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The Underground Girls of Kabul

Book Review of The Underground Girls of Kabul, by Jenny Nordberg

Girls undergroundI received a copy of Jenny Nordberg‘s The Underground Girls of Kabul from Netgalley.

Description from Goodreads:
An investigative journalist uncovers a hidden Afghan custom that will change your understanding of what it means to grow up as a girl.

Expanding on her widely read New York Times article “Afghan Boys Are Prized, So Girls Live the Part,” in which she uncovered the phenomenon of bacha posh (literally “dressed up like a boy” in Dari), the practice of disguising and raising young girls as boys, Jenny Nordberg constructs a powerful and moving account of the long-standing tradition that has enabled many girls to counter the challenges they face in a deeply segregated society where they have almost no rights.

Through extensive in-depth reporting and first-person interviews, Nordberg offers a fascinating, almost fairy-tale-like look at how girls can be willed into looking, behaving, and acting as boys, why mothers would ask that of their daughters, and what ultimately happens when some girls do not want to rescind the prerogatives that go along with living as boys, and later as men.

Divided into four parts, following strong characters through childhood, puberty, married life, and childbirth, The Underground Girls of Kabul charts the entire life cycle of Afghan women and gets to the heart of how bacha posh has profoundly affected generations, not only in the greater historical and political context of Afghanistan but also what it means to women everywhere now

Review:
I can read a 300 page novel in a day but it took me a really long time to read this book, I mean months. The reason is that I could only take it in small doses. It’s dry. It’s depressing and its content takes digesting.

I’m really interested in the lives of woman in Afghanistan (or any culture so far removed from my own). My first degree was in anthropology and the reason was that the way people live fascinates me. This isn’t the first time I’ve tried to get a handle on the Afghani culture and I’ll give this book credit for trying to be more well-rounded than most.

And I think Nordberg managed it up to about 40% through. Up to that point I was loving that she took a lot of time to place some of the practices that just make no sense by Western standards within a historical, political and religious context so that, while they still feel wrong, wrong, wrong, the reader is able to understand how the practice developed and at one point made some sort of sense.

And this was part of why I could only take small doses of the book. When I’ve read plainly inflammatory texts (some of which I can barely deem better than anti-Afghanistan war propaganda) it’s easy to dismiss a lot of the bad stuff as over exaggerated or tell yourself they just left the good stuff out. But when it’s presented as balanced and therefore believable it’s hard to face in bulk. And lets be clear, life in Afghanistan for women is horrendous.

The main problem I had was that this is presented as a piece of nonfiction, as research. And certainly, Nordberg did a lot of fieldwork, conducted a lot of interviews and observed a lot of Afghani daily life. But this is not a piece of straight research.

At best, I might call it a well structured, well padded field journal. This is the story of her experience conducting research into the Bascha Posh, as opposed to a presentation of the research results. And as such, it is heavily biased and opinionated.

This started becoming more evident at around the 40% mark, when the basha posh stopped being children and the book moved into marriage practices and transitions back into girls. In other words, when they start having personal volition that is subjugated.

As an example, there is a quite detailed chapter on marriage practices of non-basha posh girls. While basha posh are usually expected to marry, this is relevant, but the detail it goes into is clearly meant to be defamatory to the culture. Nordberg isn’t able to keep her judgment concealed.

Granted (and this is important), Nordberg is a lot more open-minded about the culture than most. But she still definitely presents a colored picture of the lives Afghani females live.

I went into this book hoping to finally find an author who would present a picture of Afghanistan, admittedly a very androcentric society, as something other than inhabited by nothing more than a bunch of power-hungry perverted old dudes perping on little girls and victims. I got more. I’ll admit that. But I also got a lot of the same old same old.

I also wasn’t entirely clear what the intent of the book was. As I said, it’s represented as straight research but isn’t, not really. It also repeatedly decries the usefulness and effectiveness of international aid in the region (which I actually agree with her on) but then ends on what essentially amounts to a general call to action. She spends the whole book presenting herself as vested in the culture and then leaves like everyone else. The end result was that the book feels anchorless and as a reader, I wasn’t sure what I was supposed to be taking away.

Similarly, the basha posh tradition, as presented, does not appear to actually be a form of resistance, as the title suggests. Rather, it is a way of functioning within an extremely paternalistic culture. But it’s important to note that everyone involved is still functioning under the belief that males are superior to female (socially at the very least).

