Tag Archives: #ReadDiverse2017

When I'm Bad I'm Better

Book Review of When I’m Bad, I’m Better, by K.F. Johnson

I won a signed copy of K. F. Johnson‘s When I’m Bad, I’m Better through Goodreads.

Description:
Rome wasn’t built in a day, and in this present-day drama, neither was the facade these four cousins expended a lifespan constructing. They say good girls finish last…but when they’re bad, they’re better!

Valerie’s just recovered from a career ending accident when her fiancé adds insult to injury by cheating on her with her closest relative. Devastated, angry, and now financially strapped, she’s ready to break all the rules…or is she?

Yasmin’s a successful attorney whose failing marriage has left a void that only a side romance has been able to fill. When a crime unexpectedly turns her life upside down, decisions will have to be made…or they’ll be made for her.

Vanessa’s an aspiring singer who’s tired of living in the shadow of her identical twin’s success. She’s not getting any younger, success doesn’t come cheap and fame costs!

Amina’s a beautiful bombshell who uses what she’s got to get what she wants; but she’s harboring seedy secrets that are anything but pretty. As skeletons begin to resurface, she needs them dead and buried…before she is.

Review:
With friends and family like these, who needs enemies? Geez. There’s a lot of drama packed in the pages of this book. I enjoyed the characters, though I don’t think I’d go so far as to say I liked them. It is interesting however to see into the mind of some of those unlikable characters and understand their position, even if it only truly makes sense in their own warped point of view. It’s a reminder that nothing and no one grows in a vacuum.

I really appreciated that this is a book by and about people who too rarely get their time on the page. All the main characters are people of color, in fact I don’t think there’s a white face in the book, but there are also queer and trans cameos too. Plus, this is a book about women. Men are in it. They’re often the motivation for the women’s actions, but this is a book about women— strong, self-reliant black women. I like the way that tips the standard tropes on their head. So often in books it’s women who are only present as reasons for men to do things, to go on quests or get angry or defend their honor or virtue, etc. Here, while the motivations are very different, it’s the men who play the more passive role, spurring women to actions, good and bad.

The narrative style is gritty and regional. A lot of the dialogue would send a grammar nazi into convulsions, but who really speaks with proper grammar everyday of their lives? Again, this is a realism you don’t often see allowed in literature. On the other side, the fact that the narration isn’t in standard English doesn’t absolve the author of the responsibility of editing. There are several occurrences that are clearly mistakes, mostly around punctuation and homophones. But’s it’s largely pretty clean.

I have a few personal pet peeve kind of complaints. As a general rule, and I’ve said this before, I truly dislike when authors compare their characters to celebrities as a means of telling the reader what they look like. I haven’t watched television in almost 5 years and have only seen a handful of movies. I have no clue who the new generation of stars are or what they look like. It is wholly ineffective for relaying information to me and only leads to feeling alienated as a reader. (And yes, I sadly do realize how old that makes me sound.) This is the primary means of character description in this book, everyone having a celebrity lookalike. We’re kind of given a reason for this, but it didn’t help me at all.

Next, while I understand that not everyone views sex, monogamy, parenting, relationship in the same way and I wouldn’t want them to, and I understood that for a variety of reasons (the least of which was romance) this was important to the characters, a lot of the book is dedicated to who is sleeping with whom and who is or isn’t injured because of it. I appreciated the subtle ways the author created a perception of castes among people, degrees of legality and hierarchies of betrayal, legitimizing some things and people and not others, but I did get a tad tired of the constant who is f_cking who and if I’m honest, I didn’t much care for the author’s style of describing sex. Again, personal preference, but there you have it.

Lastly, the book ends on a cliffhanger and I just hate that. All in all, it’s worth picking up though

I just love autographed books!

Book Review of Blood Stained Tea (The Yakuza Path #1), by Amy Tasukada

I was sent a copy of Amy Tasukada‘s Blood Stained Tea for review.

Description from Goodreads:
A bloody past haunts him. A devastating present calls him back…

Nao hides from his violent past in the Japanese mob by opening a teahouse in Japan’s cultural center, Kyoto. His past comes flooding back when he discovers a gravely injured man with a tattooed chest, a bloody knife, and a Korean business card.

Saehyun would’ve died if not for Nao’s help. He knows nothing of his savior’s connection with the local mafia, but Saehyun has his own secrets. He commands the Korean mafia, the mortal enemy of Nao’s former syndicate.

As Nao and Saehyun grow closer, so does the strength of the Korean mob. A shocking murder pulls Nao back into a past he’d all but abandoned. War is looming, and Nao must choose between protecting Saehyun or avenging the honor of his old mafia family.

Review:
Blood Stained Tea was a fun book to start the year with. I really appreciated that it contains a romance featuring a Japanese and Korean man, one of which is bi-sexual. Plus, being set in Kyoto, Japan is a nice change. Overall, I quite enjoyed it. I liked both the main characters, appreciated the difficult positions they found themselves in and was left wanting more when it ended.

However, Nao’s logic often made no sense to me, nor did his constant assumptions about Saehyun. In fact, they were made so frequently and asserted so firmly that I felt very much like the author was trying to convince me of something I should be able to sense without being told (repeatedly). It was like they were both keeping themselves willfully ignorant and I’m afraid that just wasn’t something I could buy into, considering how much both of them had at stake. Even when all but incontrovertible proof was presented, the two of them (Nao especially) somehow remained clueless. I just couldn’t believe it, which meant a lot of the plot felt contrived.

Similarly, the decision and twist at the end was utterly unbelievable for me.  When the book was presented to me for review it came with this note: “…this is a m/m thriller. Though there is a love story throughout the novel it’s NOT a romance, nor is it for the faint of heart. Lots of bloody violence and death.” So I get that this event at the end is what makes the book a thriller rather than a romance. But I think the story tried too hard to straddle the genres and compromised itself. It would have been stronger, in my opinion, to pick one or the other. Especially since so many readers will be disappointed. Romance lover will be let down by the ending and thriller fanatics will likely be put off by the romance. Because for 99% of the book the romance is front and centre, even if it is practically an insta-lust.

Honestly, if not for the ending, I would call it an M/M romance using the Yakuza and Jo-pok for plot. Admittedly, a romance of the tragic, Shakespearean sort—very Romeo and Juliet—but a romance all the same. In fact, I’d call this a mix of Romeo and Juliet and The Godfather. Nao makes a very convincing Michael Corleone.

The writing is pretty good. The first chapter or so is a bit rough, but it smooths out fairly quickly. The editing also never grabbed my attention, which is what editing should do, and it was well-paced. All sex is off-page, so it’s not particularly steamy, and the book has an awesome cover. Lastly, I totally agree with Nao about Oolong tea. It’s my favorite too, especially the darker, heavily oxidized ones. Yum. I look forward to reading more of Tasukada’s work.