Tag Archives: audiobook

Book Review: A Drop of Magic (The Magicsmith, #1), by L.R. Braden

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I won an audio copy of A Drop of Magic, by L.R. Braden.

Description from Goodreads:

The war isn’t over . . .

With the world clinging to a fragile peace forced on the Fae by humanity after the Faerie Wars, metalsmith Alex Blackwood is plunged into the world of the half-fae who traffick in illegal magical artifacts. Her best friend’s murder and his cryptic last message place her in the crosshairs of a scheme to reignite the decade-old war between humans and fae.

Worse, violent attacks against her and the arrival of a fae knight on a mission force Alex to face a devastating revelation of who and what she is. To catch a killer, retrieve a dangerous artifact, and stop a war, Alex will have to accept that she’s an unregistered fae “halfer” with a unique magical talent—a talent that would change everything she believes about her past, her art, and her future.

Her world is crumbling around her, and Alex will have to decide who to trust if she and the world are going to survive.

Review:

I thought this was ok, not great, but not bad either. I liked the main character, but I had issues with most of the side characters. The book passes the Bechdel test (it does feature at least two women who do talk to each other about something other than a man), but not by much and honestly, it didn’t feel like it should. It felt very much like all the important side characters were male. In fact, it started to feel like a reverse harem, though there is no sex and the only whisper of romance comes in the last pages. (It could have been one of several male characters and worked just as well, so I can say it wasn’t impactful to the story.) Actually, very little in the book is impactful. I think that’s why I’ve finished it with a mental shrug more than anything else. I won’t remember it next week.

The writing was fine, though I think there were a few editing mistakes. It’s hard to tell with an audiobook (narrated by Heather Costa), but I’m fairly sure it said ‘we’ll find out who killed your father,’ at one point when they were investigating the death of her friend. All in all, I don’t think I’ll be rushing to continue the series, but I didn’t hate it either.

Review of Claiming Ana (Triple Star Ranch #1), by Brynna Curry

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I received an Audible code for a copy of Claiming Ana, by Brynna Curry.

Description from Goodreads:

The child of a gypsy and fey, small-town veterinarian Dr. Anastasia Brannon has always hidden her magic for fear of ridicule. A red-hot encounter with the new PI in town makes their attraction impossible to deny. Throwing caution to the wind, she indulges her desires but keeps her secrets close.

A man with a shady past and secrets of his own, Howl Raven uses his feral talents and tracking skills to make a living, doing his best to lay low and hide the curse that haunts him every month. So far, so good…until an uncontrollable shift outside the full moon leaves him the victim of a werewolf hunter.

When she finds the enigmatic investigator wounded in the woods near her cabin during a storm, Ana provides medical care on instinct. She may be the only one who can banish the wolf from Howl’s blood, but at what cost?

Review:

This was not great. It started out well enough by introducing several interesting characters that then play essentially no role in the book at all. (I assume they are only there because they’ll have their own future books.) The love is instant, the plot is thin and the ending anti-climactic. Basically, had the author taken the time to develop this into a full-length novel (where she could have fleshed characters, plot, and the world out) it could have been pretty good. But she didn’t. Instead, it’s barely 75 pages and the reader feels all that it lacks.

On a side note, I really wish American authors would get on board with the fact that Gypsy is considered a slur and an insult and shouldn’t be used casually. I realize that that message hasn’t been as widely heard on this side of the Atlantic and it has developed a different meaning that many are reluctant to give up. But many who can claim the heritage have been fairly vocal that they wish it not to be used.

The narrator (Teddy Hoffman) did a pretty good job, outside of the occasional tendency to get a little overly dramatic.

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Book Review of Heart of the Fae and Veins of Magic, by Emma Hamm

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Last week I listened to Emma Hamm‘s The Faceless Woman and so enjoyed it that I went in search of the beginning of the series and spent this weekend listening to Siobhan Waring narrate Heart of the Fae and Veins of Magic.

Description:

Once upon a time…

A plague sweeps across the emerald hills of Uí Néill, leaving a young midwife’s father with months to live. To save her people, Sorcha makes a deal with a dangerous Fae. She must travel across the sea, through merrow and kelpie lands, to find a forgotten king on a crumbling throne.

Born king of the Seelie Fae, Eamonn fought battles unnumbered to uphold honor, duty, and freedom… until his twin brother sank a blade between his shoulders. Crystals grew from the wound, splitting open skin and bone. His people banished him to a cursed isle for his disfigurement, now king of criminals and fools.

With the help of brownies, pixies, and will-o’-the-wisps, Sorcha battles to break through his crystalline shell and persuade him to take back his stolen throne.

This determined beauty could come dangerously close to stealing his beastly heart.

Review:

Since Heart of the Fae and Veins of Magic form a duology, neither standing alone, I’m going to write a single review encompassing both. But one of the main takeaway potential readers should understand is this point that they need both books for a complete story.

I really enjoyed this, both the story and the narration. I really like that Hamm’s fae are old school scary fae, her female characters are strong and full of agency, and her male ones aren’t afraid to show need. I especially appreciated that it was Sorcha who took the lead in most sexual situations.

My only complaint here is how very gendered everything is. While I appreciate that Hamm’s goal was to emphasize that both a king and a queen are necessary, neither an accouterment to the other. (A pleasant change from most stories that center a king and make the queen little more than an accessory or political pawn.) But the book leans hard into women being soft and kind and caring and men being violent, rough and in need of tempering. True, Sorcha had to go against that in the course of the story but it was still a strong theme in the book. (As was how much bigger he was than her, another classic gendering technique.)

All in all however, I can’t wait to dive into more of Hamm’s writing and Waring’s narration.