Monthly Archives: April 2014

Book Review of the Royce Ree Omnibus (The Emperor’s New Clothes), by Aldous Mercer

Royce Ree OmnibusI picked up Aldous Mercer‘s Royce Ree Omnibus after I saw it recommended in a Goodreads thread I was watching in a semi-stalkerish way…you know, reading all the posts while only being marginally involved myself. Since picking a book to read from the thousands I own can sometimes take me hours, I decided to just forgo the search, buy this one and read it. Done. Annoying decision-making process completely sidestepped. Score!

Description from Goodreads:
Imperial Agent Royce Ree needs to pull off the biggest heist the Universe has ever seen, or it’s bye-bye cushy government job, hello cleaning toilets in a dive-bar on Baga-V. 

To succeed, he will need help from the last person he’d ever ask: his ex.

Review:
I just plain had a blast reading this. I thought that Royce and Les were wonderful characters, their interactions were a pleasure and their poorly concealed feelings for one another marvellous. There was a lot of humor and the whole thing just had a sweet feel to it. The writing was crisp and compelling, the dialogue believable, the world-building just solid enough to give the reader a clear picture without bogging down the story, and the wit often subtle but readily apparent. Plus, there were psychic pets, zombie fashionistas, super spies, naked royalty, secret missions, soul searing love and one spunky rebellious princess. What more could I ask for?

Now, the book wasn’t faultless. There were some minor editing issues, changes in tense and person (3rd to 1st) and occasionally I wasn’t entirely clear what happened in a scene or what a particular technology actually did, but it really wasn’t all that often or noticeable. I’ll also admit that if I had been reading the individual instalments, instead of an omnibus (that read as smoothly as any other book I’ve encountered) I’d probably have been scratching my head about why it’s broken up. But I wasn’t, so I’m pretending it originated as a single text and moving on.

Lastly, I’m not a huge fan of the explain-it-all-in-a-big-historical-reveal-at-the-end technique. Here I thought some of it felt a little too convenient, some of it felt unrealistic (characters who knew each-other all pretended they didn’t without the reader knowing why, for example) and some aspects weren’t clearly explained. An example of the latter was the ‘only if he asks you’ scenario. This was accomplished, ostensibly arranged by Royce, but it was never shown how he managed to manipulate events and people to bring it about. (I realise that only makes sense to people who have read the book, for the rest of you it’s just an example to show that there is an example.)

None of these issues severely detracted from my basic enjoyment of the book though. As a ‘buy on a whim, even though I have tons I should read first’ book I deem it a complete success. I look forward to the continuation of the series and will be looking for more of Mercer’s writing.

Hunting in Hell

Book Review of Hunting in Hell (De La Roca Chronicles, #1 & 2), by Maria Violante

Hunting in HellQuite some time ago, I picked up Maria Violante‘s Hunting in Hell from the Amazon free list. It’s a compilation of the first two books in the De La Roca Chronicles.  I don’t think it’s available anymore, but I notice that the first book is free.

Description from Goodreads:

PART ONE: HUNTING THE FIVE 

It’s a side of the southwest never glimpsed by mortal man – a heartless, barren outback riddled with ruthless demons. In its ignorance, humanity is powerless to stop these escapees from Hell and the havoc they create with their dark magic. Good thing De la Roca isn’t human. A gunslinger with no memories of her previous life, she has fought for the last three hundred years on the forefront of a supernatural war, relying only on her wits, her reflexes, and her own demonic powers – all to pay for her own release from Hell. The Angels wouldn’t send her in alone and unarmed, though; Alsvior, her gifted – if contrary – steed, and Bluot, a legendary revolver with an unquenchable blood-lust, have been with her every step of the way – alone with a series of terrible nightmares that might hold the keys to her past. Then, an Angel appears with a bargain that seems to good to be true – five final targets, and she is free from her penance. Quickly, she discovers that her old methods are not up to the task, and she’s forced to team up with a mysterious gatekeeper and another mercenary – both of which need her for their own plans. With time running out, she has to figure out who to trust and who to kill, and fast, before she’s demon-food. 

PART TWO: HONOR IN HELL 

Can anyone be trusted? Betrayed by both Laufeyson and the Mademoiselle, and sent on a quest by an angel that might actually be her enemy, the demon mercenary De la Roca bolts into Hell with murder in her heart. Her simple mission for revenge quickly spirals out of control. Between the Consortium of power-hungry angels, the serpentine Oracle, a strangely absent God, and the knowledge that her mount just happens to be a man under a curse, just about everyone around her has a secret – and most of them are trying to get her killed. Unless, of course, she can kill them first.

