Tag Archives: magic

Book Review of Shanon Grey’s The Shoppe of Spells

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The Shoppe of SpellsI grabbed The Shoppe of Spells, by Shanon Grey, off of the KDP free list.

Description from Goodreads:
When is a whole more than the sum of its parts? 

When it has ties to the quaint little town of Ruthorford, GA, as Morgan Briscoe discovers when a cryptic message threatens to change her life forever. Morgan’s relatively normal life is turned on its ear when she learns not only that she is adopted, but her birth parents are dead and she now holds half-interest in a business with their ward, Dorian Drake. 

Dorian is running The Shoppe of Spells and despite his riveting good looks, he can barely conceal his hostility toward his new partner. 

Morgan discovers that she is more than she seems and together she and Dorian have the ability to control a portal to another dimension. Unable to control their growing attraction, Morgan and Dorian dance around their desires and her burgeoning abilities, until danger forces them to face their destiny.

Review:
As a basic piece of fluffy entertainment I generally enjoyed this. The writing was pretty good and, though I noticed a few typos, it was fairly well edited. I liked both the main characters and Ruthorford, GA sounds like the kind of place I would love to live. I did have a couple problems with the plot, however. These may not be the sort of thing that bother everyone. I’ll just put that out there at the forefront. But I was annoyed.

First, I just didn’t understand the logic of the bio parents. They were happy with their lives, even if it was a rough life. On having a daughter born with the same abilities they choose to give her up for adoption with the expectation that at twenty-five(ish) they’ll invite her home and teach her everything she needs to know to take over for them. (Seriously? If you’re happy, why wouldn’t your daughter be?) They then take in a ward who they train all through his childhood, but as an adult he barely knows everything he needs to know to take over the family duty. Thus, inferring that a lifetime of training really is necessary to do the job. (So how was Morgan supposed to catch up?) What’s more, the abilities she was born with didn’t go away once she was put up for adoption. So they condemned her to a life as an outsider with no one to turn to for answers or explanations. NONE OF THAT MAKES ANY SENSE! Why would you do that to her? So, right off the bat I’m lost.

Second, I always have a little bit of a problem with story-lines based on the formula of ‘I’m a male so I have ability X. You’re a female, so you have ability Y. Together we have super XY abilities.’ I tend to spend a lot of time wondering how, exactly, those symbiotic abilities would develop in the first plea. Combine that with the whole paired mate element and I’m extra skeptical. It felt very much like any two moon touched individuals who got within close proximity would be attracted like magnets, regardless of their personality, personal wishes, etc. Certainly Ian inferred this to be true. How not romantic is that?

Third, there didn’t seem to be a beginning, middle and end. I don’t mean the book ended on a cliffhanger or anything. It didn’t. But it felt very much like Morgan found out she was adopted, met Dorian and then a lot of random things happened until they finally fell in love. I mean, what did Rob and all of his drama have to do with the rest of the plot, for example? I couldn’t pick out a single plot peak that felt like it marked the culmination of the action that afterwards tapered toward an ending of any sorts, if you know what I mean. It wasn’t necessarily boring, but I just kept waiting for the plot to take off and indicate what THE barrier to overcome would be…then kept waiting and waiting.

Lastly, everyone was just so darned pleasant all of the time. All parents are gloriously loving. All friends are loyal, dependable BFFs. All neighbours are friendly and helpful. The main characters flawlessly go out of their way to befriend the weak and help the needy (who then go on to become more lovely friends). There were bad things that happened in the book, yes. There was a bad guy, who in the end wasn’t all that bad, yes. But everywhere else the reader looked there was an unrelenting feel-good factor that felt incredibly unrealistic. This always irks me. I know I’m probably on my own on this one, but there you have it.

Again, as pure entertainment the book is pretty good. I just had to set some of my expectations aside to enjoy it. Some of those are personal to me and others won’t share them, so I don’t really have any problem recommending the book. Depends on the reader really.

Book Review of K.T. Swartz’s Juliet Harrison Novels

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I grabbed K.T. Swartz‘s first Juliet Harrison novel, These Chains That Bind, off of the KDP free list. (It’s still free, BTW.) I then bought the second two, Debtors Remorse and Carry Me Home.

These Chains That BindDescription from Goodreads:
Juliet Harrison can whip up one mean protection spell; Ezra Jacobs can snipe a man from a mile away. They might just be Columbus’ best detective duo… if only they’d stop arguing.

What do FBI agents, a bad-ass ex-marine, and a Mob Errand Boy have in common?

They’re all after one very annoyed Juliet Harrison.

Add to that a friend with an unrelenting ghost problem and a dangerous necromancer on the loose, and Juliet may not survive long enough to help the one person she can’t live without.

Review
I’m gonna start with a little OCD rant that I’ve made before. But it bothers me every single time, so I’m just gonna get it off of my chest. That cover is the wrong damned shape. There I said it. This is a book, not a CD. It needs a vertical rectangular cover so that it fits the standard and looks right when stacked with the rest of my digital books. Doesn’t it bother anyone else? It looks completely unprofessional to me, or at least very homemade (and not in a good way.) OK, moving on to the book.

I spent almost all of this book convinced that I wasn’t actually reading the first of the series. All my googling couldn’t come up with any prequel, so I suppose it must be number one. But there are a lot of rather important events referenced more than once that felt very much like the subject matter of a previous book. Carol’s death, for example, or whatever happened with Eli and his ex-wife, which is apparently how he and Juliet met.

