Tag Archives: Moira Rogers

novelette clear out


I had planned to do this all in one post, but I obviously underestimated how many shorts I have. Do those things breed in the cloud, you think? Anyhow, I basically just started with the shortest and have been reading them in order of length, skipping anything that’s part of a series I have the rest of. You can go here to see those that were between 15 and 39 pages in length. I’m picking up 40-50 pages here, which technically puts us in novelette territory. I suspect I’ll need a second or third post to get them all in, so I’m breaking them up by 10s. (These are mere approximations, of course.)

As a reminder of why I’m doing this: it’s difficult to type with a broken arm, so I’m concentrating on things I can write short reviews of.

The Nog Sistersby Ian Fraser: Much better than I expected. Complete stand alone story that’s a bit like Peter Pan in that children could read it and not grasp some of the adult inferences (which were my favorite parts). I wouldn’t call it a children’s story though. Good for making readers think about the importance of perspective.

A Calling for Pleasure (Damned If You Do)by J.L. Merrow: Really cute and hot. Extra points for Rael’s tail and being a freebie, but minus for the cliched ‘scorned woman turns murderous’ schtick.

The Witch Who Made Adjustmentsby Vera Nazarian: I enjoyed it quite a bit. Tommy was delightful and I liked the witch’s calm demeanor in the face of the town people’s anger.

The High King’s Golden Tongueby Megan Derr: Cute and well-written, as has been everything I’ve read by Derr. This one was a bit sappy for me and I’d have liked a bit more development in the relationship.

Angel All Yearby Sally Clements: Meh, rushed, overly romantic, uses pointless misunderstanding as the climactic event and has odd word usage. Didn’t light my fire, not even a little bit.

Daywalker: The Beginningby Tessa Dawn: Meh, ok, I guess, if you’re into snarky heroines. I thought there was too much unnecessary background that was obviously meant for the future series and not enough meat to the story itself and I dislike sudden understanding and success with a power a character never knew they had until that moment. Not much point to reading it unless you plan on reading the rest of the series, which isn’t out. So…

A Very Sacrati Christmas… or Late Wintermas, by Kate Sherwood: Super cute. I enjoyed it every bit as much as the book (Sacrati).

The Trouble With Troubleby Kathleen Lee: It was ok, cute, but a little too heavy on the ‘been hurt before so can’t get close to another human.’ I thought dude who wouldn’t take no for an answer was a little creepy and I thought the ‘jump to worst conclusion, react without verification’ schtick was cliched. It also ended with the pre-2015 m/m romance version of a wedding proposal, which was too pat for a short story.

The Whalerby Steve Roach: Kept me interested and is a complete, stand-alone tale.

Rorie, by L.L. Loremir: Can’t say this one was a winner. Rushed, far too wordy, too much sex, and repetitive. Rorie’s name isn’t even introduced until 43% and even then authors insistence on calling him ‘the royal,’ ‘the nymphling,’ ‘the half-nymph,’ ‘the young man,’ etc was infuriating. ‘The royal’ is the worst though. The story is only 43  pages long and the word royal is used 116 times!

Mountainby Liu Cixin: Not my favorite Liu Cixin so far. Creative & science heavy, as always, but felt very much like it focused on the unimportant in the face of other, wider-scale, more important things. It did eventually culminate in an interesting epiphany for the MC though.

Something Realby Julia Alaric: A little rushed toward the end, but cute. Two awkward geek boys (one maybe a little asperger’sy) meet and find love on an international space station.

Savage Possession, by Moira Rogers: Basically just Porn With Plot, but I thought it fairly un-erotic. Too much indelicate pounding and what I consider ugly language. Plus, I thought the bondage made no sense in context and the ‘romance’ felt unsupported. I did think it interesting that they were at war with the humans. Don’t find many stories about our enemies.

