Tag Archives: magic

Book Review of John Blackport’s Raingun & Resolution

Quite some time ago author, John Blackport, sent me an e-copy of Raingun for review. I finally managed to borrow a Nook to read it on. Though, doing so didn’t do much to further my side of the Kindle vs Nook battle that continues to rage between my husband and I. Oh well, it was worth it.

RaingunDescription from Goodreads:
Rick Rivoire is flush with money, women, and prospects. He protects his country as one of the Rainguns, an elite regiment of spellcasting cavalry. 

But national policy drifts ominously into slavery and religious persecution, sparking rebellion. Joining the rebels could land Rick on a prison ship, in slave-irons — or atop the same gallows where he watched his father hang. 

The alternative looks no brighter. The status quo imperils Rick’s hard-won self-respect. Supporting tyranny would doom his dream to emulate the valiant swordswoman who braved a den of monsters to rescue the lonely, terrified nine-year-old boy he once was.

Rick can’t stay above the fray forever. He must either defend a government whose actions disgust him — or risk everything he has to chase justice.

This story unfolds in a world of bloodthirsty pirates, brave musketeers, and vile monsters. Its target audience is anyone who has ever wrestled with questions of whether, and how, to risk opposing the actions of their country

Review:
I’ve had this book on my to-read list for a long time and was finally able to get around to reading it. I’m glad I did. I kind of fell a little in love with Rick Rivoire. I’m a sucker for an honourable man. I admit it, and Rick just tries so darned hard to be just and fair in his actions. He may resent the hell out of his mother, but she obviously raised him right. Though, how is a bit of a mystery. He is a lad though. He and his friends tease each other mercilessly, often at the expense of any female (whore or otherwise) in the vicinity. But then to pretend a 25-year-old soldier, alone among is fellow cavalrymen would be anything else would risk a singular lack of realism. Lets face it, not dying, food, drink and women almost certainly feature highly in the bunkhouse of any army anywhere in this world or the next. Plus, the camaraderie between him and his cadre (especially Kristoph) is just plain funny.

The book throws you right into the action and it can be a little discombobulating. There is a glossary and some explanatory information (geography, government, pantheon, etc) at the end and I would recommend reading this first. I did not do this, but would probably have been better off if I had. There is a lot to this world…I think 12 different gods/goddesses, each with a complex religious faction of their own, two nations (not including the elves), a full aristocracy, and then all of the military ranks. Then there is the currency, geography, spell casting, and monsters. Phew, it’s a lot to keep up with. I imagine this is going to be a long series. It just doesn’t seem like it would be worth setting all of it up unless it is.

There are a number of flashbacks in the beginning, addressing pivotal points in Rick’s childhood. This goes a long way toward explaining the man he becomes, but it also made the beginning of the book feel choppy. I spent a lot of time trying to catch up. 4 or 5 chapters in they taper off and the story takes on a more linear gate and reads a lot more smoothly. The writing itself has a fairly distinct cadence. There were times it felt forced, but in the end I decided that it would more accurate to say that it was used to create atmosphere. So, even if a sentence appeared a little convoluted it matched the character.

Rick spends A LOT of time in battle. The body’s ability to be resurrected multiple times and for spell casters to heal soldiers on the battlefield means he and his unit are able to be stabbed, slashed, burnt, shot and beaten over and over and over again. And they are. It’s not that it is horrendously graphic. The book isn’t, but he is a soldier during war time. The Raingun basically progress from one battle to another. This movement from field to field, enemy to enemy is actually what moved the book along. With each new altercation comes a little more information about what is happening politically in the country and another hint about what might be happening to/for/around Rick. A lot of this mystery isn’t cleared up by the end of the book. That there is civil unrest on the horizon is pretty clear, as are the reasons and players but what part Rick is to play, and he is obviously going to play a part, isn’t.

Raingun makes for an interesting contribution to the fantasy genre…I would have read it just so I could keep referring to Military Mages. It’s fun to say. I have the sequel, Resolution, which I plan to read too.


resolutionDescription from Goodreads:
Rick Rivoire used to love the army.

But now he and three other Rainguns are assigned to guard a Duke’s mining camp. The cruelty of the Baron against the workers is sickening. Rick’s long dreamed of rebellion. Perhaps now is the time!

However, Rick finds he can sometimes influence the Baron toward leniency. Is rebellion truly the best course against an authority that listens to reason?

