Tag Archives: gothic horror

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Book Review: Weep, Woman, Weep – by Maria DeBlassie

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I agreed to review Maria DeBlassie‘s Weep, Woman, Weep as part of its Goddess Fish Promotions Book Tour. The book has also previously been featured over on Sadie’s Spotlight. So, you can nip on over there for author information and an excerpt.

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The women of Sueño, New Mexico don’t know how to live a life without sorrows. That’s La Llorona’s doing. She roams the waterways looking for the next generation of girls to baptize, filling them with more tears than any woman should have to hold. And there’s not much they can do about the Weeping Woman except to avoid walking along the riverbank at night and to try to keep their sadness in check. That’s what attracts her to them: the pain and heartache that gets passed down from one generation of women to the next.

Mercy knows this, probably better than anyone. She lost her best friend to La Llorona and almost found a watery grave herself. But she survived. Only she didn’t come back quite right and she knows La Llorona won’t be satisfied until she drags the one soul that got away back to the bottom of the river.

In a battle for her life, Mercy fights to break the chains of generational trauma and reclaim her soul free from ancestral hauntings by turning to the only things that she knows can save her: plant medicine, pulp books, and the promise of a love so strong not even La Llorona can stop it from happening. What unfolds is a stunning tale of one woman’s journey into magic, healing, and rebirth.

my review
I admit that I am not really a raver. I tend to be fairly reserved in my praise. Regardless, I have to say that Weep, Woman, Weep is a truly exceptional story of surviving and escaping generational trauma (sometimes over generations, by virtue of dilution as much as individual grit). Through Mercy the reader is able to see the struggles and challenges of the endeavor—as well as the failures— and feel the exuberance of growth, revelation, freedom, and rejuvenation.

The writing is haunting and lyrical (quite gothic) and DeBlassie manages to relay the despair and dangers to Mercy’s (and the other young women of her town) without forcing the reader to sit through anything graphic for the shock factor. (It wasn’t needed.) The characters are likeable and distinct. The editing is clean and the cover is gorgeous. Whether you call it gothic horror, fairy-tales, or magical realism, I’ll be well up for more of DeBlassie’s writing.

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Other Reviews:

Coffee and Wander Books – Review: Weep, Woman, Weep

Review: Weep, Woman, Weep by Maria DeBlassie (2021)

Weep, Woman, Weep

The Black Garden

Book Review of The Black Garden, by John S. McFarland

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I bought a paperback copy of John S. McFarland’s The Black Garden. He’s a Saint Louis author and I try to support them whenever I can, with a review if nothing else.

Description from Goodreads:

The year is 1882, and Perdita Badon-Reed, a sheltered Boston esthete, has just made the most momentous decision of her life. Having spurned a respectable suitor, she finds herself on a riverboat on the Mississippi River, steaming toward the strange French Colonial village of Ste. Odile to accept a teaching position at a girls’ academy and pursue her dream of becoming a stone sculptor. Of the many hardships that await her, the one she least expects looms in the form of Orien Bastide, an incubus who has conducted his seductive and parasitic existence for two millennia. Perdita soon realizes the full horror of Bastide’s intentions, and that she alone has the will to stop him. In order to defeat the treacherous Bastide and save future generations from his advances, Perdita must abandon her personal ambitions and, perhaps, her life.

Review:

Sooo, this is a book I’ve now read. I’ve finished it and that’s kind of the only feeling I have about it. It’s 470 pages long. The protagonist doesn’t meet the antagonist until ~page 300, doesn’t understand his nature until about page 400 and ALL of the action happens in the last few pages (and ends in tragedy) The writing is actually lovely, but there really needs to be a lot less of it. The book is too long by half. 

Beyond that, my only real complaint is how well-spoken EVERYONE is and how absurdly perfect Perdita is. At one point the antagonist says of/to her, “Hardly a new month arrives without some report of your exploits, of your compassion, heroism, even.” And it’s true. She’s far too perfect, even performing a rudimentary tracheostomy with a spinning bobbin at one point!

I won’t call this a bad book, and I’m glad to have read a local author’s book, but I’m kind of glad to be done with it. On a side note: despite the cover, this is gothic horror, not romance of any sort.

The Quick

Book Review of The Quick, by Lauren Owen

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I borrowed an audio copy pf Lauren Owen’s The Quick though my local library.

Description from Goodreads:

1892: James Norbury, a shy would-be poet newly down from Oxford, finds lodging with a charming young aristocrat. Through this new friendship, he is introduced to the drawing-rooms of high society and finds love in an unexpected quarter. Then, suddenly, he vanishes without a trace. Alarmed, his sister, Charlotte, sets out from their crumbling country estate determined to find him. In the sinister, labyrinthine London that greets her, she uncovers a hidden, supernatural city populated by unforgettable characters: a female rope walker turned vigilante, a street urchin with a deadly secret, and the chilling “Doctor Knife.” But the answer to her brother’s disappearance ultimately lies within the doors of the exclusive, secretive Aegolius Club, whose predatory members include the most ambitious, and most bloodthirsty, men in England.

Review:

I enjoyed many aspects of this book. I liked the characters. I thought the writing was good. It had quite a lot of atmosphere. However, I thought it far too long. A fact that was exacerbated by how very slow and meandering it was. Plus, while I appreciated the representation of having a gay man as a main character, the fact that his story became so very tragic had more than a whiff of ‘punish the gay’ in it. This bothered me. All in all it was good but tedious. Simon Slater did a fine job with narration. I have no complaints on that front.