Tag Archives: Indie

Book Review of Road of No Return (Sex & Mayhem #1), by K. A. Merikan

Road to No Return

I was provided an ARC of K. A. Merikan‘s Road of No Return.

Description from Goodreads:
Zak. Tattoo artist. Independent. Doesn’t do relationships.
Stitch. Outlaw biker. Deep in the closet. Doesn’t share his property.

On the day of Stitch’s divorce, lust personified enters the biker bar he’s celebrating at. Tattooed all over, pierced, confident, and hot as hellfire, Zak is the bone Stitch has waited for life to throw him. All Stitch wants is a sniff, a taste, a lick. What follows instead is gluttony of the most carnal sort, and nothing will ever be the same. Forced to hide his new love affair from the whole world, Stitch juggles family, club life, and crime, but it’s only a matter of time until it becomes too hard.

Zak moves to Lake Valley in search of peace and quiet, but when he puts his hand into the jaws of a Hound of Valhalla, life gets all but simple. In order to be with Stitch, Zak’s biker wet dream, he has to crawl right back into the closet. As heated as the relationship is, the secrets, the hiding, the violence, jealousy, and conservative attitudes in the town rub Zak in all the wrong ways. When pretending he doesn’t know what his man does becomes impossible, Zak needs to decide if life with an outlaw biker is really what he wants.

As club life and the love affair collide, all that’s left in Zak and Stitch’s life is mayhem.

Review:
When I was 18 or so, I lived with a guy. We’ll call he D., shall we? In a lot of ways, he was wonderful. He was sweet, loved to cook and equated sex with love. And while we were young and hardly tantric gods, he always strove to let me know I was appreciated. *sigh*

D. however had had a bit of an unfortunate childhood, bouncing from foster home to institution to foster home until a wonderful family adopted him as a teen. (Do you know how rare that is?) Despite therapy to address his oppositional defiant behaviours, he never developed any real coping mechanisms. NONE. As a result, disagreeing with him, even on small matters, was tantamount to a verbal attack. And any attempt to hash out larger issues or have an actual argument (which, lets face it, relationships need occasionally) would throw him into a blind rage. He’d lash out, hit and randomly destroy things. (Never me, just things.) Our apartment took more than one thrashing.

D. was scary at those times. But no matter how angry or scared I was, I wasn’t ever blind enough not to see that a good bit of his ill-timed anger was actually hurt, confusion or plain frustration that he had no other way to express. At those times, my heart always ached a little for him. Even more so when I had to face his lost, betrayed face after the anger ebbed. The puffed up gorilla melted into a wounded puppy. (Not that I ever would have told him he gave that impression.)

I say all this because, for a lot of this book, Stitch reminded me a lot of D. I recognised so many of D.’s quirks in him that it was a little frightening. (But also made him feel very real for me.) Especially the way he could do something shockingly inappropriate and not grock why I was angry. Or the way he could sometimes go from irate to conjoling almost instantly, as if I was the one who’d been upset in the first place. Or the way he would react with almost mindless violence, only to then be bewildered by the aftereffect of his own actions.

Because I loved D. for a little while I understood Stitch’s emotionalism. I don’t think I would have otherwise. My own past endeared him to me. But honestly, that grace only reaches so far. I may have understood his outbursts, but I can’t make the same claim for some of his other actions. For example, I wasn’t ever sure how Stitch made the leap from closeted, will-never-act-on-it gay to seeking out Zak between one chapter and the next.

Or that for much of the book, he came across as a little dim or at least like the kind of guy who isn’t well versed in verbally expressing himself. Then he would randomly come out with seemingly soul searing statements that were romantic, sure, but way out of character for him.

Having said all of that, if in the years since I last saw D. he has managed half the personal growth Stitch does toward the end of this book he’d be quite the catch now. It is toward the end of the book though. The vast majority of it is Stitch trying and largely failing to come to terms with his own proclivities. It’s hugely satisfying when he finally does, but I thought the book drug a bit in the middle as he came to accept himself.

This is largely because there was just too much darned sex. Yes, I did say that. It got in the way of the plot (which isn’t really all that thick to start with). Plus, every single stage of his gayness had to be addressed separately. (I don’t know how better to phrase that.) As a result, the only thing we see Stitch and Zak do is have lots and lots of sex. We’re told that they walk the dog, cook together, fix up the house, etc. but we never see any of it. We also never see any of their personality that isn’t directly related to their sexual orientation, the motorcycle club or Holly & Chrystal. So their personalities feel a little weak, as do all of the club members.

So I’m a little torn about how I feel about Road of no Return. I liked the ending. I liked Zak a lot (even if he did get a little wife-like at one point). I liked that Stitch finally came into his own and I loved his  vulnerable moments. But I didn’t like the WTF at 85% and feel the book ended with the issue unresolved. I didn’t care for the insta-lust. I also thought there was a bit of a cheesy undertone to a lot of the dialogue. In the end I could easily go either way, liking the book or feeling ambivalent about it. I didn’t dislike it. I just didn’t love it either.

Best line of the book: “Not to mention he’s most probably in a closet so deep he’s, like, in Narnia.”

forecast

Book Review of Forecast (Shakespeare Sisters 1), by Jane Tara

ForecastI downloaded Jane Tara‘s Forecast from the Amazon free list. It is still free.

Description from Goodreads:
The Shakespeare women were what the locals of Greenwich Village called “gifted.”

