Category Archives: Blog tour

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Book Review: Defiant, by Ann Denton

I accepted a review copy of Ann Denton‘s Defiant (The Feral Princess, #1) through Love Book Tours. It also promoed on Sadie’s Spotlight.

Defiant by ann denton cover

In shifter life, what’s more important? Your human mind? Or your wolf’s?

Elena

When my wolf appears for the first time, I’m so overjoyed that I don’t think, I just run into the forest…and smack into Black Maddox, the leader of my pack. Only…he doesn’t believe that I’m what I say I am. He insists that I’m part of a rival pack and locks me up in his basement.
Black’s twice my age, insanely powerful, and has a streak of darkness running through him a mile wide and an ocean deep.
He’s exactly the type of man that I always swore I’d stay far away from. I should stick with Jonah, the beta I know and trust, the man who’ll give me everything I ask for.
But what if there are things I didn’t know I ever wanted before? Things I don’t know how to ask for?
The shadow Black casts drenches me, his depravity soaking into my skin.
He’s going to destroy me if I don’t escape him.

Black

I discover pretty little Elena helpless in disputed territory.
At first, I want to crack her open, this wide-eyed temptation who derails me. I want to shatter her and those who sent her into tiny pieces. I will not be manipulated or deceived by her false innocence.
That’s what I tell myself. But even as I say it aloud, my obsession grows and the spell she weaves leaves my wolf and I both panting.
But once I realize Elena’s a special type of shifter, the rarest of the rare, and the most precious of them all… I don’t want to crush her. I want to chain and keep her. I want to make her beg for mercy, but not because she’s broken.
Because she’s mine.
I want her desperate and aching for me in ways she’s never been before.
My wolf and I will claim her, mark her, marry her and keep her.
Only one thing’s stopping me.
The entire shifter world wants her too.

my review

Let me be clear from the start that I didn’t dislike this book. The writing is crisp, there’s some great humor, some likeable characters (some, not all of them), it plays with power dynamics, and has an interesting plot. Plus, look at that gorgeous cover! But the book did bump up against my personal “ick” tolerances. And it’s gonna take a little picking it apart to avoid sounding like I’m complaining that this Dubious Consent Erotic Novel has dub-con in it. That’s not my issue. I chose to read the book knowing that.

While true dub-con is something that only ever really exists in fiction,* it is safe to say people accept, read, and even enjoy aspects of it in a book that would be considered heinous and problematic in real life. It works because of the established, if largely unspoken, compact between the author and the reader that the heroine (in this case) is actually safe, nothing outside bounds will happen, and it’s possible to hold both the position of wanting and not wanting something in a way that isn’t allowed in the real world. So, my complaint isn’t about the dubious consent or even that Black is such an anti-hero as to almost not qualify for the hero label at all. (Though, having sex with someone who is asleep does kinda push my boundaries a little. And was questionable behavior for the character, considering how many times he’d emphasized not wanting to force her into sex because she’d hate him afterwards. Ummm, isn’t that the same thing?)

It’s simply that I really struggle when love, passion, lust—whatever you want to call it—is based on WHAT a person is instead of WHO a person is. In this case, Elena is an omega and all alpha wolves want an one. They want IT (an omega), not HER (Elena). And I realize this is often the case in Omegaverse books, but that doesn’t make it any more appealing to me.

Similarly, Black says to himself that he likes his women in their twenties. Again, it’s a WHAT, not a WHO. Elena, as a person, is irrelevant. She’s wholly replaceable. (What happens when she is in her forties, will she be replaced by the next bright young twenty-year-old?) Such scenarios are like sand under my skin, irritating my attempt to immerse myself in a sex scene, or believe a burgeoning relationship, etc. I can roll with the punches of dubious-consent—explore those power dynamics or questions of powerlessness, etc—and still enjoy it.