Hunting the FIveReview of Hunting the Five:
I’ll give this a tentative two stars (on a 5 star scale). I hate to do it, because in some ways I was really enjoying Hunting the Five. I say, ‘was enjoying’ instead of ‘enjoyed’ because it just ends in the middle, with no conclusion or wrap up. I was still enjoying the read and waiting for the whole thing to finally make sense…then nothing. Actually, having just typed that I can feel myself getting more irked and wanting to drop that rating to a one star. I hate books that do this (especially in serial novellas that could just as easily have been a single novel).

I won’t even call it a cliffhanger, it isn’t. A cliffhanger infers some aspect of a story ends even if some threads are open still. That isn’t the case here. It just ends. This is literally the first 18 chapters of one story. Why on Earth would I want just the first 18 chapters of a story and not the rest? Anyone? No? Yea, I’m at a loss too. Pissed off reader right here.

But as I said, despite being confused, I was enjoying the book. I liked De La Roca. I liked her horse. I liked what I think her mission was going to be. I think I was going to like the book once the pieces came together. You’ve read books like that, haven’t you? Books that made little sense, but if you stuck with them suddenly gelled together masterfully, providing the reader a gratifying Ah-Ha moment. That’s what I was expecting here. I was working toward it in eager anticipation. So even though I read some of the fight scenes (such as the one with Munnin) and didn’t really know what the hell happened (it was really brief and hardly sketched out), was a little iffy on the world (I initially thought it was the wild west, then microwaves and cars were thrown in, so guess not) and never figured out what the Mademoiselle and Laufeyson’s betrayals were supposed to be, I was still looking forward to each next chapter in the hopes that it would be the one to pull it all together. But no.

The writing itself is pretty good. Based on just the writing this deserves far more than two stars. But everything is kept shallow. At no point did I feel the author had provided me a solid…well, a solid anything. Everything was just hinted at. In fact, my initial thought was that the chapters felt like separate vignettes instead of a smoothly flowing piece of writing. This left everything and everyone feeling disjointed and jerky. It also left a lot of moments in which I reached the end of a section and only vaguely understood what had just transpired.

Anyhow, I have part two (not book two, mind you, part two). Here’s to hoping it’s A) not another ‘cliffhanger’ B) clears up some of the confusion left from this book. C) continues the pretty prose.

Honor in HellReview of Honor in Hell:
What’s with authors writing serial novellas that don’t end? Drives me nuts. It cheats the reader out of something fundamental to the reading experience. It sure as hell doesn’t leave the reader with anything resembling a warm, happy feeling.

Anyhow, this book was less confusing than the first one. I was much more easily able to follow what was going on. It also pulled a lot of the threads that were left waving in a mysterious wind at the end of part one together, so that the reader can actually follow the plot. The writing was still really good and it’s well edited. Too bad it’s just the middle third of a book.

Sorry, I’m too busy being annoyed at having just dedicated two days to reading two novellas, without reaching any conclusion and no indication that I ever will to bother writing anything more about this book. Why would I want to invest two days to something I’ll never be able to finish? (Because there isn’t a third book and by the time there is I’ll have forgotten about what I read here…and refuse to read it out of spite and fear that even then I might not reach an ending.) It was waste of my time, no matter how engaging or well written it might be.

Review of C. J. Barry’s Unchained

UnchainedI grabbed a copy of C. J. Barry‘s Sci-fi Romance, Unchained from the Kindle free list.

Description from Goodreads:
Cidra Faulkner saw her family murdered and her people condemned for a crime they didn’t commit. Now a skilled Kin-Sha warrior, she vows to track down the true culprit and exact justice, both for her family and all the Kin-Sha. 

Intergalactic treasure hunter Grey Stone had no intention of helping Cidra until his old mentor tricked him into it. Now he’s trapped into helping the daughter of the man who brought about the downfall of his people — a woman whose very presence jeopardizes all he’s worked for. 

But honor won’t let him say no. And love won’t let him turn back.

Review: (slight spoilers)

This was an all right read…or at least I decided it was once I let go of any science fiction expectations and accepted that it’s really just a romance that happens to be set in space. It’s heavy on the sexual tension and light on…well, light on just about everything else. But it’s still an enjoyable read. Having said that, there were a number of points that really irked me.