It’s just that they see certain aspects of gender (though not sex) as fluid. With one possible exception, none of the basha posh interviewed or their families used the basha posh tradition as a form of social resistance. Instead they used it for personal gain within a system they were not seeking to reform.

The lack of male insight is also a glaring omission, especially since there is a whole section titled Men in which men are not interviewed. I understand that this is a book intended to center on females and, as a woman herself, Nordberg may have faced access challenges. But Afghanistan is a country controlled by men. The bosha pash are an open secret. It would have been informative to know how men—fathers, brothers, government officials, etc—saw the practice and felt about associated with theses ‘men.’ (Though it’s worth noting that despite their insistence that they are MEN, Nordberg refers to them as women throughout the book.)

Similarly, despite declaring that the foreigners who go to Afghanistan can’t ever really understand the culture, all of her ‘experts’ seem to be foreigners or Afghani women living outside of the accepted behavioural norms. I have to wonder how accurate her information, which she then presented as fact, was.

I had the same thought when events that occurred when she was not present were discussed confidently, while it was simultaneously evident that she only received the account from one of the participants. I would have been interested to know how, if at all, the narrative changed from the other person’s point of view. However, I sensed that, as a reader, I wasn’t supposed to care about anything but the slim perspective the author chose to present the events through.

Despite these complaints, I think I highlighted about half the text. There is still a lot to be gained by reading it. The book is garnering a lot of attention and I think it is deserved.

Book Review of Wanted: Dead or Undead (The Zombie West Series #1), by Angela Scott

Wanted: Dead or UndeadI downloaded a copy of Angela Scott‘s Wanted: Dead or Undead from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
Trace Monroe doesn’t believe in luck. He never has. But when a fiery-headed cowgirl saunters through the saloon doors, wielding shotguns and a know-how for killing the living dead, he believes he just may be the luckiest man alive. Trace wants to join “Red’s” posse, but she prefers to work alone—less messy that way. 

In order to become her traveling companion, Trace has to agree to her terms: no names, no questions, and if he gets bit, he can’t beg for mercy when she severs his brain stem. He agrees, knowing only that Red is the sharpest shooter he’s ever encountered. The fact she’s stunning hasn’t escaped his attention either. 

What he doesn’t know, is that Red has a very good reason to be on top of her game. She not only has the answer for how they can all outlive the plague taking over the wild, wild west, she is the answer.

Review:
I was seriously disappointed in this book. Not because it’s badly written, it’s not. But because it contains so many elements that I dislike in a book. So, while not everyone will share my opinion, as everyone has their own hot buttons, this book was a fail for me.

You see, the blurb led me to believe that the heroine, Red, was a strong, kick-ass, take charge kind of girl. And she was in the beginning, right up until the point at which she started to fall in love. After that, she became progressively weaker, more often confused, more frequently in need of care, less capable of defending herself, drastically more easily moved to tears, more willing to be told what to do as opposed to instruct others and much more likely to make stupid, ill-thought out, life threatening decision based on misinformation and jumped to conclusions that could have been avoided with a mere conversation. She basically became a weepy, Too-Stupid-To-Live girl in love. Why does this happen so often in YA/NA literature?

Now some readers might read this book and think, ‘awww, she found a good man to take care of her, how sweet.’ Me? I read it and wonder where the girl who’d been taking care of herself went. I was MUCH more interested in her than the damsel in distress who was lucky enough to attract Trace’s affection and protection.

The book could have done with a bit more character development. I can forgive its lack of worldbuilding. Zombie novels don’t really need that much to be understandable. But these characters were hollow paper cut outs, with very little depth. The whole thing also felt very anachronistic (if I can use that word to say present things seeped into the past, as opposed to the other way around). Dialogue and personal values felt far too modern, as did money. People gambled in $50-100 increments and at one point someone bought a bag of cornmeal small enough carry for $100. That’s roughly $3,000 according to a handy-dandy online inflation calculator.

Also, the last quarter of the book is painfully cliché and predictable. The premise of the plot is a good one and the set up for the rest of the series seems interesting. And, like I said, the writing (and editing) is pretty good. But I won’t be continuing the series.

