Tag Archives: audiobook

Monster Hunting 101

Book Review of Monster Hunting 101 (The Hunters #1), by Richard A. Bamberg

I won an Audible copy of Monster Hunting 101, by Richard A. Bamberg through LibraryThing.

Description from Goodreads:
When Jesse’s old girlfriend calls him requesting an immediate meeting late at night, he thinks of a lot of reasons she might have called. None of them are anywhere near the truth. Instead of a late night booty call, Gail brings him into a world he didn’t know existed, ghouls, werewolves, and ghosts and they all seem to be after Jesse’s blood. Gail wants Jesse to put a silver bullet in her heart to keep her from becoming the monster she hunts, but there’s no way Jesse is going to kill the girl he once loved. He convinces her to let him restrain her for the full moon. Luckily, a local Adult Intimacies store has all the bondage gear he needs. 

Now he just has to fight off a pack of werewolves single-handedly while keeping her from ripping his own throat out. 

Sex, guns, and werewolves, what could go wrong?

Review:
This unintentionally turned into a bit of a feminist critique of the book. I guess I can’t help but see things through that lens.

Listening to this was an interesting experience. Paranormal Romance is generally considered a genre geared toward women. It does after all have the word romance in it. But Monster Hunting 101 is most definitely a PNR for men. As such, I suspect many would avoid calling it PNR at all, insisting instead on Urban Fantasy or Military Fantasy (the hero is a veteran). But let’s not quibble, it has werewolves and a strong romantic subplot. It is Paranormal Romance, plain and simple. It’s just written such that the male character is the focus, instead of the female one, as would normally be the case.

That’s not to say that, as a woman, I didn’t enjoy it. I did. But books written by and for different audiences have a different focus, different centre of attention, different tone sometimes. And MH101 has the male gaze of its protagonist, not to mention his brand of humor, and he is the moving force of the plot, while the female fades into the background. This makes it stand apart from a lot of PNR books. I enjoyed it, but it was a different experience than many will be used to and it has different strengths and weaknesses.

I liked Jesse very much. He was an admirable hero and he was funny in the face of danger, as was Gail. But I very much felt she was just there to give him someone to bounce banter off of. The world of Hunters looks to be an interesting one and I can see this series going on for a while. It has lots of potential.

On the other hand, I thought the ridiculous amount of time dedicated to the choosing and applying of bondage gear was there for little more than titillation, especially since Gail so often had to be near naked in these scenes.

Plus, I got seriously sick of him subtly propositioning her for sex. I totally understand this was how the two of them flirted and she was not feeling offended or pressured at all. The (male) author made sure to write it that way. But as a female reader, I was annoyed by it. It was ceaseless and slapped of coercion. This joking, lighthearted, nothing wrong with any individual comment (most compliments), when taken together is constant pressure. In real life, it’s one of the ways “nice guys” coerce reluctant women to sleep with them. For the target of such a man’s attention, it’s sometimes easier to just give in and get it over with, even if you don’t really want it, than put up with the continued onslaught, especially if it’s a situation in which you are stuck. So, seeing Jesse do this eventually became nails on a chalkboard for me and I suspect it’s one of the many real world ways some men’s view of their own behavior and some women’s view of the same actions differ. Maybe others won’t read it this way, certainly the author didn’t intend it to be, but that’s where I was at the end of it.

I was also slightly annoyed that the strong, capable Gail called Jesse with a problem and then handed all control and decision-making power over to him. I mean, the D/s bondage gear as a solution was a fairly literal example of this. But ideally, who leaves the least knowledgable and experienced member of a crew in charge? But then, it too often seems natural for it to be the man, regardless of how skilled the women involved are. Don’t we see that everyday? Don’t get me wrong, Gail was never a push over and I loved that about her and Jesse respected and appreciated her strong personality. I very much liked that about him. But the book still made Jesse the most frequent decision-maker. He was the leader. In fact, I suspect the ending left him able to physically control certain aspects of Gail’s werewolf nature. Making him literally in control of her body.

Lastly, while the writing is pretty good, outside of a few examples of the same word being used several times in close succession and sounding repetitive, the plotting has far too many coincidences in it to be believed. I could not suspend my disbelief far enough to roll with some of the happenstance in this book. Ryan Jeanmaire also did an admirable job with the narration, but I did find it a bit flat.

All in all, I had some issues with the book, but I mostly enjoyed it and would be willing to read a second one.

Marked by the Werewolves

Book Review of Marked by the Werewolves, by Meg Ripley

I received an Audible credit for a copy of Meg Ripley’s Marked by Werewolves box set.

Description from Goodreads:
I never imagined the drama that would ensue once Dwight stepped into my life. 

All I wanted to do was to make a name for myself–to claim my little piece of the pie–and buy the neighborhood bar I’ve been working at for the last few years. Little did I know that I’d be attracting the Wolf Brotherhood into my life. 

They want to stake their claim on my bar, but just because they’re the most feared werewolf biker pack in Portland doesn’t mean that I’ll just roll over and let them have what they want–not without a fight. 

