Tag Archives: PNR

Book Review of Bria Hofland’s 42nd & Lex

42nd & Lex

I grabbed Bria Hofland‘s PNR novel, 42nd & Lex from the Amazon KDP free list.

Description from Goodreads:
A divorce lawyer by trade, I have been soured on love for years. I haven’t had a date in months and now my childhood best friend—you know the über pretty and together one—has hired me to handle her divorce. If she can’t keep a man then there is no hope for me. Then a chance meeting on an elevator changes everything. Lucan O’Reilly is good looking, wealthy, and has an apartment to die for. He always seems to know just what’s on my mind. The perfect man, actually. But is it all too good to be true…

“Shh, I’m ready to tell you,” he whispers and with that I hear him speak a word in my mind. Vampire. Unfortunately, this is the least of my concerns for a new relationship fraught with secret ceremonies, blood hungry enemies, and saving Lucan’s soul. 

Review:
This wasn’t at all what I was expecting. I thought it would be a hot paranormal, if not erotic, romance. It wasn’t. There were a few incredibly mild sex scenes, but the sizzle level was along the lines of ‘we made love until morning.’ Meh.

I did enjoy Abri though. She was a feisty heroine who knew her own mind and didn’t easily bend to the overprotective nature of her literary mate. Said mate, Lucan, was a pleasant surprise in and of himself. He was kind and considerate and even sexy. What he was not was any sort of overbearing alpha male. It was nice to see that mould broken. He was exceedingly wealthy though. (I guess an author can’t be expected to break them all.) An annoyingly large portion of the book was dedicated to showcasing his money–his cars, clothes, jewellery, fancy restaurants, high price real-estate, etc. All of which he, of course, showers her with. After a while it just felt like a plot prop.

The book could do with another round of edits. There are a lot of missing words, mostly pronouns and particles. There are also a few word choice issues. The repeated use of the word least when lest is meant, for example. The story was still perfectly readable, enjoyable even, but it would be hard to miss the mistakes.

All-in-all I found it a sweet little romance novel with a few weak attempts to broaden the plot. The whole Serge drama fell a little flat with me. He didn’t feel like enough of a threat to warrant as much attention as it was given. The whole vampire reveal seemed a bit ho-hum. No one seemed bothered in the least by it. Even the scary high council just felt like cheery geriatrics. Be that as it may, it was still a fun little read.

Shifting Shadows

Book Review of Amanda Kelly’s Shifting Shadows

Shifting ShadowsI downloaded a copy of Amanda Kelly’s Shifting Shadows (Sparks Collide, #1) from the Amazon KDP list.

Description from Goodreads:
Party boy and werewolf, Jay Dellarson is stunned when his uncle hires a human to be his newest assistant. Kira Franklin is a sheltered girl with a mysterious past who’s finally taking charge of her life. When Jay and his pack begin to spend more time with the new girl in town, things start to unravel. Kira fights to keep her secrets hidden but when she finds out the truth of the town’s inhabitants it puts her in greater danger than ever before. While discovery of the werewolves’ secrets is dangerous, it’s discovery of Kira’s secrets that could place everyone in the middle of a vicious war.

Review:
This was an alright read if you like the kind of thing. It is told in first person, which I generally dislike. To complicate things it is told in first person from the perspective of two people. I found this really distracting and annoying. Now, I did appreciate being able to see both character’s POVs, but I’ve found myself constantly having to double check the chapter headings to remember who was currently narrating.

I really, really liked that this was not a case of insta-love. I found the romance a lot more realistic for the time it took to develop. But this was definately one of those books where the heroine manages to charm everyone effortlessly and by the end it starts to feel just a little too kumbaya for my taste–with everyone throwing wonderful affirmations around. This always strikes me as an underdevelopment.