I have a harder time accepting women gleefully being treated as objects and being expected to find it sexy. Sure, like with dub-con, I could say it’s exploring societies’ treatment of women, or the gendering of power, etc. I’m not saying I should always be able to read dubious consent for feminist content (though certainly exploring those themes could be), but the WHAT versus WHO question is one of my person limits. Though everyone will have their own. I can see and respect that the WHAT versus WHO issue has a place in literature. I just have a hard time reading it personally. It’s just one of my discomforts as an individual.

The book is not unaware of its own use of this trope. At one point, Black acknowledges, “If you had any other kind of pussy…” referring to what marks her as important and at another, Jonah questions, “How can I leave her here with Black, knowing that she’ll only ever be seen as a thing, not a person?” It’s this fact that allowed me to decide to continue the series. I’m hoping some of this will fall away; that this is the author giving Black room for personal growth and he will eventually see her as a person, as Jonah does.

Well, that’s not the only thing. I loved Jonah. I know Black is supposed to be the dark, dangerous, star of the show here, but Jonah stole it for me. I adore him.

All in all, an interesting (if not perfect for me) read. I’m looking forward to seeing how things work out. I’d hate to see anyone go into this without knowing what they’re in for, but as long as you dive in with your eyes wide open all should be well.

*I accept that there might be situations in which consenting parties agree to contracts or simply enter into scenarios in which the idea of consent is allowed to be flexible—playing out rape fantasies, etc. A lot of discussion could happen around this. But for the purposes of my point, I’ll just say that in such cases the limits of consent are established and agreed to by both (all) parties, therefore it’s not truly dubious in the same manner as in dubious consent plots like Defiant‘s.

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Book Review: Sairō’s Claw, by Virginia McClain

I received a copy of Virginia McClain‘s Sairō’s Claw as part of Storytellers On Tour‘s book tour when it was promoed on Sadie’s Spotlight.

Sairo's Claw

Sairō’s Claw
by Virginia McClain
Series: Gensokai Kaigai (#1), Chronicles of Gensokai (#3)
Published: May 7, 2021
Genre: Fantasy, Action-Adventure, LGBTQ, Seafaring Adventure Fantasy,
Samurai-inspired Fantasy
Pages: 471
CW: Violence

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Blurb:

An action-adventure fantasy romp featuring sword lesbians, sea battles, and a grumpy wolf spirit.

Torako has done many things to protect the valley that she calls home, but she’s never looted a corpse before. So when the katana she steals off the still-cooling body of a bandit turns out to be possessed by a grumpy wolf kami, she can only assume it’s because she’s somehow angered the spirits. An impression that’s only reinforced when she returns home to find her wife abducted and her daughter in hiding. But angry spirits or no, Torako isn’t about to let bandits run off with the love of her life, even if it means taking their 3 year old on a rescue mission.

In all Kaiyo’s years as Captain of the Wind Serpent she has never once questioned her admiral’s orders. So when she receives the command to abduct a civilian scribe with the help of fifteen felons, she registers her objections, but does as she is bid. Yet, as the mission unfolds, Kaiyo finds herself questioning everything from her loyalties to her convictions.

As Torako and Kaiyo’s fates cross like dueling blades, their persistence is matched only by their fury, until they uncover a series of truths they may never be ready to accept.

Goodreads / Amazon /
Bookshop (Hardcover) / Bookshop (Paperback)

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My Review:

I generally enjoyed this and have many good things to say about it. But let me get the grumble out of the way first. This is labeled (Gensokai Kaigai #1). But what it very clearly is is book one of a spin-off of Chronicles of Gensokai. I say “clearly,” not only because I’ve looked it up and know, but because the book felt, almost start to finish, like a spin-off of something else.

I don’t actually think this was meant to be hidden knowledge (which I do sometimes think when I find myself in this position), but I mention it because I would not suggest reading this without having read the Chronicles of Gensokai first. It’s followable, but I definitely feel like I missed something because I did.

sairos clawOk, with that out of the way, lets get to all of the ways I loved this book. McClain can write. I mean really write. The text is clean and easy to read from the first page to the last. The characters are fun and there’s quite a lot of subtle humor involved. If I had any talent at drawing I would create fan art of Torako and Tanaka. Plus, the book is just fun and full of a fairly diverse cast.

