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Book Review: Wicked Creation, by A. Vrana

I picked up a copy of A. Vrana’s Wicked Creation as an Amazon freebie, probably during a Stuff Your Kindle event. (Side note: Does anyone know if A. Vrana and A.J. Vrana are the same person?)

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Doctor Leilani Kāne is no stranger to death. Earth became uninhabitable many decades ago and now the human race is living on Mars, fighting to keep from going extinct. In a last-ditch effort to find a new planet to call home, she is assigned to a station on one they call Cerebrius 207. However, this new planet is deadlier than any she’s ever seen before. In the four years she’s been there she’s lost hundreds of lives, but her superiors won’t listen to reason and give up on a planet that seems insistent on killing them. With dwindling resources and a sickness plaguing the humans from an indigenous plant, she has no choice but to continue to save the lives she can.

That is, until one fateful night …

When she goes to investigate a mysterious sound coming from the clinic, there’s nothing there except some footprints that don’t look human. Next thing she knows, she’s somewhere she doesn’t recognize and thrown into a confusing world of aliens she never knew existed. Faced with the idea of being true mates to not just one, but four of them, she has to decide whether to go back to her human life, or stay and learn to live among strangers with new rules she doesn’t ever plan to obey.

my review

Look, I didn’t hate it. I appreciate a 35-year-old, non-virgin who likes sex, military educated, doctor, theoretically POC, curvy heroine (though neither are very well established and not at all incorporated). I liked the way the men/beasts were very caring, perfectly willing to say lovely, loving things. Plus, the subversion of the “mine” trope, where the men say they belong to her, not that she belongs to them, made me happy. But I definitely had issues with it.

Some of those issues are of the ‘this is problematic’ sort, such as the fact that there are basically no other women in the book. There is a single human friend who appears briefly (thus, I expect she’ll be the heroine in the next book); otherwise, the heroine is the only female in the entire 400+ page book. Or the whole noble-savage-y, Native American-like representation of the aliens. Hmmm, kinda icky.

Mostly they are of the annoying deus ex machina variety, where the heroine gains almost limitless power and then defeats aliens —bigger, more knowledgeable, better trained, and more powerfully socially positioned than herself—with ease. Suuuure, I believe that. Or the way she only encounters five males, each of whom falls for her instantly (one is dispatched). But then that whole plotline is dropped, and the reader never knows whether she magically meets her mates first or whether the humans really do entrap every male they encounter. It’s sloppy wicked creation photoplotting. In fact, I think a lot of it is sloppy plotting. Very author-insert-y.

And yes, I do realize that the sex really is the point here. World-building is just the frame that the sex is hung on, and the plot is mere garnish. But that didn’t make it any less annoying, especially since the book is so unnecessarily long —far longer than what feels like the genre standard. All in all, I call this a middle-of-the-road read. I didn’t hate it, but I was kinda meh about it.


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Audiobook Review: The Shadow Queen, by Sloane Murphy

Quite some time ago, I received an audio code for a copy of Sloane Murphy‘s The Shadow Queen (narrated by Jeannie Sheneman). Unfortunately, I started a university program shortly after that and ended up with very little time to listen to audiobooks. So, it’s been sitting in the cloud since then. I finally got to listen to it.

the shadow queen audio cover

Once upon a time, there was a princess who lived amongst the shadows and monsters…

Pampered and coddled, Morganna didn’t know any different, until her father took the person who mattered most away from her.

The brutal lesson taught her the truth. Nothing in her world is given. If you want it, you have to take it.

What she wants now is revenge and she will take the thing that matters most to her father.

She will claim The Shadow Realm… and it will be hers.

my review

Meh, I thought this was mediocre, but it basically skirts by as fine. I have no desire to continue the series, but I didn’t dislike the book enough to DNF. So…I guess it is what it is. It felt like it was written with a lot of tropes, but not much of an apparent plot until right at the end.

The reader barely gets to know anyone. The character descriptions are very shallow. This is made worse by the fact that just about the time you get used to one mate, he gets left behind while the FMC goes off with the next. It felt abrupt and a bit like a betrayal. And I did not find the pseudo-noncon humiliation kink/trope to be a positive replacement. I could have done without that entirely. I suppose that leaves room for character development and growth on the part of mate number two. But since I won’t be around for it, the whole thing just left a bitter taste.

I found the descriptions of the FMC really inconsistent. She’ll threaten to kick someone’s ass, but she’s so weak and untrained. She talks like such a badass, but she’s so sheltered and untried. She’s so powerful, but completely unaware of what she’s capable of, and is chronically underestimated. She’s a princess, but not like other royals or girls. (She actually uses the phrase “I’m not like other girls” about herself, even.) This last one begs the question: if she’s raised in the same environment as everyone else, how did she and her brother miraculously turn out to be different?

Lastly, let’s talk about the “Fucks.” Look, I curse like a sailor and fully understand that a well-placed “fuck” can be very effective. So, I am not being prudish when I say this. But the word is the shadow queen photoused far, far, far too frequently in this book. It is so often unnecessary in the sentence that it clutters the dialogue, and, worse, makes all the characters sound the same because they all sprinkle it liberally in their speech in precisely the same way. Eventually, it just started to grate on my nerves.

Look, I’m not saying this was a bad book. It’s readable, and the narrator did a fine job. But I am saying it didn’t do anything for me. I just got to the end and was annoyed with it.


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Audiobook Review: Bloodthirsty, by Cassandra Featherstone

I’m fairly sure I picked up an audio copy of Cassandra Featherstone‘s Bloodthirsty in a freebie event.

bloodthirsty audio cover

“Forgive me.”

Those were Professor Arnaud’s final words before I sliced through his neck. His was the first head I took, but it wouldn’t be the last.

Severing my connections to l’Academie d’Invisible was harder, but eventually, I escaped and built a reputation of my own.

Infamy suits me, and the harsh lessons of my childhood have served me well. I’m untouchable, undetectable, and untraceable. My targets are dead from the moment my name is whispered.

I am the Guillotine, and I work alone.

That is, until five criminals from my past reappear like unwanted phantoms, and I’m forced to choose between my targets and my vengeance.

Either way, heads will roll.

my review

This was, at best, ok. The writing seems readable (as best I can tell in an audiobook), and the narrators did a fine job. But, lord, was I bored, and the book is just the same thing over and over and over again. The FMC, Remy, tells us how awesome she is, what disguise she’s using, and something about her past at l’Academie d’Invisible. The book then cuts to one of the MMC who will tell us how his and his brothers’ trauma from losing her is destroying them before cutting back to her, a new disguise, etc. There are five men. They all do this. It’s agonizingly repetitive. Add to that the author’s tendency to forget injuries such as the FMC appears to heal at supernaturial speeds, and the fact that this is a slow-burn. So, ultimately, there’s no real payoff at the end. Plus, there’s a disconnect between what’s in the blurb and what Remy says in the book.

Also, as a side note. I know one doesn’t read this sort of book for the feminism. But I found it bloodthirsty photoseriously irritating to have the men written to give lip service to it, commenting on equal opportunity, and women’s capabilities, etc. But then, the author uses the same misogynistic tropes of reducing women to disposable “pussy,” etc. This is super common in the genre. I get that, annoying as it is, once you become aware of it. But it played worse than usual to have male characters who are theoretically mindful but also enact the same old misogynistic games. I wanted to be like, ‘Choose a lane.’


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Review: Book: Bloodthirsty- Cassandra Featherstone