Tag Archives: PNR

A not-review of DragonMark, by Sherrilyn Kenyon

I don’t usually review book that I don’t finish here on the blog. In the five years I’ve kept it, I don’t think I ever have. I post a note on Goodreads for myself and move on. But I have to have a little rant on about this one. Partly because I’m enraged and partly out of pure WTF confusion.

Let me start by saying how much I hate (with a passion I’m not sure words alone can convey) coming across books like this. (And I’ve complained about this before). It’s book number 25 in one series, 10 in another, 5 in yet a third, 41 in another and the first in Dragon-Hunter: Dragon Rising. Apparently all these series intertwine. But can I read it as the first in ANY series, as that number 1 suggests? Or do I need to have read the others. What exactly, as a new Sherrilyn Kenyon reader, should I base that assessment on? Your guess is as good as mine. I picked the audio book up at the library and, despite serious misgivings, thought I’d give it a try.

For the first half the book I was fine. I could feel that there was history I was missing. Characters probably had their own books, but I was able to follow the hero and heroine’s story. I had complaints, such as how fast it all moved and how magic with no defined limits side-stepped so many problems in too easy manner, but it was a readable PNR. And I appreciated that the heroine was a larger lady. Plus, it was funny at times.

Then I reached disk 5, roughly the middle of the book. (There are 8 disks total.) Suddenly, and I do mean suddenly, despite having fallen in love in a day, ten years passed and then in a page or two the heroine was dead and centuries had passed for the hero. The story picks up with two totally new people. The original hero becomes a side character in their story and everything moves along as if the train hadn’t literally just changed tracks. I stopped the player to make sure a disk from another book didn’t get mixed in! It’s that abrupt and incongruent.

Logic would suggest that the new characters are the characters from whichever series has Cade and Joe in it and the two timelines are crossing. (As and aside, at least I can pronounce their names, unlike Illarion and his love, whose name I don’t remember and apparently isn’t considered important enough to even include in the blurb of her own book.) And I would guess that at some point it’s all going to wrap back around such that Illarion can bring unnamed love back to life, or whatever. But I can’t bring myself to listen to hours of story about people I literally don’t know, because they literally just appeared with no introduction or explanation, before getting to it. (And that’s assuming I’m right about what happens.)

So, to answer the initial question of can a book with multiple series listed be read alone, even if its called number one in one of those series, no. Half this book can be read as a first book in a series, but half is apparently the continuation of another’s story and can’t be read without all those previous books from multiple other series. That is my take away. I gave up. I didn’t finish disk five and I won’t be finishing the book. I’m left reeling and confused. What the hell just happened.

I can almost imagine the narrator, who did a fine job, calling up the publisher and asking, “Hey, just checking, but you didn’t happen to mix up your manuscripts did you? I’m just making sure you didn’t send me two? Again, just checking.”

What’s worse, in reading the reviews of other readers, this seems to just be rehashing other books in the other series (whichever it is). My advice is don’t bother. I’m going to stick to my initial instinct and steer very clear of Sherrilyn Kenyon’s books in the future. The foul taste left in my mouth from this one is that strong.

keystone

Book Review of Keystone (Crossbreed #1), by Dannika Dark

I borrowed an audio copy of Dannika Dark‘s Keystone through Hoopla.

Description from Goodreads:

Raven Black hunts evildoers for fun, but her vigilante justice isn’t the only reason she’s hiding from the law. Half Vampire, half Mage, she’s spent years living as a rogue to stay alive. When a Russian Shifter offers her a job in his covert organization hunting outlaws, dignity and a respectable career are finally within her grasp. The catch? Her new partner is Christian Poe – a smug, handsome Vampire whom she’d rather stake than go on a stakeout with.

They’re hot on the trail of a human killer who will stop at nothing to get what he wants. One misstep during her probationary period could jeopardize Raven’s chance at redemption, and her partner would love nothing more than to see her fail. Will Raven find the courage to succeed, or will she give in to her dark nature?

Review:

This pretty seriously didn’t work for me. I thought the mechanical writing was fine, but I thought Raven didn’t live up to her hype. She’s said to be some special killer, but she doesn’t win a single on-page fight, has to be rescued repeatedly, and even says she can’t fight well. How did she kill so many bad guys? She flirted and tempted them into alleys and bathrooms to surprise them with her crossbreed status. Really? That’s it? No thank you. 

