Genevieve Jack | See Sadie Read

I picked up a copy of The Dragon of New Orleans, by Genevieve Jack from Amazon, during one of it’s freebie days.

New Orleans: city of intrigue, supernatural secrets, and one enigmatic dragon.

A deadly curse….
For 300 years, Gabriel Blakemore has survived in New Orleans after a coup in his native realm of Paragon scattered him and his dragon siblings across the globe. Now a jealous suitor’s voodoo curse threatens to end his immortal existence. His only hope is to find an antidote, one that may rest in a mortal woman.

A lifesaving gift…
After five years of unsuccessful treatment for her brain cancer, death is a welcome end for Raven Tanglewood. Her illness has become a prison her adventurous spirit cannot abide. Salvation comes in the form of Gabriel, who uses dragon magic to save her.

A harrowing price…
To Raven, the bond that results from Gabriel’s gift is another kind of captivity. Can Gabriel win Raven’s love and trust in time to awaken the life-saving magic within her? Or will his fiery personality and possessive ways drive her from his side and seal his fate?

*Le Sigh* It’s not that this was bad, it was competently written and edited. But it’s just that everything in it has been done before…better in other places. This felt like nothing more than a cobbled together collection of tropes and often-read PNR scenes. At 10 percent into the book I made the following comment on Goodreads.

I have to ask AGAIN, is attempted rape really the ONLY plot point authors can come up with? At this point I’ve read essentially the same scene in SO MANY BOOKS that I consider it nothing but laziness on authors’ part & THINK LESS OF THEM FOR IT.

It’s not just that I don’t want to read ANOTHER rape scene, it’s that it’s been done so many times. Writing the SAME THING AS EVERYONE ELSE is boring & lacks creativity.

While this comment was directed particularly at the attempted rape—because I am SO sick of authors reaching for this low hanging fruit to endanger their heroines so that the hero can step in—the point is also that I’m so bored with reading the same scenes in book after book after book. And Jack even sexually imperiled her heroine, not once but twice. Then even hinted at a third at the bar in Paragon. Geeze, get some new material, please.

But it wasn’t just the attempted rapes, the whole book gave me déjà vu, like I’d read it before. And I have, every scene, in about a thousand other books. There was nothing new here.

I appreciate that Jack made Raven fiercely independent and Gabriel weaker than most PNR heroes. But it wasn’t enough to rescue what was a structurally passable, but contextually blasé read. Plus, Raven became too strong too easily and I never really felt the romance develop.

I grabbed Genevieve Jack’s The Ghost and the Graveyard from the Amazon KDP list.

Description from Goodreads:
Left destitute by an unscrupulous ex-boyfriend, Grateful Knight takes her father up on his offer to live rent-free in a house he hasn’t been able to sell. Desperate to make a new start, Grateful tries to overlook the property’s less desirable features, like the graveyard that stretches to her back door. On the bright side, the unbelievably gorgeous cemetery caretaker, Rick, is dead set on helping her feel at home. She vows to take things slow, considering her recent disastrous relationship, but is baffled when she literally can’t keep her hands off of him.

When things in Grateful’s house start moving on their own another man enters her life, a sexy ghost with a dark secret. Magical forces are at work in the tiny town of Red Grove and they’re converging on Grateful. Solving this ghostly mystery won’t be easy and with the caretaker becoming increasingly jealous of her spectral relationship, Grateful may be forced to choose between the ghost and the graveyard.

Review:
I really quite enjoyed this book. That’s despite it being told in the first person present tense, which I generally hate and involving both a love triangle and insta-lust, which usually drive me crazy. The book somehow managed to overcome all of its handicaps and provide an enjoyable read. And it did it with surprising ease. The magic irritation-nullifying ingredient? Humour. The Ghost and the Graveyard is funny. Yes, yes it’s hot and steamy too, but that wouldn’t have been enough to overcome my dislike for the parts that make up its whole. I needed Grateful’s quick wit and sarcastic internal monologue for that. She’s a great heroine. She manages to stay strong and sure of her own sense of self in the face of some fairly severe identity shake-ups. She might have gone weak at the knees in the face of Rick and his awesome sex appeal, but she was never weak-willed. I respected that.

Rick was a surprisingly complex hero. He was simultaneously strong and fragile, loyal and of a little untrustworthy. I’m sure (in my own imaginings) that there will be a lot more to him and his backstory in the future books. I liked Lucas too. He was like a lost puppy, but I was a little tired of his whinging by the end of the book.

I was a disappointed that the book didn’t quite wrap up by the end. Don’t get me wrong it ended OK, but only one small part of the larger whole was solved. There were a lot of loose threads about. I’m always left wanting when that is the case. It’s a shame the next book isn’t out yet.

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Sci-fi, fantasy, UF/PNR & LGBT+

Tag Archives: Genevieve Jack

Book Review: The Dragon of New Orleans, by Genevieve Jack

Book Review of Genevieve Jack’s The Ghost and the Graveyard