Noble Ark

Book Review of Noble Ark, by Colette Black

Noble ArkI downloaded a copy of Colette Black‘s book, Noble Ark, from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
Mwalgi pirates, parasitic aliens who consume human spinal fluid, are boarding the Noble Ark. When Larkin Trovgar, a half-human member of the attacking alien ship, turns on his own people, saving Aline Taylor’s life, she feels duty-bound to watch over the impossible monstrosity. Despite his easy-going charms and virile physique, she’s determined to see him as she would any Mwalgi—nothing better than an animal. As Larkin’s presence brings out the best and worst in the human crew, and the Noble Ark is harassed by more Mwalgi ships, will Aline look past Larkin’s alien heritage to find love, or will mistrust cost her everything?

Review:
I think I probably enjoyed this more than it deserved, because when I started mentally tallying all the points I wanted to make in this review the criticisms outnumbered the compliments. But I still enjoyed it. Sometimes that just happens with a book. In such cases, I tend to go with my emotional response, even if not all together logical. So, the final takeaway is that I had fun reading Noble Ark.

The simple fact is that a lot of this plot is…*shakes head*…well, I couldn’t believe half of it. The amount of freedom of movement Larkin, an enemy hostage, is given is unprecedented.

But before I even get to that though, there is the fact that almost everyone on board the ship hates the Mwalgi, except for a few convenient people in Aline’s life who suddenly and inexplicably turn out to be Mwalgi sympathisers. Most notable of these are the family of her best friend and her therapist. Isn’t that convenient to the plot? The people most likely to bring her around to not hating Larkin are the only ones who don’t hate his kind to start with.

The necessity of putting Larkin in Aline’s room, instead of the brig is utterly ridiculous. Even if your father is the captain, especially if your father is the captain, there’s no way he’s risking your life like that just be cause you ask. NO WAY! There had yet to be any indication to anyone but Aline that he was anything but the blood-thirty monster all other Mwalgi are seen as.

Then he’s allowed to walk around with her mostly because, and I shit you not, her psychiatrist tells her to spent more time getting to know him. Sure, “Bring your enemy, alien hostage to your therapy sessions, where we’ll talk about all your personal trauma in front of him.” seems like a perfectly normal AND BELIEVABLE thing for a therapist to insist on. At the very least, that has to be a HIPPA violation.

What’s more, dehumanising the enemy during war times is the norm, not something her counsellor would be having kittens over in the first place. So, why does he want her to get to know him and see him as more human? No one, NO ONE, else is concerned with seeing the enemy as human. (For that matter no other Mwalgi in the book are presented as human, they’re all shown to be the evil monsters people believe them to be.)

Plus, when the few important characters who don’t see them as monstrous all give Aline the  ‘but we’re all human, really, it’s just our governments that are at war’ it felt forced and was unpleasantly sappy. It was the most juvenile part of the book and despite the books’ general lack of believability, one of the few time I found myself truly disappointed by it.

Another one was the games. I found it unlikely that Larkin would have been allowed to participate, convenient archaic rule or not and I find it even more unlikely that other participants would play with him. Realistically, most should have been traumatised by the sight of him.  Plus, they just lasted for flippin’ ever! I thought they might never end, detailing every single stage and points scored as the section did.

I also found the onboard baddie, David, shallow, uni-dimensional and too insanely focused to be as smart as he was said to be. This is very much a YA sci-fi romance. A lot, A LOT, more time is spent on board with Larkin, Aline and David that with enemy engagements. So, for most of the book this angsty teenage attempt at romance is the main focus.

Given that so much attention was paid to the onboard drama, a lot less attention was paid to the galaxy and general world-building. I was often confused on what the treaties and conventions that were obviously being ignored were meant to actually establish, who/what species were, how many types, was there a multi-world alliance of some sort, etc. This was a very real weakness.

Now, I did really appreciate that the author allowed bad things to happen. I don’t mean I like bad things, but in circumstances in which there can be no happy ending, the reader needs to know tragedy can strike. But many authors aren’t willing to go there and I’m glad Black did.

The book is well written and I didn’t notice any glaring editorial errors. Plus, like I said at the beginning, I really enjoyed the book. Larkin is a wonderful hero and, with exception of her extreme and annoying naivety concerning David, Aline was a strong fun heroine. There were some interesting tech and species described as well.  So, though I had a lot of complaints, I’d still recommend readers pick it up. You kinda gotta give up on reasonable believability and just go with the flow, but if you can do it, it makes for a pleasant read.