Monthly Archives: October 2019

Review of The Desert Sequence (Puatera Online #1-3), by Dawn Chapman

Covers of Desert Runner, Desert Born, and Desert Storm

I received audible codes from author Dawn Chapman for the first three books in the Puatera Online ‘series,’ Desert Runner, Desert Born, and Desert Storm. I’ve chosen to review them as one for reasons I believe will become clear below.

Description:

Follow NPC Maddie on her journey of self-discovery. Through the deadly desert plains to the inner programming that makes her who she is.

Review:

I don’t usually use star-ratings here on the blog. But sometimes it helps situate a book in my estimation. I’d give Puatera Online a 2.5, and then round up to 3.

The first thing I want to establish is that I would not call this a series. I would call it a serial. I know Goodreads/Amazon/etc doesn’t give authors and publishers an easy, clear way to make this distinction. But as a reader, it’s a big one for me, as serials don’t necessarily wrap up at the end of a ‘book.’ Think movie vs episode of a TV show. 

That’s the case here with Puatera Online. Each book runs one into the other, with the breaks between being fairly random. Each book contains three or so quests and at the end of one the author breaks for the next. The next picking up with the remainder of the ongoing quests and adding new ones ad infinito. If this was not a serial, my comment would be that all three of these ~100 page volumes should have been one novel. No question in my mind. 

Here’s the thing, I was annoyed to discover this is a serial, not a series (at least by my estimation). But I can’t really fault it for being what it is, instead of what I expected. So, my 2.5 rating isn’t based on that. I just thought it was important to let future readers know what to expect. Additionally, the cover image says “the complete trilogy,” but the story doesn’t wrap up at the end of book three and there are 8 books as of the time of me writing this review. So, don’t go in expecting something complete. Again, just worth noting. But no, my 2.5 star rating is based on the fact that it’s sloppy. 

Let me pause and add that the book is entertaining and the two main characters are likable. I’m not saying I didn’t enjoy several aspects of it. But that fact remains that there are editorial inconsistencies (like the sisters being mentioned before before their quest was actually introduced, someone being said by an entity that can see the code to be an NPC and then being a player (this may have been authorial misdirection, but it felt more like she changed her mind midway through writing)). There are too many characters introduced in too short a time, some of them basically being dropped again very shortly there after. Chapman never even attempts to define the limits of the game/world (or even tell readers what kind of game it is), which I think is 100% necessary in a LitRPG book. Not all role playing games are the same. The timeline is a mess and this is complicated by some of it being programing and not real. But apparently some of it is? See, I’m not even sure. Some things are said to have happened a 1000 years ago for vaguely non-NPC characters, some players have played for 10+ years, but the game is still in alpha testing, etc. I have no idea of the timeline. Chapman doesn’t even attempt to explain how characters cross from the digital to the real world and the human players have nowhere near enough reaction (practically none at all) when this happens. This story just kind of sprawls all over the place. 

Honestly, I think Chapman has the bones of a good story here. It just feels too broken into pieces. The narrator (Andrea Parsneau) did an excellent job with it though.

Lycan Legacy Prey

Book Review of Lycan Legacy: Prey, by Veronica Singer

I received an audio copy of Lycan Legacy – Prey from the author, Veronica Singer.

Description from Goodreads:

Prey,” whispered my inner wolf. There was a certain beauty, a certain simplicity, to her animal mindset. She was quick to label anyone or anything we met as “Pack,” “Predator,” or “Prey.” Together, wolf and woman, we always managed to tell where anyone stood. Until the day we met that damned Magician in Tokyo. 

Luna White is a runaway, a lone werewolf running from her home and pack and her Alpha’s obsession with using her to expand the pack; a plan that would have devastating consequences for Luna. She runs to Tokyo, where American werewolf packs are unknown. With a big personality and ego to match; she lands in Tokyo with a splash.

