Tag Archives: audiobook

Thunder Hunter

Book Review of Thunder Hunter (Viking Soul #1), by Rachel Medhurst

I won a copy of Rachel Medhurst‘s Thunder Hunter from Audiobook Access. Oddly enough, I already had a kindle copy of it and it’s included in the Bad Magic compilation, which I also happen to have. So, I have three copies of the book somehow.

Description from Goodreads:
A thousand years, that’s how long I’ve been hunting the Fallen Ones that escaped Freya’s field. One hundred and ninety five down, five to go. Just five disgusting evil spirits until I die and Thor’s thunder will be returned to him. Nothing will stand in the way of me completing my mission, not even the woman who claims to be a descendant of Freya. I will kill the next Fallen One, no matter what.

Review:
Well, I did not like that AT ALL. I have rarely come across a ‘hero’ that I liked less than Trigger Thunder Hunter. There was 100% no character development to him except that of horn-dog, sexist misogynist His constant internal dialogue about every woman he saw irritated me beyond bearability. Every waitress, female villain, club-goer and passer-by on the street had to be remarked upon. Even the ones he was actively battling to the death. I swear every single one had a pert bottom or lush lips or a pinched waist and EVERY SINGE ONE threw themselves at him. (Talk about a male gaze, geez!) He was beyond nsufferable. I hated him.

AND Here’s the thing, Trigger is said to have had sex with several of the female descendants of Loci. (You might notice him having sex to be a theme of this review. It sure was of the book.) I know the author meant this like him being so irresistible, having such machismo that any woman would want him, even his enemies. But this makes no sense to me. I could not fathom how women who had been raised since birth to believe a man evil and it their moral duty to kill him could turn around and let their guard down enough to have sex with him. So, the only way I could make the idea of him having sex with the women he turned around and killed make sense was through coercion and/or rape. And once that idea set in, I couldn’t lose it. At one point he had a little black dress from a past lover/victim in his home to lend out. But it had also been made abundantly clear that he didn’t ever bring anyone home. So, did he have sex with her, kill her and then bring the dress home as some sort of macob trophy?

Honestly, even if he isn’t a rapist (which in my mind he must be), what sort of man repeatedly, even regularly has sex with women he plans to kill when he’s finished? Not a good one, which might be fine, as the Thunder Hunter is meant to be an antihero, but he sure isn’t one I’m interested in reading about. And I was so sick of his constant commentary on women that I wanted to slap him and the author for writing him. Plus, there was just too little story around his apparent sexual irresistibility.

And just in case anyone has made the mistake of thinking this a romance, give that idea up now. It is not. The only people he was shown actually having sex with were randos in the club while he treated the female main character abominably over and over and over again.

There is just SO much sexism in this book. The whole thing is just steeped in it, and since it’s written by a woman it felt a lot like internalized misogyny to me. Should we expect to be looked at as objects that men can give out as gifts? As I hinted above with Trigger’s very male gaze, ever single women was present solely in sexual context. Even random ones like a waitresses and secretaries. What’s more Trigger, written as THE MAN is shown as so full of himself and arrogant that even goddesses kneel at his feet. What chance have mere mortal women, who must be less than him, have? I absolutely had to force myself to finish this book.

Then there is the 220-year-old virgin girl. 220-years-old and the most important things about her are that she’s small, cute, naive and innocent. Sorry, what? 220-years-old and you expect me to believe she basically hasn’t lived. What’s she supposed to have been doing for 220 years to stay so innocent and ignorant?

Then there is the uncomfortable treatment of queerness. A man who was clearly and openly bi sexual is repeatedly referred to in ways such as having a “confused sexuality.” There is more than one such comment. Trigger seems ok being hit on by men, but it’s always with a sense of making fun of the person attracted to him. There is lesbian sex directed by a man solely for the benefit of a male viewer. It all very very uncomfortable, but it’s supposed to be titillating and dark.

Less egregious than all that were the annoying flashbacks and the way information just happened to fall in Trigger’s lap just when he needed it.

Lastly, the narrator was completely wrong, or at least his portrayal of Trigger was. Trigger was Scandinavian, but Ian Fisher played him a very English. True, Trigger lived in London, but he’s not a Londoner. The very same thing could be said for Chloe, the female side character, she’s Scandinavian but played as English (even when she’s teased for sounding American). This I think is more a reflection of the author choosing the wrong narrator, than him doing a poor job. Because honestly he did a fine job with the actual narration. 

All in all, I very much disliked this book and have no desire to continue the series. The writing itself is mechanically fine, but I’m not interested in subjecting myself to more.

Book Review of Crimson Son, by Russ Linton

I won an Audible credit for Russ Linton‘s Crimson Son.

Description from Goodreads:
Nineteen-year-old Spencer Harrington is the son of the Crimson Mask, the world’s most powerful superhero. Since witnessing his mother’s abduction two years ago, he’s been confined to his father’s arctic bunker. When the “Icehole” comes under attack by a rampaging robot, Spencer is forced to launch into his father’s dangerous world of weaponized human beings known as Augments.