Then the camp is attacked by Lucan, an ambitious necromancer eager to turn the defenseless slaves into undead minions. Rick’s duty commands him to delay the chaos of rebellion, until he sees Lucan crushed.

Rick must aid other forces come to fight Lucan: kind but brutish ogres, led by humans in war paint with tomahawks. How can he gain their trust?

In a town under siege, he meets the endearing Anya. Is she as innocent as she appears? Or is she a dangerous pawn?

Review:

Resolution finds Rick and his friends (though mostly Rick) defending a mine and the slaves who work it from the ever-increasing number of undead. I think that fans of the TV show The Walking Dead would love this book. It’s essentially a zombie story, though not touted as such.

Like in the first book Rick tries very hard to maintain his ethical and moral certitude in the face of increasingly questionable circumstances. He is confronted with a Baron who both perpetrates incredible cruelties and surprising acts of caring. He is a grey character. He firmly believes himself to be doing right, while others (Rick among them) are disgusted by his harsh punishments and befuddled by his occasional heroism. Rick is also forced to examine the actions of his own culture/government, questioning his willingness to continue to support decisions that he finds morally reprehensible. Slavery is becoming more widespread and permanent; dying no longer frees one of the subservience to a master. Certain religions are being suppressed and outlawed and all the while the followers of the gods of darkness seem to being growing more prevalent if not powerful. Oh and they seem to have it out for Rick in particular.

What I like about Rick is his introspection. He regularly examines his own thoughts and actions. Though not always pleased with what he finds, he isn’t afraid to see himself for what he is. I did miss his friends though. In theory they were assigned to the camp with him, but they play a very small part in the book.

There are a few unexplained aspects to the book. For example, apparently counting plays some part in the use of the Raingun’s magic. I noticed this mentioned in the first book too, but there never is any real explanation of why it is necessary. Magic also has to be replenished, but I never firmly understood how or why. It’s not that I can’t simply suspend enough disbelief to just accept these facts. This is a book of fantasy after all. But so much of the world is so meticulously laid out those aspects that aren’t stand out.

Also like the first book this one ends with mystery still afoot, mostly those which involve Rick. There were more hints that there is more going on around him than he realises, but still no resolution. As I sit here deciding whether or not to race out and get book three I can’t help but wonder how far into the series I’ll have to go before I start to get those answers. I wouldn’t really consider this too grievous an issue except that there aren’t yet anymore than three books, so I would be left waiting. hmmm

Book Review of Ryan Attard’s First Born

Author, Ryan Attard, sent me an ARC of First Born for review.

Description from Goodreads:
Meet Erik Ashendale, wizard. He solves all kinds of problems of a magical and freaky nature. Especially when it comes to hunting down the supernatural. So when he and his talking cat are asked to protect a girl who’s being chased by a big-time demon, they can hardly refuse, especially when the rent’s due.

Once the fight takes shape, Erik and the rest of his unlikely companions have to pit themselves against the elemental forces of good and evil: angels, demons, a Japanese monster, 1/7 of the Deadly Sins, talking pets . . . and even a morally ambiguous twin sister gets thrown into the mix. In order to stay alive, Erik must deal with his terrible past and the secrets of his family. And he must never forget the most important rule of his twisted world: Nothing is ever what it seems.

Review:

I was caught off guard by the beginning of First Born. It is told in past tense first person and recounts quite a lot of action right off the bat. It honestly felt a little bit like someone’s role-playing narration. There was just too much and this led to a bit of a WTF moment. But as I read on the voice became really distinctive. It reminded me a lot of the Guy Noir segments of A Prairie Home Companion on NPR. Do you know those?

In the skits Guy Noir is a private detective who recounts the events of his cases, some of them quite eyebrow raising, in an often placid tone. I sensed that here too. Erik blithely relates feats of his own death defying skill,  strength and bravery as if they are little more than humdrum. It led to bit of a Lake Wobegone Effect. (This is the impression that everything about a person or place is superior to the average, even if it isn’t really.) 

It all seemed a little unreal, and not just because it was magic and all.  It felt like that kid we all knew in high school. The one who exaggerated everything. If he saw the lead cheerleader adjusting her pantyhose he would brag to his friends that he saw her naked. He knew that his friends knew that he was full of shit, but he also knew that they would let him get away with it because they were in on the joke, him. 

Here is an example from page 22.

