Tag Archives: time travel

Review of Gods, Monsters, and the Lucky Peach – by Kelly Robson

I borrowed a paperback copy of Kelly Robson‘s Gods, Monsters, and the Lucky Peach from the local library.

Description from Goodreads:

Discover a shifting history of adventure as humanity clashes over whether to repair their ruined planet or luxuriate in a less tainted pass.

In 2267, Earth has just begun to recover from worldwide ecological disasters. Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity’s ancestral habitat. She’s spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology. 

Review:

Not bad, and I liked it a lot more by the end than I did the beginning. I thought the way the two narratives were interspersed and eventually intersected was really clever and I liked the world with it’s generational differences and integrated tech. (And I love that the main character is an 83-year-old woman.) But honestly I was bored for a lot of the time while reading this. So, my overall experience was middle of the road.

Review of Stumbling On A Tale, by Suzanne Roche

Lately, I’ve been making a concerted effort to read all the Middle Grade books that I’ve shelved with the intention of reading before passing them to my children (but basically forgot about). Today I finished Stumbling on a Tale, by Suzanne Roche. I won it through Goodreads.

Description:

It turns out the trips back in time haven’t ended for Peri, Henry, and Max. In the second book in the TIME TO TIME Series, the children find themselves right in the middle—the Middle Ages that is. And this time they’re lost in a forest, where they stumble upon a group of travelers who seem to be long on medieval tales but short on helpful information.

Peri and her stepbrothers are sure they know what they have to do to get home though, so there won’t be any problems this time. End of story.

Okay, maybe not.

It turns out everything Peri and the boys know is wrong and nothing is how they expect it to be. So when none of their ideas work, they have to rely on a peasant chaperoning his pig, a maiden searching for her dog, a dragon-hunting page, and an unappreciated sorcerer to find the answers. Only everyone seems to be better at losing things than finding them.

At the end of the book, you can get your hands on history—make medieval gingerbread, learn to play Nine Man’s Morris, and solve a riddle from the 10th century, plus more! 

Review:

I found this an interesting miss-mash of a book. It’s eminently readable (even if the editing hitches on occasion and it looks like it’s been formatted in Word *shudder*). And it’s obviously intended to introduce and educate children on aspects of the Middle Ages, the story being the vehicle to drop facts in their laps. It mostly works too.

Where I think it falters is in the pictures. Not the pictures themselves, but that they’re pictures with captions. They seem out of place in a fictional story, as opposed to a textbook. It requires quitting the story to read the caption, which disrupts the flow. I found it really distracting. The only way I actually see this working with a child reader is the time-honored practice of not reading the caption at all.

Having said that, as with so very many books with ignored caption, I can see this doing well in a school library. And for the record, it stands alone just fine. I had no problem with the fact that I hadn’t read book one, Making it Home.

Edit: I noticed, when I cross-posted this review to Amazon, that Making it Home is a freebie. So, it would be easy enough to pick up.

Review of The Strange Tale of Samantha Ravenwood, by Connie C. Scharon

I won a signed copy of The Strange Tale of Samantha Ravenwoodby Connie C. Scharon, through Goodreads.

Description:
Samantha Stewart explores the ruins of Carraig Castle and falls through an ancient time portal. Stunned and disoriented, she finds herself captured and fighting for her life in medieval Scotland. With a swipe of his sword, John Ravenwood saves her life. Samantha falls in love with her rescuer. Trapped in the thirteenth century, she marries him. But a frightening prophecy threatens their happiness. Samantha must choose between John and the life of her unborn child, a choice that will seal her destiny.

Review:
This book was a big fat raspberry for me. I mean, the whole thing is one giant anachronism. American girl from 1986 finds herself in 1291 Scotland and easily gets on with life. What? She learns to say, ‘aye’ instead of ‘OK’ and no one notices she’s not local? Um…in 1291, Scotland spoke Gaelic or Pictish and even those who spoke English, it would be OLD English. She would not be able to communicate with these people. Someone is said to have died of a massive stroke….um….did the medical establishment of 1291 (or the healer) know what a stroke was? And the whole thing hinges on someone being raped (and I’ll get to my problem with that in a moment), but as unpleasant as it may seem, the rape of a non-aristocrat by an aristocrat would not have been considered all that grievous at the time. Quite simply, the whole book is based on 21st century mores, placed on 13th century characters. It doesn’t work.

Now, I’ll admit up front that rape in books is a hot button for me. I don’t have any problem with it in general, but I think it is FAR FAR too frequently and easily used, so I’m critical of it when it pops up in a story. And as is so often the case, I thought this book used it to sensationalize how bad, bad, bad the baddies must be. They’re bad….they rape women, they MUST be bad. See? And while one woman, who had to endure years of incestuous rape, does show some trauma from it, the main character is almost raped twice, the second time violently and ten minutes later is turned on and fantasizing about being taken hard by a second man (the hero). Um….no!

There is insta-love/lust. There are endless declarations of romantic love. The sex is redundant. The writing is often painfully purple, especially around the too frequent sex scenes. Problems popped up and were resolved with no build-up or tension. The 20th century 20-year-old speaks, even in her internal narrative, like a 40-year-old medieval scholar. And I do not consider the little bit of a rushed ending the epilogue gives us to be happy.

So, all in all, while the writing is ok, if stiff, this book did not work for me.


What I’m drinking: A mix of Starwest Botanicals Roasted Chicory Root and dandelion root. Annoyingly, I burned myself making it too. 🙁