The book seemed to throw the magic in all of a sudden. One moment Kira is going along as a normal girl unknowingly hanging out with the werewolves, the next she is suddenly off doing her thing. (I don’t want to give a spoiler, but suffice it to say there is no build up and so the reveal seems very abrupt.) I also didn’t quite grasp the seriousness of her situation. I understood she was in hiding because of the war. But she wasn’t anyone special to it, not a princess or the daughter of a leader or an active participant. She was just one girl so I saw no reason for her to be any more hunted than anyone else. Therefore all of her and her family’s precautions seemed really over the top.

It also ended without ending. I know that this is the first of a series, but my absolute, number one, literary pet peeve is…I would call it a cliffhanger, but that’s not right. A cliffhanger infers an actual conclusion of some sort while leaving some thread open for continuation. Nothing in this book concludes. There is one red herring event that substitutes an ending, but that’s just a cheat. The perpetrator of the mysterious attacks that plaque the whole book is not only not revealed it isn’t even addressed because it is still open and in the air.

I think this probably counts as New Adult as opposed to YA since the characters are all in their mid-twenties, but there isn’t any sex. I’m still figuring out what falls into that genre. I enjoyed the read.

Book Review of Rachel Francis’ Life on Fire

Life on FireYesterday, as I was trolling my TBR list, muttering to myself about how I could have so very, very many books and still not pick anything to read, my daughter reached over and said, “How about that one? It looks interesting.” Well there you go, decision made (and proof positive that covers matter).

Rachel Francis‘ PNR novel, Life on Fire, was downloaded from the Amazon KDP list.

Description from Goodreads:
Anna grew up in the peace of Caroline, a small East coast town barely warranting its own school district. When that serenity is shattered by murder, no one feels safe. One, two, three attacks and no end in sight, Anna falls into a deep depression, spurred onward by the sudden departure of her best friend.

It’s then she notices the strangers around town. Anna enters a world of magic when she comes face to face with two of the newcomers, leaving her changed forever. Saving her hometown may be second only to keeping a centuries old war from boiling over.

Review:
Life on Fire takes the same old, same old and spruces it up enough to be interesting. Anna is a regular, small town girl until her life is endangered and she awakens to her inherent, and previously unknown, paranormal powers. These powers are of course the most powerful there can be. But not to worry, there is an emotionally damaged hotty available to fall in love with her and help her through the transition. She in turn will of course sooth his injured soul in a way no one has been able to before. As well as effortlessly help and earn the admiration of everyone around her.

I’m being trite I know. I did say the same old plot was livened up a little bit though. It’s the characters that add the spice. Wendrick is a wonderfully conflicted character, by far the best in the book IMO. He carries his own heavy burden of ability, responsibility and basic guilt for what he is. David and Rosalyn have an interestingly tempestuous relationship, and Anna has a strong, loving family. Anna was my least favourite of the bunch. In a book that walked the standard genre line so unwaveringly it was the small divergences that kept it from being boring and Anna didn’t stray too far from the standard PNR heroine. She therefore didn’t hold my interest very well. I didn’t hate her or anything. She was just kind of a null for me.

Her and Wendrick together were pretty good however. This isn’t exactly a case of instant-love, or rather I think the author tried to pull it back from insta-love. It’s pretty quick though. And even if not quite instant, the love between Anna and Wendrick solidifies with very little outside influence. He is inexplicably drawn to her and she pretty much goes on a systematic campaign to make him her own. There isn’t really any falling in love as much as finally accepting the love.

Though the main character is 22, this reads like a YA book. Anna still lives at home with her parents. Wendrick is several hundred years old, but acts like a stroppy teenager. David sulks through the whole first half of the story and Anna has dealt with one of her best friend’s crushes for years. There is one mild, largely inexplicit sex scene. It’s the only reason I hesitate to call this YA.

My main complaint is that the dialogue is incorrectly formatted throughout the book, such that a spoken sentence is often on the same line as the response of the person spoken to. Creating confusion about who is actually speaking after all. A made-up example (cause I’m too lazy to go find my kindle and pick out a real one): ”Sit there.’ John sighed, but sat.’ In this case John would be the person spoken to, not the speaker. It’s obvious on a second glance, but it takes that second glance and disrupts the flow.

For an easy, mindless couple hours of entertainment Life on Firefits the bill.