole than Rafe was and my complaints on the treatment of women are reduced by at least a third. Rafe, after all, has found his forever mate—his one woman worthy of being treated with respect—and Jordy is chasing his. But much of the rest is still true.

Despite all that, I think this is a stronger book. I was pleasantly surprised when, early on, it took an unexpected turn into something significantly more interesting that the blurb let on. (I won’t spoil it though.) Jo and Jordy are characters with a lot on their individual plates, each with their own additional baggage. The writing is clean and easy to read. I enjoyed the cultural characteristics coloring the narrative, and I like how the plot wrapped up.

I did find that explicit, on page sex involving a 16-year-old is my personal ick limit. I suppose everyone reading the book won’t be old enough to be the characters’ mother. But I found that, for me personally, though I don’t mind knowing teens have sex (of course they do), I felt all sorts of skeevy reading a hot sex scene from a 16-year-old’s point of view. Nope. I’m not saying it shouldn’t have been written, just that it hit my personal perv limit.

All in all, I liked this more than I expected and look forward to book three.

Cruel Wolves & Devious Deceptions:

Meh, this was my least favorite of the three stories. Both because I didn’t really feel Des and Meiying’s hot and cold, antagonistic relationship and because it’s the only book to end on a cliff-hanger. It felt half finished. Plus, there’s the whole fact that Des had been lusting after her (and more) since she was like 14. The world establishes that shifters are more tactile than humans and start experimenting earlier, but it was still squinky as hell for me.

But I did think the writing was good, the dialogue especially. I’d be interested in finishing the series and reading more of Romero/Annett’s writing.

Other Reviews:

WICKED SAVAGE WOLVES by Daniela Romero Tour and Giveaway