Sure, Rowie’s predictions were helpful for forecasting the weather or finding someone’s lost grandkid. But when it came to love, her abilities were more like a curse. Why bother dating a guy if you knew at the first kiss he was destined for some blonde from New Jersey? Nope, Rowie was much happier bringing together the people she knew were a perfect match. Until the day she kissed the man whose future she couldn’t foresee.

Review:
Well written but 100% predictable and full of far, far too many feel-goods for my taste. It’s the sort of book where the heroine is an amazing Mary Sue that everyone except the single person who has to dislike her to create enough dissonance for a plot loves her. Then, once the necessary challenge has been presented and mastered the single bitch becomes mysteriously contrite, apologises and is instantly forgiven (because there can’t be any lingering hard feelings apparently). Everyone, and I mean EVERYONE, ends up happy. (How realistic is that?) I know many people love this aspect of romantic comedy. Me? I’ve over here suffocating on all of the hearts and flowers flooding the room and blocking the oxygen from reaching my poor withered heart. 

Plus, apparently I’m not nearly as good a person as Rowie, because I wouldn’t have forgiven so easily and have a hard time relating to how she could have. Her easy forgiveness kind of felt like a betrayal to me. I also thought the need to have every single person in the book paired off in the end, thus requiring attention be paid to their bit of the story, thinned the plot (a lot). I mean that’s Rowie, her mother and grandmother, Angel, Petey, Jack, Drew, Georgette, William, Shin and Jess. That’s a pretty full list of people to find partners for and try to keep a plot tight. It didn’t really work that well. 

Again, the book is well written and I didn’t notice any editing errors. It’s also pretty darned funny. I liked a lot of the sarcastic commentary. So, it’s not a fail in general, just a fail for me. 

On a side note: The series is called the Shakespeare Sisters, but Rowies an only child. Figure that one out.

The Guy From Glamour

Book Review of The Guy From Glamour (The Guy #1), by Skylar M. Cates

The Guy fFrom Glamour

I bought a copy of Skylar M. CatesThe Guy From Glamour.

Description from Goodreads:
Anthony Carrino loves his big, gregarious Italian-American family, even if his sisters are interfering, and his dad, the local sheriff, knows everything going on in town. He’s happy as a middle school guidance counselor. Despite helping kids and their parents fix their problems, Anthony can’t manage to get his own love life right. If only everyone would stop calling him the “nice” guy. 

Dean Pierce doesn’t do relationships. A tough-minded military man, he is dedicated to his job as a Night Stalker, flying Chinook helicopters and not speaking much to anybody. He certainly doesn’t want to deal with a mess of emotions. But when tragedy strikes, Dean finds his hands full with his troubled niece, her irresistible guidance counselor, and a meddlesome family, which includes a rather large puppy.

Review:
This was an all right book, I suppose. Just, as it turns our, REALLY not my cup of tea. I’m not a big fan of the heavy ‘Awww’ moments on the best of days and The Guy From Glamour is practically a hike through the hearts and flowers garden. I can handle it a lot better in m/m romance than het, which is why I picked this up in the first place. (Plus, I expected a bit more grit from the soldier.) But in the end, there wasn’t enough other stuff to keep my interest. And lacking distracting ‘oh, I’m happy with that’ moments I was left too aware of the text for all the little annoyances to pass unnoticed.

I don’t really know how to explain my biggest one, but in general I’ve noticed that when an author writes about things they don’t know that much about (in this case combat pilots), it’s pretty obvious. Even if every word is technically accurate. They explain things that don’t need explaining. Things that someone immersed in the subject would hardly notice are made big deals of. Their characters talk about their jobs or missions in ways that don’t feel natural. Here’s an example:

We’re special Forces. We’re the most elite helicopter force in the whole damn world. We fly into enemy territory and navigate our way through it to complete search-and-rescue missions or perform high-risk air assaults.

Sure, the wikipedia page might describe the Night Stalkers that way, but I can’t even imagine an actual soldier doing so. Plus, other characters are overly aware of what a Night Stalker is and give undue accolades for it. Cates is guilty of all of the above. Maybe I’m wrong about how much she does or doesn’t actually know about the 160th Special Operations Aviation Regiment, but something about the way Dean and his position is written didn’t feel real to me.

Similarly, I spent several years working in Children’s Protective Services, dealing with the children brought into the Foster Care system. Let me just tell you, this book really should be labeled  as fantasy for how it describes the process and what it’s like.

I also had issues with writing itself. It was fairly well edited, but I thought the writing was stiff, especially in the beginning. There were lots and lots of blunt, staccato, telling sentences. Plus, everything was just sort of thrown on the table with very little finesse. Characters met and then immediately explained their entire life story and such (much of which wasn’t really needed anyway). Good for providing the reader information, not so good for feeling like realistic dialogue. The whole thing just felt kind of clumsy. You knew exactly where it was going at all times and it lurched there unfailingly. No surprises or subtlety involved. Plus, there was almost no character development. I never felt I really knew either MC and Nikki was just a shadow puppet. I was more attached tot he puppy than her.

Again, most of my complaints are personal. For readers who like guaranteed happy endings and what I call cheesy moments (but people who like them probably would call sweet scenes) this book might be a hit. I appreciated what the story was trying to accomplish. I was impressed to find that some characters with a history in the foster care system were there for neglect rather than abuse. So often, people forget that there are other, less dramatic reasons for children to be removed from their parents. I really liked that there was no strict designation of position, no exclusive top and/or bottom. I liked that one scene with Dean and Rick. There where aspects of this book I liked, but on the whole it was a fail for me.