Well, I went a little too far one night and really ticked them off, and now Dwight has this twisted plan to stage my death to get the ‘Brotherhood off my back. He’s my maker, and my lover, so I should be able to trust him–and God, there’s just something about the fire in his touch that makes my troubles melt away; something about his deep, alluring gaze that pulls me in every time–but Dwight also happens to be a member of the ‘Brotherhood…

Now my sister Sera is getting roped in on the drama, and they’d better not lay a finger on her. Rumor has it, she’s teamed up with a rival pack to get to the bottom of my “death.” 

They’ll stop at nothing to take me out, but I’m tired of being their victim; the Wolf Brotherhood has no idea what’s about to hit them. 

They’ve messed with the wrong chick this time.

This box set contains all three stories in Meg Ripley’s werewolf romance series, Packs of the Pacific Northwest: 

Book 1: Claimed By The Wolf Brotherhood 
Book 2: Werewolf Baby Daddy 
Book 3: The Wolf Pack’s Revenge

Review:
I don’t usually use star ratings on the blog, though I often begrudgingly  assign them when I cross-post to other sites. But for this one, I think I need numbers.

Overall, I’d give this compilation a 2.25. But I’ll discount the first ‘book’ and its rating and round up to 3. Below you’ll find my thoughts on the individual books. Veronica Holly did a fine job with the narration. I noticed a couple hiccups toward the end, but not enough to really bother me.

Claimed by the Wolf Brotherhood
1*
Not a story, barely even a prologue. If I was incline to rate it on its own, as opposed to part of the boxed compilation of books 1-3 I have, it would be very low indeed. It’s basically useless on its own.

Werewolf Baby Daddy
2*
Not an abysmal showing, and not outside what you’d expect from a fated mates werewolf novella. But full of shallow, undeveloped characters, insta-love, sex=relationship, no world-building, a shadow villain that you won’t even know at all if you haven’t read the useless-on-its-own-but-apparently-vital-this-book-so-why-is-it-seperated-out 30 page prequel, Claimed by the Wolf Brotherhood, and a cliffhanger. So, not a real winner but again there is a whole sub-genre of just this sort of pared-down stories that some people seem to like. I was pretty meh about the whole thing and bitter about the 30 page “book 1.”

The Wolf Pack’s Revenge
2.5, round up to 3*
Better than the first two “books.” I put that in quotation marks because “book 1” isn’t a book by any definition I can imagine and I’m irritated by this trend authors seem to be developing of publishing teasers without accurately labeling them as such. But none of these stories stand alone, so I can’t just pretend it didn’t exist. Either way, The Wolf Pack’s Revengeis an improvement. The writing is better and it was a more complete story than either of the previous stories. The characters were still shallow, though I have to admit to liking how caring the heroes are (no alpha A-holes). The plot was still thin. But it is still only a novella, so what can I expect. All in all, ok if you like this sort of pared down story.

Land of Gods

Book Review of Land of Gods (Falls of Redemption #1), by Justin Sloan

I received an Audible copy of Justin Sloan‘s Land of Gods. I believe I requested it when the author was offering codes for free.

Description from Goodreads:
In a world where men believe they can become gods, Narcel searches for his missing brother while trying not to let the girl of his dreams slip away to his older cousin. Evidence for his brother’s disappearance points to the rival warrior clan, the Mawtu, a viscous group of warriors… which could mean only one thing: war on the horizon. 

The FALLS OF REDEMPTION trilogy: A young man is forced to become the warrior he never wanted to be, attempts to earn the love of a woman he seems destined never to get, and struggles to find himself in a world of betrayal and intrigue.

Review:
Sigh, I think this was a case of wrong book for the wrong reader, because while I have no issue with the violence or even that the plot just kind of plodded along, the feminist in me couldn’t not notice the treatment of females in the story. I’ll grant that one of the leaders was female and that’s a plus. But she was virtually characterless. Other than her, every single woman was there to be sexually available. Maybe they were all meant to be prostitutes, I don’t know, but it was very noticeable.

Then there was Kaire, the love of the main character’s life. She was just an object, a prize for two men to fight over. But that wasn’t what sent me into a froth though. What got my goat was the way she was supposed to vacillate between two men. I can see what the author was TRYING to do. Unfortunately I cannot express how poorly he accomplished his goal.

The problem was that Sloan’s characters were as subtle as a sledge hammer, making one a “good man” and one a “bad man.” So, Kaire’s affections for the bad man made no sense. She’d have to be very, very stupid to honestly not see it and she wasn’t supposed to be. Sloan tried to do too much. She was supposed to love one man with all her heart, but still want the second guy. (I kept hoping that she was playing some deeper game, a spy or something.) It made no sense, was not believable and basically ruined the book for me.

It’s the same sort of dissonance Sloan created when he tried to convince readers a person would change national and familial loyalties and become a perfect warrior in six months, but also still be loyal to their homeland. You just can’t do both. So, this whole book was full of contradictions that made no sense to me.

I also lost track of the time line, so people’s ages. But none of them seemed old enough for what they were doing. And I felt quite a lot was left unexplained. Why, for example, did Narcel kill Jordan? What is the ‘room of contemplation’ (or something like that)?

The writing itself is fine and Hays did a fine job with the narration. I imagine guys (who are less likely to be attuned to the poor/stereotypical use of gender in the book) will like it a lot more than me. I gave the author a try and, while they’re a fine writer, they’re not for me.