I did think the child needed to be a little older than 3-years-old to be believable, five maybe. She’s too articulate and focused for a 3yo, even an exceptionally talented one. The two arcs of the story are such that the book feels like two separate stories, rather than two parts of the same one. The book basically starts with Kaiyo’s character. But Torako, who is the first person named in the blurb (who’s name is, in fact, the first word of the blurb) doesn’t show up until page 129. That’s a long time to go before meeting a main character. The book felt like Kaiyo’s book up until that point. Then it felt like Torako’s for a while, and then Kaiyos. Both plots were interesting, but they didn’t feel like part of the same work until near the very end.

I liked the book, though I was confused at times due to not having read Blade’s Edge and Traitor’s Hope. I’d be interested in going back and reading them and I think I accidentally own one other unrelated McClain book. Since I now know I like her writing style, I might just move it up the TBR.


Author Info:

Virginia McClain is an author who masqueraded as a language teacher for a decade or so. When she’s not reading or writing she can generally be found playing outside with her four legged adventure buddy and the tiny human she helped to build from scratch. She enjoys climbing to the top of tall rocks, running through deserts, mountains, and woodlands, and carrying a foldable home on her back whenever she gets a chance. She’s also fond of word games, and writing descriptions of herself that are needlessly vague.

Virginia McClain
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Book Review: Heartbreak Incorporated, by Alex de Campi

While I didn’t officially sign up to review Alex De Campi‘s Heartbreak Incorporated, it was promoed on Sadie’s Spotlight. I liked the look of it, and since everyone who participated in the tour received a copy of the book, I gave it a read.

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Heartbreak Incorporated
by Alex de Campi
Published: June 22, 2021 by Rebellion Publishing / Solaris
Genre: Supernatural Thriller
Pages: 300

Evie Cross had big dreams of becoming an investigative journalist but at 25 and struggling to make it in New York City, she’s finally starting to admit that her dream is her side hustle and her day job is actually… her job. That is, until she signs on as a temp for a small consultancy whose principal, Misha Meserov, specializes in breaking up relationships. Misha is tall, infuriatingly handsome, and effortlessly charismatic—he can make almost anyone, man or woman, fall into bed with him. And he often does.

But the more Evie is exposed to Misha’s scandalous world, the more she becomes convinced that he’s hiding something… when a wealthy San Francisco tech CEO with a dissolving marriage starts delving into the occult and turns up dead, Evie has to decide between her journalistic desire for the truth and her growing desire for Misha.


My Review:

I really enjoyed this. We have a smart heroine, who may be struggling to find success and her place in the world, but is self-reliant and witty. We have a non-binary, bi-sexual hero who is badass, but not an alpha-asshole. He shows a remarkable amount of vulnerability, and like Evie, I adored him for it. The villains are suitably evil, the writing sharp, and the plot moves along at a good clip. But mostly I just had fun with it all.

I did think there was a bit of sag in the middle, when some otherwise important characters seemed to just get dropped for a while. And I found the descriptions of Misha inconsistent. Sometimes he’s sleek and slender, but also sometimes (especially with hands) he’s notably big. Maybe it’s just supposed to be that he’s bigger than Evie. Regardless, it’s a tiny complaint. All in all, I’ll be looking for more in this series (if there are to be any) and of de Campi’s work.

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Author Info

Alex de Campi’s mostly-indie career stretches from her Eisner-nominated debut Smoke (Dark Horse) through recent Eisner nominees Bad Girls (Gallery 13) and Twisted Romance (Image). Plus company work: she’s killed off most of Riverdale, twice, in Archie vs Predator I & II. Her next projects are YA adventure The Backups (Imprint / MacMillan, 2020) and a thriller with director Duncan Jones. Catch her YA adventure Reversal on her Patreon, and action-thriller Bad Karma on Panel Syndicate. She also writes for TV and film (the Blade Runner anime & more). She is on social media as @alexdecampi. She lives in Manhattan.

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