Mason Carter is a Magician. He traveled from America and settled in Tokyo. He doesn’t care for werewolves; their lack of control runs against the principles of magic. However, Mason has a secret; he knows how to help the incredibly rare female werewolves keep from losing their minds during pregnancy. He won’t reveal this to any werewolf, fearing that unrestrained breeding of werewolf litters will destabilize the supernatural community.

The clash between the powerful Alpha and a Magician threatens not only Luna but the burgeoning love she feels for Mason.

Review:

This wasn’t bad, a lot better than some werewolf books I’ve read. And I really appreciated that Mason wasn’t a alpha A-hole. He wasn’t a pushover, but he was totally willing to bend to Luna’s more obviously dominant personality type. I enjoyed their banter and the world Singer is building in this first book of a series. 

However, I thought the plot-line (a male wolf trying to forcefully possess and ‘breed’ a female) was trite and overused, and the plot jumped around, feeling disjointed. This wasn’t at all helped by the fact that Luna’s character was quite inconsistent. She was running scared one minute, then badass, threatening alpha queen the next, before going back to scary-cat again (all without reason given in the story).

Having said all that, I did enjoy it and I’d probably even read the next one. Cornelisse did a good job with the narration, though I think she mispronounced some of the Japanese. (I took two semesters in college, most of which I don’t remember. So, I don’t speak it, but I do remember the pronunciation of the syllabary and I’m fairly sure Cornelisse wasn’t correct more than once.) Further, it sure sounded like there were some misused English words too. But I suspect that was her being true to the text. This is one of the downsides to audiobooks instead of textual books. I’d know if it was an editing mistake if I saw it (or if I just misheard). Regardless, none of it was too egregious, just something I noticed.

The Queen's Gambit

Book Review of The Queen’s Gambit (Rogue Queen #1), by Jessie Mihalik

I borrowed an audio copy of The Queen’s Gambit, by Jessie Mihalik, through Hoopla.

Description from Goodreads:

When the Quint Confederacy and the Kos Empire went to war—again—young Queen Samara wisely kept her Rogue Coalition out of the conflict. But staying neutral in a galactic war doesn’t pay the bills, not when both sides refuse to trade with neutral sectors.

With her people on the brink of starvation, Samara hatches a daring plan to snatch the kidnapped Kos Emperor from the Quint mercenaries holding him. The Kos Empire will pay a fortune for their emperor’s return, enough to feed the Coalition’s citizens while they wait for the return to a begrudging peace.

But when her plan goes sideways, Samara finds herself evading Quint mercenaries with the very man she intends to capture. And the more time she spends with Valentin Kos, the more she realizes that he’s not the coldly indifferent villain she imagined. Torn between duty and desire, Samara must decide if saving her people is worth giving up the one thing she’s always wanted.

Review:

This wasn’t bad, it was just kind of weak. The plot was weak. The romantic development was weak. The world-building was a little less weak, but still not strong. It felt like someone had taken a knit comb to a full length novel and picked out everything that fleshes a story out. What we’re left with instead is an unlikely couple who experience almost insta attraction, a galactic war in which the two largest, most powerful, wealthiest combatants can’t swat a minuscule fly of a woman, political intrigue that can be solved with an email or two, and a happily ever after that is so pat it feels like an afterthought. 

Now, I know none of that sounds positive. The story development really was lacking. But once you get past all the gratuitous-to-the-plot physical descriptions of the male lead (which I wouldn’t have minded if they had been balanced with more actual plot development) the story is entertaining. And when it comes right down to it, I value that over a lot of other elements in a book. 

Now, a word on the narration: I disliked how Dulude read this. I thought she made everyone (but especially Emperor Kos) sound a little too soft and….well weak, which was problematic with an already weak plot. But more that, her speech pattern had regular micro-pauses (I don’t know what else to call them) that interrupted sentences, broke them into pieces. It drove me absolutely batty. To be fair, it might not bother anyone else at all though.