Tag Archives: fantasy

Book Review of Laurence and the Riders, by Sloan Archer

Laurence and the RidersSloan Archer sent me an ecopy of Laurence and the Riders in exchange for an honest review. However, I believe it has since been retitles The Last Days of Ordinary.

Description from Goodreads:
When Laurence Clarke reunites with his beautiful high school crush, he never anticipates that his ordinary world will forever change. Jolene Mason has been keeping many secrets since they were teenagers, but the one Laurence never would have imagined is also the most dangerous: Jolene’s father is a leader of Paxios, an underground race of immortals with a penchant for illicit gold dust and human organs. This wouldn’t matter so much to Laurence if he hadn’t witnessed Jolene’s father commit murder. Now he’s stuck working for criminals in exchange for safety, forbidden to see Jolene on top of everything else. But Laurence doesn’t always do what he’s told, and soon finds himself in over his head, longing for the days when life was simple. . . 

Review:
This was an amusing read. It had some truly funny bits and the general idea of the plot is an interesting one. I like Laurence and could appreciate the difficulty of his position. I liked Boone and could relate to Spider and Laurence’s odd friendship.

Unfortunately, I also felt no chemistry between Laurence and Jolene, mostly because the amount of time Laurence spent with her was dwarf by what he spent with Spider and the Enders. Similarly, Laurence was meant to have a strong bond with his brother, but you never saw it. They almost never spoke to one another.

The writing itself is pretty strong. I did think some parts of the book bordered on cheesy; like the info-drop about the Paxios…cheesy. I also had a problem with weapons of pure gold. Gold is very soft. How strong could a dagger or, God forbid, a bullet of pure gold be?

On the whole, though, I like more than I didn’t and enjoyed the read.

Book Review of Afterworld (Orion Rezner Chronicles #1), by Michael James Ploof

AfterworldI downloaded a copy of Michael James Ploof‘s novel, Afterworld: The Orion Rezner Chronicles from the Amazon free list. (However, I had it mislabelled and picked it up to read thinking it was a request. Sorry requesters, I meant for this read to be one of yours.)

Description from Goodreads:
Seven years have passed since the Culling of 2033 which killed most of the world’s population. Vampires, werewolves, and demons have begun to emerge from the shadows, and they are hungry. Boston, one of the last vestiges of humanity, is protected by a spell shield created by the Wizard Council. The shield is the only thing keeping the city safe.

Having studied the Craft for two years at Harvard Witchcraft and Wizardry, Orion Rezner embarks on his final rite of passage. But his first mission outside the city walls forces him to make choices he wasn’t prepared for. Narrowly avoiding possession by an ancient demon, he learns of a plot to destroy the spell shield and expose its survivors to the horrors outside.

Suspected by the wizard council of having been compromised by the encounter, Orion is unable to convince them of the danger. With the help of his closest friends and ghostly mentor, Orion sets out on a desperate quest to thwart the demon’s plan any way he can–before it’s too late to save the city.

Review:
Ummm, it was Ok I suppose. I wasn’t all that impressed, but I didn’t hate it either. I think my issue stems from the fact that I’m not sure where the book falls genre-wise, therefore I can’t decide if my expectations were skewed or not.

This is post-apocalyptic. An orchestrated mega-virus seems to have wiped out most of the world’s population and a large chunk of the remaining humanity are stigmatised and seem to live in some Mad Max rendition of future Earth. It’s set in 2041 (or there abouts), but all the pop references are from the 1980s and 90s, making it feel contemporary even as it’s futuristic. So, Sci-fi maybe? But then there are witches, wizards and priestly mystics performing exorcisms. (Apparently there are vampires, werewolves, unicorns and so on, too, but you don’t see any.) So, fantasy or even urban fantasy maybe? Then there is the monkey named Dude and a disturbing number of fart jokes/references. Are we then in a humorous novel? The main character is at least in his mid-twenties. (He has a college degree and a 2-year apprenticeship.) But he speaks like a frat boy, slash, surfer. Seriously, it was all “wayyy,” “Hell to the yeah.” Plus the book is full of Harry Potter like magic. So, is it YA? NA? They curse, so maybe even adult? I have no idea.

So, not knowing how to categorise and therefore think about this novel is a problem. But so is the fact that it just feels very random. We catch up with Orion on the day he takes his final test to become a wizard. Then we follow him as he runs around and does a lot of essentially random stuff. In the grand scheme of the series it might all have a place, but in terms of this book, we aren’t given enough background to understand his choices and situate them in an overarching plot-line. As a result, I never felt engaged with him or cared that much about him and what was happening.

This was exacerbated by the fact that he was just so dumb. I know that in his narrative some of that apparent stupidness was self-deprecation, (and some of it’s actually pretty funny) but he did a lot of really unintelligent stuff, even when he should know better.

If I was a 16-year-old boy I might relate to Orion and like the book more than I did. The writing was fine and I don’t remember much about the editing, which means nothing stood out to me as wrong. I think this is just a case of not quite the right reader. But as I didn’t hate it either, I’ll give it a grudging “grunt of approval.”

Half-Made Girls

Book Review of Half-Made Girls (Pitchfork County #1), by Sam Witt

Half-Made GirlsI grabbed Sam Witt‘s Half-Made Girls from the Amazon free list.

Description from Goodreads:
Joe Hark’s job as the Night Marshal of Pitchfork County seems straightforward enough: Find the monsters, kill the monsters. But Joe is married to one of the most powerful witches in Pitchfork, and spends almost as much time keeping an eye on her as he does dealing with occult crimes and shadowy horrors in the rest of the county. Even his children, a little girl who plays host to a rogue’s gallery of strange spirits and a young man with a demonic secret, keep him on his toes. All Joe really wants is a simple life, a bottle of good whiskey, and a break from the horrors of his job. 

But nothing in Pitchfork County is ever simple, and the horrors just keep on coming. Someone’s hung a mutilated girl on a cross in Pitchfork’s most infamous church, dragging Joe into the most challenging case of his career. Joe’s investigation into the ritual murder leads him through the dark underbelly of the Ozarks to the doorstep of a twisted cult of meth addicts. As Joe digs deeper into the mystery, he soon finds himself the target of the murderers and must stop them before they can summon their dark god and destroy everything he holds dear.

Review:
There is a lot to appreciate about this book. In a market that is so often flooded with Marty Stus, finding an alcoholic asshole as a main character/hero is pleasant change. The man is definitely fighting on the side of good, but he is what you might call a ‘blunt tool.’ His methods are violent and heavy-handed to say the least.

In fact, it’s the accumulated resentment of these same tactics that the book is based on. Poor Joe has to learn the difference between shepherding and policing a community and it’s a hard lesson to learn.

Unfortunately, while I really liked the premise of the book and thought the characters were really interesting, I thought the book tended to drag. There is a lot of rambling exposition and just too much gratuitous gore and violence.

Now, I don’t really mind violence or gore; that’s not the reason for my complaint. I’m not even bothered by the fact that the victim (intended or collateral) of Joe’s wrath was as often a small innocent child as a meth addict or evil god. What bothered me was that it just got so darned repetitive. I got tired of reading variations of the same scene. But also, that single pony-trick didn’t allow for very much character development.

This was exasperated by the fact that the community situation that leads to the events of the book has been brewing for 20 or so years and the reader is just told it is what it is. It leaves you feeling like you’ve missed something important, like maybe a first book.

All in all, though I enjoyed the read. I’d be more than happy to pick up a sequel or another book by Witt.