Tag Archives: audiobook

First Blade

Book Review of First Blade (Awakening #1), by Jane Hinchey

I own an copy of Jane Hinchey‘s First Blade. However, I’d forgotten that when I borrowed an audio copy from Hoopla.

Description through Goodreads:

Georgia Pearce possesses remarkable psychic abilities. When she discovers an ancient dagger hidden in her workshop, she knows it can only mean one thing. Trouble.

Trouble arrives in the form of Zak Goodwin, an entity more powerful – and definitely sexier – than any she’s come across before. However, when a horde of dangerous vampires show up and threaten Georgia and her sister, she has no choice but to ask Zak for help.

Along with a shifter cop, a band of vampire warriors, and her own psychic skills, Georgia sets out to stop the awakening of an immortal vampire who has the power to destroy the world — and discovers that staying alive isn’t nearly as dangerous as falling in love. 

Review:

Mechanically this was fine. But there is just literally nothing about it that isn’t super cliched. There is zero originality here and it has several of my least favorite PNR occurrences in it. Most notably, the only female vampire is stereotypically sexy and a villain because she wants the hero and has been spurned. This makes me want to scream, especially when female writers fall into this trap. As if women can only be heroines and villainous sex kittens (or rabbits, as she is literally referred to as Jessica Rabbit at one point), no in between. Plus it constantly perpetuates the myths that other women can’t be trusted, men are all we care about, and sex is only a weapon or a tool. I expect more and am getting increasingly frustrated and decreasingly patient when authors are too lazy to break out of this BS rut.

Add to that big one (big for me anyhow) the fact that the female main character is a psychic who has one vision in the whole book and the male lead is super skeezy for most of the book. All in all, this is a big fat fail for me.

Having said all that Brenda Eddy , the narrator, did a fine job.

Review of The Desert Sequence (Puatera Online #1-3), by Dawn Chapman

Covers of Desert Runner, Desert Born, and Desert Storm

I received audible codes from author Dawn Chapman for the first three books in the Puatera Online ‘series,’ Desert Runner, Desert Born, and Desert Storm. I’ve chosen to review them as one for reasons I believe will become clear below.

Description:

Follow NPC Maddie on her journey of self-discovery. Through the deadly desert plains to the inner programming that makes her who she is.

Review:

I don’t usually use star-ratings here on the blog. But sometimes it helps situate a book in my estimation. I’d give Puatera Online a 2.5, and then round up to 3.

The first thing I want to establish is that I would not call this a series. I would call it a serial. I know Goodreads/Amazon/etc doesn’t give authors and publishers an easy, clear way to make this distinction. But as a reader, it’s a big one for me, as serials don’t necessarily wrap up at the end of a ‘book.’ Think movie vs episode of a TV show. 

That’s the case here with Puatera Online. Each book runs one into the other, with the breaks between being fairly random. Each book contains three or so quests and at the end of one the author breaks for the next. The next picking up with the remainder of the ongoing quests and adding new ones ad infinito. If this was not a serial, my comment would be that all three of these ~100 page volumes should have been one novel. No question in my mind. 

Here’s the thing, I was annoyed to discover this is a serial, not a series (at least by my estimation). But I can’t really fault it for being what it is, instead of what I expected. So, my 2.5 rating isn’t based on that. I just thought it was important to let future readers know what to expect. Additionally, the cover image says “the complete trilogy,” but the story doesn’t wrap up at the end of book three and there are 8 books as of the time of me writing this review. So, don’t go in expecting something complete. Again, just worth noting. But no, my 2.5 star rating is based on the fact that it’s sloppy. 

Let me pause and add that the book is entertaining and the two main characters are likable. I’m not saying I didn’t enjoy several aspects of it. But that fact remains that there are editorial inconsistencies (like the sisters being mentioned before before their quest was actually introduced, someone being said by an entity that can see the code to be an NPC and then being a player (this may have been authorial misdirection, but it felt more like she changed her mind midway through writing)). There are too many characters introduced in too short a time, some of them basically being dropped again very shortly there after. Chapman never even attempts to define the limits of the game/world (or even tell readers what kind of game it is), which I think is 100% necessary in a LitRPG book. Not all role playing games are the same. The timeline is a mess and this is complicated by some of it being programing and not real. But apparently some of it is? See, I’m not even sure. Some things are said to have happened a 1000 years ago for vaguely non-NPC characters, some players have played for 10+ years, but the game is still in alpha testing, etc. I have no idea of the timeline. Chapman doesn’t even attempt to explain how characters cross from the digital to the real world and the human players have nowhere near enough reaction (practically none at all) when this happens. This story just kind of sprawls all over the place. 

Honestly, I think Chapman has the bones of a good story here. It just feels too broken into pieces. The narrator (Andrea Parsneau) did an excellent job with it though.

Lycan Legacy Prey

Book Review of Lycan Legacy: Prey, by Veronica Singer

I received an audio copy of Lycan Legacy – Prey from the author, Veronica Singer.

Description from Goodreads:

Prey,” whispered my inner wolf. There was a certain beauty, a certain simplicity, to her animal mindset. She was quick to label anyone or anything we met as “Pack,” “Predator,” or “Prey.” Together, wolf and woman, we always managed to tell where anyone stood. Until the day we met that damned Magician in Tokyo. 

Luna White is a runaway, a lone werewolf running from her home and pack and her Alpha’s obsession with using her to expand the pack; a plan that would have devastating consequences for Luna. She runs to Tokyo, where American werewolf packs are unknown. With a big personality and ego to match; she lands in Tokyo with a splash.

Mason Carter is a Magician. He traveled from America and settled in Tokyo. He doesn’t care for werewolves; their lack of control runs against the principles of magic. However, Mason has a secret; he knows how to help the incredibly rare female werewolves keep from losing their minds during pregnancy. He won’t reveal this to any werewolf, fearing that unrestrained breeding of werewolf litters will destabilize the supernatural community.

The clash between the powerful Alpha and a Magician threatens not only Luna but the burgeoning love she feels for Mason.

Review:

This wasn’t bad, a lot better than some werewolf books I’ve read. And I really appreciated that Mason wasn’t a alpha A-hole. He wasn’t a pushover, but he was totally willing to bend to Luna’s more obviously dominant personality type. I enjoyed their banter and the world Singer is building in this first book of a series. 

However, I thought the plot-line (a male wolf trying to forcefully possess and ‘breed’ a female) was trite and overused, and the plot jumped around, feeling disjointed. This wasn’t at all helped by the fact that Luna’s character was quite inconsistent. She was running scared one minute, then badass, threatening alpha queen the next, before going back to scary-cat again (all without reason given in the story).

Having said all that, I did enjoy it and I’d probably even read the next one. Cornelisse did a good job with the narration, though I think she mispronounced some of the Japanese. (I took two semesters in college, most of which I don’t remember. So, I don’t speak it, but I do remember the pronunciation of the syllabary and I’m fairly sure Cornelisse wasn’t correct more than once.) Further, it sure sounded like there were some misused English words too. But I suspect that was her being true to the text. This is one of the downsides to audiobooks instead of textual books. I’d know if it was an editing mistake if I saw it (or if I just misheard). Regardless, none of it was too egregious, just something I noticed.