These are not small matters. Carol was apparently Juliet’s long-term girlfriend, who was shot, possibly protecting Juliet. That’s a big deal. That’s important. That was still greatly affecting Juliet in this book, but never fully explored. Then Juliet spent roughly a third of this book helping Eli overcome the aftereffects of whatever transpired in the mysterious past event. That’s a lot of time to spend wondering what exactly it was that transpired.

I was really, really bothered by this. Either fully explore it or leave it out, but to just throw it out with no background and no follow-up is painful to read. Honestly, about 15% through the book, when I was so completely confused by these previous events and just realising they were never going to be explained, I almost gave up. I almost thought that if the author was such a poor storyteller that she didn’t recognise this as a GIANT plot hole, I shouldn’t hold out much hope for the book. I persevered, though, and I’m glad I did, because eventually the book moved away from its own history and developed a story of its own. It’s a darned good story too.

It’s the characters that make it I think. Juliet and Ezra have a wonderfully strained relationship. (Again, wish I knew the history of it. There is apparently 6 years worth.) He doesn’t speak much, but he’s a man of action. Juliet’s normal life would give most of us grey hair and it was a lot of fun to watch her navigate a world full of ghosts and poltergeists. I rather enjoyed the FBI agents as well. There was a lot of humour in Charlie and Juliet’s exchanges.

The plot itself seemed to be split into thirds: helping Ray and his friends, helping Eli, and trying to avoid GW. The whole Ray situation wraps up nicely. The Eli situation kind of wrapped up but really had no beginning, and I suspect it will crop up again in future books, and the GW situation had no end since it’s carrying over into book two. You can maybe see why I was never wholly convinced I really was reading book one.

On the whole, however, I found the writing quite refreshing, and there was a good amount of humour in it. I especially liked Juliet and Ezra’s constant jibes and insults. It was a bit of a running gag. I did notice a couple of repeat phrases, though. I think about a hundred people must have had the corner of their lip twitch, for example. I liked it enough to buy books two and three, so that should tell you something.
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Review of Witchy Business, by Eve Paludan & Stuart Sharp

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Witchy BusinessI grabbed Witchy Business from the Amazon KDP list. It’s written by Eve Paludan and Stuart Sharp and apparently presented by J.R. Rain. I’m not sure what to make of this ‘J.R. Rain presents…’ It reminds me of the old Masterpiece Theatre, “presented by PBS.” I don’t mean to make fun of it or anything. I mention it because I don’t know how to, or even if I need to, incorporate it into my review in any way. I don’t really know what it means. I’m guessing ‘edited by’ or ‘mentored by,’ but that’s just a guess.

Description from Goodreads:
What would you do with unspeakable power?

Elle Chambers is Edinburgh’s hardest working insurance investigator, and one who solves cases using unconventional means. Supernatural means. Elle is a witch–and a damn good one, too.

Assigned back-to-back cases, Elle must first find a missing bad boy who might or might not be a werewolf. Next, a simple missing artwork case turns out to be not so simple. What Elle is about to discover will change her life forever…and open her heart to the possibility of love.

Review:
I thought this was an alright read, though it didn’t really do it for me. I don’t even really know why, but I finished with a bit of a ‘meh.’ I did enjoy the way the book played with the normal hero/romantic partner character. Often in PNR (I’m thinking Ward, Frost, etc. here), the hero is muscle-bound, leather-clad, beefcake, and the antagonist is the smooth-talking, well-dressed, and sophisticated. Both character types are present in this book, but the heroine’s choice of mates is unexpected. The effect of this was that I spent the whole book waiting for the reversal, the point when the good guy suddenly reveals his betrayal and the heroine runs into the arms of the unexpectedly compassionate, stoic man on the side. This never happened. It was a fun little twist and proof that sometimes it’s not a matter of what’s written but what isn’t that can add the most spice to a story.

But I also felt that the whole thing rolled along a little too smoothly. N. goes to great lengths to meet Elle, but we never discover how he even knew about her to begin with. We never learn when, why, or how exactly he fell so deeply in love with her unless it’s just a matter of ‘we’re the only two like us, so we should be together.’ That seems pretty weak to me. There is definitely some insta-love on Elle’s part, however. Then there is Rebecca and Everett, who can blithely acknowledge Elle’s burgeoning feelings and tell her to arrange to kill that person in the same conversation. Seems a little unrealistic to me. Could they really expect compliance? Elle solves the missing art case, seemingly without any clues, and in the end, manages to resume her life despite the coven’s long-standing policy of eradication against her kind. Yep, everything is resolved just a little too easily.

On a side note, I also didn’t find the book to match the description very well. The bad-boy werewolf is already found when the book starts and he’s an overwhelmed lawyer with mother issues, not a bad boy at all. For most of the book, Elle is a decidedly weak enchantress, not the damn good witch described. (In this particular story, there is a divide between witches and enchantresses, so it’s not the same thing.) And she isn’t assigned back-to-back cases. She is an insurance agent who solves cases with a little magical assistance, though, and she is on the case of a missing piece of art. Maybe these are small details, but still…

Despite the above points, it was an entertaining enough read for an evening. The writing seemed fairly smooth and I didn’t notice many, if any, editorial mishaps.