With no powers of his own save a multi-tool, a quick wit and a boatload of emotional trauma, Spencer seeks to uncover his mother’s fate and confront his absentee father. As he stumbles through a web of conspiracies and top secret facilities, he rallies a team of everyday people and cast-off Augments. But Spencer soon discovers that the Black Beetle isn’t his only enemy, nor his worst.

Review:
Got a teen who loves comic book heroes? Love them yourself? This should be a winner. A couple F-bombs drop here and there, but it’s otherwise pretty PG and little Spencer is pretty darned resourceful. Sure, he just happens to be a genius and just happens to have genius friends, but he’s amusing and a hero in his own right.

The main character is a 19yo guy and though I didn’t find this relentlessly male, like some super hero books, it does have a bit of male gaze going on. I gota little tired of having female bodies described to me, even during dramatic scenes. Meh.

I did think the ending was a little wimpy, since the reader doesn’t see the action, only hears about it after the fact and is never wholly sure what exactly happened.

Mitchell Lucas did a great time with the narration, bring out Spencer’s frustration and sarcasm. All in all, worth picking up if you’re into this sort of thing.

The Alpha King

Book Review of The Alpha King, by Victoria Sue

I received an Audible code for a copy of Victoria Sue’s The Alpha King through AudioBookBoom.

Description from Goodreads:
The Kingdom of Askara has been torn apart by conflict for centuries, where humans exist as subservient beings to their werewolf masters. Legend says it will only be able to heal itself when an Alpha King and a pure omega are mated and crowned together, but a pure omega hasn’t been born in over a thousand years.

Luca is an Alpha-heir eagerly awaiting the choosing ceremony on his twenty-fifth birthday and the gifts granted by whichever omega he mates. His small pack is destitute due to the decisions of its ruling council, but being only an Alpha-heir, he has no authority to challenge them. Not until now—this moment he has waited a long time for.
Kit grew up as a street-rat, an unlicensed human who would never be more than a slave for whichever master owns him. Then one day he came across a young Alpha-heir, attacked and dying of poison, and found out their fates were suddenly entwined.

Luca needs to take over his pack and save his people. He cannot afford to be distracted. But when he meets Kit, he develops abilities indicating he is not just a pack Alpha, but the King his world has needed for a thousand years.

Is Kit really the cause of Luca’s newfound power, the true mate he needs? How is it possible when the young man isn’t even a werewolf, and as merely a human, a mating is not only forbidden, but for Kit, a sentence of death?

Review:
I honestly take no joy in writing bad reviews, especially of books that make me want to rant because I was so displeased with them. It’s hard to rein my hate in enough to express my concerns, without just sounding like a harridan. And The Alpha King is one such book.

Even if I overlook a lot of the lack of world-building by accepting this as part of an established Omegaverse, this book is full of plot holes and inconsistencies. Example: One character overhears part of a conversation and illogically jumps to the conclusion that the other has betrayed him. He then reacts badly, doing something public and cruel; we’re talking flat out abusive.

Now this trope is cliched and overused as it is. It is also shoehorned in, as the conclusion jumped to barely makes sense from the conversation heard. But the two characters are TELEPATHICALLY bonded. True, they can’t read each other’s minds, just talk and get a general sense of the others feelings. But it still shouldn’t be possible for one to a) not know the other loves him with his whole heart, b) miss the lack of betrayal in his partner, c) be so cruel to the person he supposedly loves above all else. It makes no sense. Additionally, as a reader I then had to contend with, every time the character said how he loves his partner and would never hurt him, I was forced to call BS, because he had already shown that he obviously would with very little (basically imagined) provocation. And his doormat of a mate would take him back without even an attempt at apology.

The most grievous issue for me however, was that the book is supposed to be about a werewolf who is to become the Alpha King, you know One King to Rule Them All, uniting the disparate packs and freeing the enslaved humans and creating peace with the rebel humans. But the vast majority of the book is dedicated to things like party planning, and jewelry design, and stupid jealousies and delivery of children that is only notable because they are coming from a man. All these big, heavy important issues and the book focuses on the minutia.

It managed to complete an actual story arc only because the characters coincidentally ran into and effortlessly charmed all the people they need to make it happen. It stretched incredulity far, far, far, far, far too far. And this without even touching the politics necessary to make some of the horribly treated, enslaved humans dedicate themselves loyally to the main character, who lets not forget is a werewolf, i.e., their oppressor. (This is ignored for the whole book.)

There is also the small issue of how did Luca, born and raised same as all the other werewolves, come to possess all his modern liberal morals? Why does he, and only he, seem to want to free the humans? Why does he, and only he, see women as equals? Why does he, and only he, see a problem with child labor?

I could go on, I had so many issues with this book: the way rape is volleyed about every time a villain shows up, the utter predictability of it, the cliches, etc. But I’ll stop. This book and I didn’t get along. Mechanically, the writing seemed fine (or as well as I could tell in a audiobook) and the narration by Joel Lesliewas ok. I, personally, didn’t care for some of the accents (Why were there so many?), but that’s a subjective thing.