Tag Archives: fantasy

King of Dreams

Book Review of King of Dreams: A Vereldan Tale, by Greg McLeod

King of DreamsAuthor, Greg McLeod sent me an ecopy of his novel King of Dreams: A Vereldan Tale.

Description from Goodreads:
Everybody’s on the run: Laurin the dwarf, sent on an improbable errand by a dead king, ends up with an assassin on his tail. Bryn of Bailon, heir to a dark and troubling secret, discovers there’s no escaping the impossible burden that’s about to be placed on his shoulders. And Rhea Redbreast, apprentice Headhunter, makes it onto her own guild’s hit-list when she seeks justice for her parents’ killers.

But the real trouble is just beginning: shipwrecked on the frozen shores of the Ice Wastes, eternal victim Nudd Wiggin stumbles onto an ancient weapon and is turned into something more – and less – than human. As the cruel and devious King of Dunmark unleashes a war that quickly spreads to the neighboring kingdoms, a weaponized Nudd raises terror after terror, driving an immense wave of desperate, battle-hardened Nordsmen south towards the war-torn kingdoms’ borders.

Review:
I’m undecided about how to review this book. It’s an interesting story, with fine writing and engaging characters, but I find I didn’t particularly like it all that much. This book finally confirmed for me something I’ve been suspicious of for a while. I’m just not a fan of books that follow several character arcs that eventually come together toward the end.

Here I think the effect is exasperated because the book takes on too much. It starts with Nubb and the Scour. Then there is Wanderer and his challenges. Then there is Anuun and his journey. Then there is Bowen and Bryn. Then there is the king and his advisors. Then there is Rhea and the Dwarf.

They do all come together eventually, but following so many different people, in different places, facing different challenges (that you take on faith will be relevant) diluted my interest for any single pairing or plot arc. I often found myself following one and forgetting the others, then jarred when we changed. Only to then vaguely forget the others once more, for a while, only to again later be jarred by a transition. It was all deftly done (or as deftly as that many groupings will allow) but I’m just not a fan.

But I also think the book in general tried to spread itself too thin. There were two completely different and interesting things going on in the plot. There was the Big Bad, end of the world sort of thing. Then there is the smaller, heir to a kingdom, violence of Man sort of thing. The problem is that either one of them was enough on its own. What’s more, having them both in one book did two problematic things.

One, it spent more time on the small-scale human war than on the big-scale, danger to the whole human race aspect; which made the matter of one country’s heir to the throne seem more important than preventing the end of the world as we know it. In fact, no one even really knew about the big danger.

Two, both plot-lines distracted and detracted from the other. I would much rather have just read about Bryn, the Dwarf, Rhea, Bowen et al. and their fight for survival on its own. Then separately read a book about Nubb’s encounter with the Scour and The Snowpeople and Iceling’s fight to defeat it. Both are interesting, but both deserved their own book, in my opinion.

Again, the characters are mostly engaging. The writing was perfectly readable. The world-building is adequate for the story. It’s a fine book in that sense. I did think it needed another edit, especially toward the end. I noticed very few errors for the first 3/4 of the book, but in the last quarter whole sentences (and at one point a paragraph) are occasionally repeated.

All-in-all, a book that I think the right person would love. Given a more attractive cover, I think it could pull in plenty of readers and keep them happy.

The Devil In Her Heart

Book Review of The Devil In Her Heart, by Elle P. Charles

Devil in her HeartI downloaded a copy of Elle CharlesThe Devil in her Heart from the Amazon free list. At the time of posting it was still free.

Description from Goodreads:
When Cara Hansen receives a psychic prediction during a bachelorette party entailing “a demonic presence approaching her near future,” she is determined not to believe that such supernatural things exist. But when she is visited at work by a strange man with unearthly features it seems only Cara can perceive, she begins questioning everything…including her sanity.

As a string of bad events occur, beginning with the disappearance of a co-worker, she begins to uncover secrets she was never meant to know, including a realm of demons and her unexpected affiliation with them…

Review:   *somewhat spoilerish*
This was not a winner for me, for a number of reasons. To start with the author sets the whole thing up as not adhering to Christian doctrine—characters stress that the evil beings are ‘Shadows’ not ‘Demons,’ for example—but then the book repeatedly falls back into Biblical and Christian mythology. (Look at the title, even.) There are demons, angels, a Garden of Eden, a fall, prayers to God are answered, crosses hold power to save, etc. It felt very much like Charles just couldn’t help it, or maybe (worse) didn’t even notice.

The book dragged on and on, spending lots of time on trivialities like going to work or dinner with family or dating or four thousand ‘woe is me’ complaints about not being the pretty one. Then it rushes through scenes relating to the actual plot, often even falling back on cop outs like ‘that week passed without incident’ and large chunks of unaccounted for time being swept away.