For one, Cidra is said to be a well-trained Kin-sha practitioner (think some high level martial arts form). And though we do OCCASIONALLY see her use those skills to kick some butt, she is still very much a coddled, protected princess. The bent of the story is very much one in which the H wants to protect his h and in order to make this possible Cidra feels very fragile. As is so common in fiction, her ‘strength’ comes in the form of being willing to sacrifice herself for the good of others (in other words, her pure heart). How many times have I seen that trait in a heroine?

For another (and this is a personal pet peeve), the primary way that grey is described is as ‘primally male.’ Granted it was rephrased a few times, ‘masculine’ was used on occasion, etc. But the whole thing drove me to distraction, for a couple reasons. One, it’s a HORRIBLE way to describe a man as sexy. It infers that just by virtue of being male he is attractive to Cidra. I get that what the author is going for is that he possesses the attributes women find attractive in a man in abundance. I do get that, but it’s not actually what is said when the narrator says things along the line of:

He glided from position to position, purely, powerfully male. It called to her on a level she couldn’t explain.

Cidra gasped at his masculine power and hunger.

She pressed the length of her body to his, absorbing the fluid flow of male strength.

He was pure male muscle and strength.

What this actually does is separated the trait that is being male from the character and it alone is presented as attractive, not Grey himself. It’s dehumanising (just as it would be for women). At it’s most basic, it suggests that Cidra is attracted to a man (with no further description necessary to attract her). Is that really all we need here?

Second, if being a man is all it takes…or even extrapolating the argument out to include the appealing male attributes that calling him MALE (which how is should be said) is supposed to be relaying, Rourke or Bohr should be better candidates for Cidra’s attention. Both are bigger and more muscular…more masculine or MALE according to any circumstance in which MALENESS is enough to make someone sexy and attractive. Argg. Surely there are better adjectives out there!

For the most part, I thought that the writing was fine. There were a lot of really abrupt scene changes. The book could really do with some form of indication for this, heck even a line of asterisks would do. But I needed something to warn me, ‘hey, you’re leaving Grey and Cidra now and are gonna spend some time with Rourke and Decker.’

There were times that it was painfully predictable, however. This was mostly because the set up to some scenes was so readily apparent. Here’s an example: at one point Cidra and Grey travel to a very male-dominated planet to speak to a socially powerful man. Before Cidra even got off the ship I knew, just KNEW that at some point he (Bohr) would corner her and try to force himself on her. Not ten pages later, that’s exactly what happened.

I was further annoyed at this particular instance because it also presented an inconsistent cultural construct. Women were supposed to be severely oppressed and hold almost no rights. However, the woman Cidra meets isn’t at all cowed by her social situation as someone raised to believe herself a secondary citizen should be. Her (Sil’s) boldness didn’t fit the culture she was placed in. What’s more, there was supposed to be some sort of law empowering women whose mates weren’t faithful. Why would a über male-dominated culture that doesn’t believe in women’s rights or autonomy contradictorily provide them the legal means to castrate their husbands? Wouldn’t happen!

It was also incredibly repetitive about certain things, like Grey’s overpowering maleness. ‘Heat’ was another one. I realise these characters aren’t necessarily human, just humanoid. But Grey must run hot, ’cause his body heat seared Cidra in a hundred different ways. She felt is ‘wrap around her.’ His ‘masculine scent and body heat swept her senses.’ His ‘close proximity generating more heat than…’ ‘His big body wrapped around her, gilding her with his heat…’ She felt ‘the incredible heat of his arms.’ She could ‘feel his heat through the thin fabric…’ At one point heat even ‘roared through him like a supernova’ and he experienced ‘burning arousal.’ (I bet that’s painful.) I could go on. I stopped keeping track at about 50% and only started once I’d read enough to notice the repetition. But it’s the primary way that lust is expressed here.

It was only exacerbated by the way Grey’s virulence was highlighted by being described as barely contained (like fire?).  He came across as hardly able to control himself at all. He was always on the edge of snapping or unable to think or move on account of something he saw in/on Cidra. He even growled on occasion. He definitely came across as a bit of an ape-man and I don’t think he was supposed to.

Lastly, there’s a fairly massive coincidence at about 90% that was less than believable. It felt very contrived and convenient. It did however bring all of the characters together at last.

So, all in all, I had a lot of personal complaints. There were a lot of points that bothered me, even as I generally liked the characters themselves. But these points may not bother other people. As a piece of fluffy entertainment, it did the job. Oh, and it really is a stand-alone book. It ends!