“Hey, ugly,” I said. My voice was calm but every word oozed ethereal power as if I were possessed by the spirit of an arcane deity.

Taken on its own this just feels horridly over written. I mean who says this about themselves? Such descriptions are generally reserved for third person narrators because they can avoid sounding too smug. This leave Erik feeling like a puffed up egoist. That’s before we even consider that in the midst of a life and death battle the character was unlikely to really have been paying attention to the tone of his own voice in order to know what it sounded like and make the future comparison. This only further undermines the credibility of the statement.

But as I read the book more as a magical noir narrative like Guy Noir’s, with the genre’s known tendency to exaggerate events and flounce language, it put the narrative in context and made me laugh. I could see the humour in it, and there is plenty of humour. If you read the above passage with the assumption that the character might be purposely over-exaggerating it takes on a whole new feel. Suddenly you have to wonder if some of the effect isn’t intended to divert the reader from looking too closely at him as a person by distracting you with superfluous language. Which is something only a first person narrator, aware of himself, the grçavity of his actions, and the light it might paint him in would seek to do. 

As the book progressed Erik also had a self-deprecating habit, such as referring to himself as the ‘only wizard stupid enough to…” or readily referring to himself as brawn and not brains. This went a long way toward humanising him and countering the praise me I just saved the world effect that the first person narrations of heroic events created. It also helped that as the plot established itself the lengthy and largely unintended descriptions of his own awesomeness became less frequent. 

The story is really interesting and after the first couple of chapters Erik and his familiar are really likeable characters. They are witty and sarcastic, often throwing scathing one-liners at each other to dissipate tension. There are any number of laugh out loud moments. Erik is also dedicated to helping those unable to help themselves. You have to appreciate that. 

I suspect that there are going to be a lot of books in this series, probably seven if I had my guess. So there is plenty of time for the plot to progress and characters to carve their own niche. This one took a couple of chapters to settle, but rolled along nicely after that.

Book Review of Elaine Corvidae’s The Sorceress’s Orc

I grabbed Elaine Corvidae‘s The Sorceress’s Orc off of the KDP free list. I’m so glad I did.

Description from Goodreads:

Giavolo: proudest of the city-states and home to the great university, where the Magical Sciences are taught alongside more mundane studies. The city has been at war for longer than any of its inhabitants have been alive.

Giavolo: proudest of the city-states and home to the great university, where the Magical Sciences are taught alongside more mundane studies. The city has been at war for longer than any of its inhabitants have been alive.

Vervain: Mistress of the Magical Sciences, she is dismayed to find herself assigned a bodyguard after divination reveals an ill-defined threat to the university’s teachers. Even worse, the bodyguard is an orc.

Riyu: Vervain’s orc bodyguard is determined to save her life—if she’ll let him.

Brighthand: When this sinister figure attacks the university and kidnaps Vervain’s partner, it’s up to Vervain and Riyu to get him back…or die in the attempt.

Review:

This is the first book by Elaine Corvidae that I have ever read. I am definitely a new fan. I loved, loved, loved this story. It’s not often that I all out rave about a book, but this one deserves all of the praise I can lavish on it. Vervain was a sharp tonged professor of the Magical sciences with a razor wit and a scathing attitude. I loved her. She let off some zingers that kept me laughing. She reminds me of what I imagine Minerva McGonagall would be like if she never got flustered and got frustrated enough to speak her mind. Vervain had that same kind of dedicated academic spinster feel to her. But she never held back, not in her words, deeds, or feelings. She spoke her mind, did what she felt was right, and followed her heart at all costs. How could I not love her?

Then there was Riyu…SWOON! I never would have expected myself to fall in love with an orc, but I just couldn’t help it. He was marvellous, calm, loyal, dedicated, built (if a little green and tusky), gentle and soft-spoken, despite his capacity for violence and accepting of his situation. My heart broke for him a little when he related himself to the male in the tale of the Storm Witch. The interaction between him and Vervain was priceless. Corvidae really managed to provide a lot of information about his mood or true feelings through subtle hints such as the position of his ears and such. It made him feel very expressive, even if he didn’t actually say much.

There were a few areas that I would have like explored a bit more. What happened to Cardamom or was there an significance to the earrings Riyu wore,  for example? It makes me wish for a continuation of the story. But really I’m thrilled that it is a stand alone book. Everything I read lately seems to be part of a series. It is refreshing to finish a book and story at the same page. I will DEFINITELY be checking out more books by this author.