Additionally, Raven ran off and had more than one too-stupid-to-live and I thought the main male character was just a jerk. All of his sexual innuendo got old and felt like the author trying too hard to be clever. Crossbreeds aren’t supposed to exist and how she does is never addressed. And I didn’t really believe people would put the trust in her the way they did. 

All in all, I didn’t like it all that much. What’s more, I thought Nicole Poole’s narration was inconsistent. The actual narrative parts were fine, but the accents sometimes made me cringe.

Book Review of Angel’s Blood and Archangel’s Kiss, by Nalini Singh

I borrowed audio copies of book one and two of Nalini Singh‘s Guild Hunter series (Angel’s Blood and Archangel’s Kiss) through Hoopla and my local library.

Description through Goodreads:

Vampire hunter Elena Deveraux is hired by the dangerously beautiful Archangel Raphael. But this time, it’s not a wayward vamp she has to track. It’s an archangel gone bad.

The job will put Elena in the midst of a killing spree like no other—and pull her to the razor’s edge of passion. Even if the hunt doesn’t destroy her, succumbing to Raphael’s seductive touch just may. For when archangels play, mortals break.

Review:

This is a hard book to rate because though it was OK, it’s basically 10 years old and we readers demand a lot more out of our PNR now than we did 10 years ago, especially from the hero. And some of my biggest complaints about this book are things that I think authors do better about now (the publishing industry allows them to do better about). It’s a little impolite to judge a book written a decade ago by the standards of today, but my enjoyment was definitely effected by them. Hmmm….

So, the good. I liked Elena. She was a professional, good at what she did and strong without being a consistently rude (so many times authors try and write a strong woman an just write and angry bitch). I think the lore of the angels and vampires was an interesting one. All in all, I like the idea of the book and the narrator, Justine Eyre, did a fine job. 

The bad. There isn’t any romance. I saw lust between these two characters and I understood it, no problem. But they didn’t even seem to like each other, let alone love. And the power divide between the two was too gaping to be crossed, IMO. I couldn’t see that Elena could or would ever be an equal in the relationship. What’s more, the sex was the sort that’s hot, but reads as if female bodies are made of steel and have to be jackhammered into. I cringed. 

The really bad. I cannot even count how many times I have written reviews in which I point out that the single other significant female in the book, other than the main character, is the jealous woman who uses her sexuality as a weapon and tries to steal a man. This plot device is so common that (though I couldn’t have articulated it) I mimicked it in writing in my very first attempt to write a story at age 10. Of course, I didn’t understand sexuality then, but the character I wrote had all the trademarks of the angry, jealous, vixen that can’t be trusted. Can we maybe stop feeding women the idea that other women can’t be trusted? I’m SO sick of seeing this in books. 

I’ll try book two. But if it’s not an improvement on this first book, I won’t read more. I imagine by 2009 standards it was a fine book, but by those of 2019 not so much.

Description from Goodreads:

Vampire hunter Elena Deveraux wakes from a year-long coma to find herself changed—an angel with wings the colors of midnight and dawn—but her fragile body needs time to heal before she can take flight. Her lover, the stunningly dangerous archangel, Raphael, is used to being in control—especially when it comes to the woman he considers his own. But Elena has never done well with authority.

They’ve barely begun to understand each other when Raphael receives an invitation to a ball from the archangel, Lijuan. To refuse would be a sign of fatal weakness, so Raphael must ready Elena for the flight to Beijing—and to the nightmare that awaits them there. Ancient and without conscience, Lijuan holds a power that lies with the dead. And she has organized the most perfect and most vicious of welcomes for Elena.

Review:

Oh look, the requisite book where the hero takes the heroine and buys her a pretty dress. The cliches just keep coming. The book also continues the evil woman trend. There are three significant females, other than the heroine and her best friend—who are of course perfect (and I wouldn’t consider the friend significant)—and they are all evil. Every one. 

The plot was pretty obvious, both what would happen and who the villain(s) would be. It was tedious. I also just plain got tired of every man Elena spoke to hitting on her, even as they told her they’d happily kill her. Between all the innuendo with the other angels and vampires and the sex with Raphael I bored quickly. 

It’s a shame. I like the idea of this series, but I’m not interested in reading anymore of it. I basically couldn’t get done with this one fast enough, so I could walk away.