Despite involving demons and such the whole thing felt very flat. Mostly because no one seemed to really ever react to anything. For example, the declaration that Cara is half ‘shadow’ is made as the last sentence in a chapter, with no build-up and is not addressed in the following chapter. So any emotional impact it might have is missed. It might as well have been a statement about it being warm this August. Or the time she woke up on a different plain of existence (maybe even in hell), having just lost her virginity to a demon (now a Demon, not a shadow, BTW) and is being hunted by the demon queen and her horde of followers, you would think she might be a little freaked out. Nope, she’s concerned about missing her shift at work and heads off for breakfast. WTF? Really?

This was pretty much the norm for the book. It doesn’t allow tension to build. As another example, at one point Cara is in the middle of a fight to the death, then, while being strangled, she suddenly wakes up in a car and it’s over. (Which is really jarring, BTW.) It’s not until pages and pages and pages later that we get a second hand, paired down account of what happened. That scene (and plenty like it) could have been really powerful; instead, it just fizzles to flat. It felt like the author didn’t know how to conclude the fight, so she just skipped it.

There are also a lot of things that aren’t really well integrated into the plot. For example, Liz is presented as a work colleague, maybe-friend. She and Cara had never even hung out outside of work. So, Cara’s determination to save her, as if she’s the most important person to her, doesn’t make sense. Also, Caymn is oddly sweet, but there is no explanation for the fact that he is such a good ‘person’ when every other demon is evil. He is still a demon of greed, so why doesn’t he act like one?

The book is basically about the dreaded girl who discovers sudden powers and then, with no real training, manages to fight and defeat a 10,000-year-old, extremely powerful, experienced, skilled enemy, with no real explanation of how. It was ineffective, to say the least.

I could not relate to any of the characters. I did not feel any tension in the plotting. The ‘romance’ was insta-lust and never felt solid. But though the writing is really flat and not particularly engaging, it is structurally sound (minus some editing issues). There may be others who like this a lot more than me, but I’m calling it a fail.

Creature of Dreams

Book Review of Creature of Dreams, by Maya Lassiter

Creature of DreamsI downloaded a copy of Creature of Dreams, by Maya Lassiter, from the Amazon free list.

Description from Goodreads:
Travel photographer, Liv Hannity, forty-one, returns to her Southern hometown on a quest to find her long lost sleep. An insomniac and a lucid dreamer, Liv is used to waking nightmares–but they’re getting worse. Parasites have infested Liv’s dreams and are eating her alive. Seriously. Or, so says Grim, Liv’s childhood dream-character playmate and a self-professed demi-god of dreams. (Or maybe he’s lying. Grim loves a good lie.)

By day, Liv must sort through her difficult past, her overbearing family, her pushy best-friend, and Liv’s new, much-too-young, boyfriend, Milo. By night, Liv battles the Creeps, with Grim’s questionable help, as well as herself–because Liv might be the biggest dream monster of all.

Creature of Dreams is a funny, scary, roller-coaster about love, friendship, getting older, facing the monsters, and waking up. As well as growing up. Finally. (Maybe.)

Review:
Wow, I really liked this…a lot…and I almost didn’t read it. You learn early on that the main character, Liv, was a victim of childhood sexual abuse. I almost put the book down right then. Not because I have any trigger issues (10 years as a Child Abuse & Neglect Investigator, I’m a bit inured on that point), but because I’ve become increasingly frustrated over the last few years about how many female characters are written with a history of sexual victimisation. (I’d almost estimate it to be along the line of 2/3 the female Romance leads I’ve encounter recently.)

The problem is that it’s often only there as basic titillation, to give a male character something to heal or as a past traumatic enough to harden the character and strengthen her (often through anger). And this just pisses me off, especially that last point. As if a woman can’t just be naturally resilient. Male characters don’t have to survive some horrible trauma to become emotionally tough, why do all female characters? Gah, pisses me off. So, as a hot point issue for me, I almost just didn’t bother with the book. I’m so glad I did.

The history of childhood rape is pretty much the fulcrum on which the plot pivots. So, there is no escaping it. To be honest, I did begin to feel that, considering this is a 29-year-old trauma, Liv was a little overly focused on it. But she has come to a point in her life that she’s made a conscious decision to face her past, so dealing with it is kind of the point.

I basically tolerated that aspect of the plot, while falling in love with the characters…all of them. I cannot express how much I appreciated seeing a 41-year-old woman presented as single, without children, confident (with the exception of the issues being addressed), sexy and sexual. She was none of the things Western Culture says women ‘past their prime’ should be and I wanted to hoop and holler for her.

Then there was Pippa. Pippa, who cheerfully said all of my secret shameful thoughts on motherhood as if they were common and normal. As if the blessed ‘Myth of Motherhood’ really could be eked around without diminishing a woman. I need a Pippa in my life.

Milo…sweet, gentle, broken Milo. I don’t think it would be possible to not love Milo. And I could easily relate to his guilt and secondary trauma from witnessing atrocities. (I’m going to call it PTSD and Survivor Guilt.) Similarly, if Milo is a balm to the senses, Grim is the quintessential bad boy (even if there is nothing boy-like about him.) I enjoyed them both very much.

Books involving dreams can easily slip into too-weird-to-read territory and I’m always a little wary of picking one up, but after a rocky start, this was a complete success for me.