Tag Archives: audiobook

Book Review of The Gentleman’s Guide to Vice and Virtue, by Mackenzi Lee

I borrowed a copy of Mackenzi Lee‘s The Gentleman’s Guide to Vice and Virtue through Hoopla.

Description from Goodreads:
Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.

But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.

Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

Review:
I went back and forwards with this one, sometimes really loving it and other times distinctly disliking the main character and/or rolling my eyes over too-stupid-to-live stunts that make no sense, other than being obvious bids to move the plot in certain directions. While I loved the narrative style and Monty’s sense of self-depricating humor, I thought the whole thing got too ridiculous to believe by the end. The narrator, Christian Coulson however did a MARVELOUS job with the story.

Chicagoland Vampires

Book Review of Chicagoland Vampires, by Chloe Neill

From Hoopla, I borrowed and listened to the first five Chicagoland Vampire books: Some Girls Bite, Friday Night Bites, Twice Bitten, Hard Bitten, Drink Deep. I only bothered reviewing the first and what turned out to be my last though. Middle books are so often just “ditto.” Especially when the series is read back to back, and feels like a single reading experience.

Description:
Sure, the life of a graduate student wasn’t exactly glamorous, but I was doing fine until Chicago’s vampires announced their existence to the world. When a rogue vampire attacked me, I was lucky he only got a sip. Another bloodsucker scared him off and decided the best way to save my life was to make me the walking undead.

Now I’ve traded sweating over my thesis for learning to fit in at a Hyde Park mansion full of vamps loyal to Ethan “Lord o’ the Manor” Sullivan. Of course, as a tall, green-eyed,
four-hundred-year-old vampire, he has centuries’ worth of charm, but unfortunately he expects my gratitude—and servitude. Right…

But someone’s out to get me. Is it the rogue vampire who bit me? A vamp from a rival House? An angry mob bearing torches?

My initiation into Chicago’s nightlife may be the first skirmish in a war—and there will be blood.

Review:
This was dated, but I still found it entertaining. It does have a serious case of “she’s so special” going on. The heroine breaks the rules from day one, setting herself aside from others, and is allowed to get away with it. This is a plot device that always annoys me. All the powerful males are attracted to her because she’s so prickly and refuses to submit. But WHY exactly is she allowed to act this way when anyone else wouldn’t? No idea.

Having said that, as a first in a series, it was fun. I’ll give it one more book before I judge, because I really do feel like this one was mostly all just set up. I thought Cynthia Holloway did a good job with the narration, as I listened to the audio version. But I gotta say, this cover is atrocious!


I gave it four more books, my opinion didn’t really change much. But as the series went on and I felt nothing progressed, I became less tolerant of the things that annoyed me and eventually just didn’t want to follow it anymore. In the end, it fizzles for me. I finished book five and then made the following note:

I technically have the next book in this series (Biting Cold), but I don’t think I’ll bother reading it. I think I’ll stop now. I liked Merrit and her crew, but the plots are just getting too ridiculous and predictable. I can only stand so many books in a row in which the supernaturally special heroine, who somehow bypassed being new and inexperienced and EARNING trust, struggles against the short-sighted and self-important bureaucracy. It’s like no matter what else the plot involves, the megalomaniac leader who the good guys have to work around just gets changed out, washed and repeated. I’m bored with it now. And I think the author must even know the books were becoming overly formulaic. There’s a joke about how the main character loves a series, despite it becoming just so.

Book Review of The Florentine Bridge, by Vanessa Carnevale

I won an MP3 copy of The Florentine Bridge, by Vanessa Carnevale through Goodreads.

Description:
Young Australian artist Mia Moretti has been cancer free for nine months. But her battle with the illness has taken its toll, leaving her depressed and tormented by overwhelming fears. What’s more, she can’t seem to paint anymore. Mia needs a fresh start so when a surprise opportunity to travel to Tuscany presents itself, she takes it. With any luck, this trip will help her find whatever it is she needs to open her heart and start painting again.

What she doesn’t count on is meeting Luca, a handsome Italian mechanic. With his smile, his warmth and his inspirational outlook on all the good things life has to offer, he sweeps her off her feet. As Mia slowly lets down her walls and allows Luca in, her passion for life is reignited and her new perspective begins to inspire her art. But just when she’s ready to let go of her past, will a tragedy threaten her new life with Luca?

Review:
This was really sweet, with an uplifting theme and good writing. And if that’s all you’re looking for, and you’re not too concerned with details, grab it, because it is good. But details often catch me out and some of them irritated me with The Florentine Bridge. For example, Mia is supposed to be 19. And yes, she had a traumatic experience and might have matured a bit more than the average teen. But honestly she reads like a 30-year-old. Some of it is cultural. For example, she goes out and blithely orders wine with dinner. As an American reader that’s problematic, as the legal drinking age here is 21. Mia wouldn’t be able to drink in public. So this frequently pulled me out of the story. (Of course I understood she was in Italy, with different rules, it just always caught my attention.) But some of it wasn’t. Mia was still 19 and the classy dates she and Luka went on were not the dates of a 19-year-old. Almost nothing about Mia, except for her relationship with her parents, was teen-like.

Then there was the insta-love. Mia and Luka had a deep meaningful relationship from the moment they met. Some of it was explained, but not enough. This isn’t a fantasy of any sort, so I couldn’t figure out what their LOVE was based on so quickly.

Angèle Masters did an amazing job with the narration though. Yes, her accents slipped on occasion. But the characters were native and non-native speaking Italians, an Aussie, an American and a Brit, male and female. So, when I say her accent slipped on occasion, what I really mean is it’s amazing that her accent only slipped on occasion. There were a lot of different speakers to give voice to and she kept is all straight.