Spirit Flightby Jory Strong: Literally, almost ALL sex, from start to finish. Ugly wording and I marked several passages with variations of ‘what does that even mean’ or ‘how does a XXX even do that?’ Far too much emphasis on male ownership and far too little female agency in evidence.

The Last Rebellionby Lisa Henry: I am super conflicted about this one. Marvelously written, and I’m told true to the prompt, but so much rape and torture that I just felt bad reading it. And outside of Stockholm Syndrome, I just don’t get the men’s eventual actions. But the magic of FICTION is that sometimes the last chapters can absolve the first and the book, as a whole, can simultaneously be horrifying and gratifying. By the end I was enjoying it.

Vampire Slave, by Yamila Abraham: I don’t know why I keep doing this to myself. I’ve read the beginning of several of Abraham’s stories now and I have the exact same response to all of them. I always get sucked in by the manga-like covers (this, like the others, is not manga or yaoi BTW) and enjoy the writing and characters but HATE the serialization. This is not a complete anything, not a complete story, not a complete chapter. It’s barely a start and I’m not about to pay, what ends up an exorbitant amount, to finish it. Even having said all that, this is not my favorite of their works.

Chances Are, by Lee Brazil: I quite enjoyed it and would be interested in continuing the series, though there seemed to be a lot of missing back story. I don’t really understand the whole Pulp Fiction, four overlapping series thing but I simultaneously liked seeing the characters from Wicked Solutions and Triple Threat here and am annoyed at the chaotic reading order it creates. But I liked the story.

Wicked Solutionsby Havan Fellows: I quite enjoyed it and would be interested in continuing the series, though there seemed to be a lot of missing back story. I don’t really understand the whole Pulp Fiction, four overlapping series thing but I simultaneously liked seeing the characters from Chances Are and Triple Threat here and am annoyed at the chaotic reading order it creates. But I liked the story.

Triple Threatby Laura Harner: I quite enjoyed it and would be interested in continuing the series, though there seemed to be a lot of missing back story. I don’t really understand the whole Pulp Fiction, four* overlapping series thing but I simultaneously liked seeing the characters from Chances Are and Wicked Solutions and am annoyed at the chaotic reading order it creates. But I liked the story.

*Technically this is four overlapping, five book series (20 stories + a joint conclusion) but I only have the first of 3.

Book Review of Wilder’s Mate (Bloodhounds #1), by Moira Rogers

Wilder's MateI grabbed a copy of Wilder’s Mate, by Moira Rogers from the Amazon free list. At the time of posting it was still free.

Description from Goodreads:
Wilder Harding is a bloodhound, created by the Guild to hunt down and kill vampires on America’s frontier. His enhanced abilities come with a high price: on the full moon, he becomes capable of savagery beyond telling, while the new moon brings a sexual hunger that borders on madness.

Rescuing a weapons inventor from undead kidnappers is just another assignment, though one with an added complication—keeping his hands off the man’s pretty young apprentice, who insists on tagging along. 

At odds with polite society, Satira’s only constant has been the aging weapons inventor who treats her like a daughter. She isn’t going to trust Wilder with Nathaniel’s life, not when the Guild might decide the old man isn’t worth saving. Besides, if there’s one thing she’s learned, it’s that brains are more important than brawn. 

As the search stretches far longer than Wilder planned, he finds himself fighting against time. If Satira is still at his side when the new moon comes, nothing will stop him from claiming her. Worse, she seems all too willing. If their passion unlocks the beast inside, no one will be safe. Not even the man they’re fighting to save. 

Review: (spoiler)
This story had an interesting premise and if it had another 100 pages to develop it, it might have been a good book. Everything in it happens at almost Mach speed, leaving no time for world-building, character development, back story, climbing tension, or (most importantly) believable growth of feelings and emotions.

Wilder and Satira meet. Within seconds they’re throwing insults and sexual innuendo at one another. Within half an hour they’re lusting after each-other. By the end of the afternoon they’re already progressing to suggestive touching. By the end of the next day, they’re having sex at every available moment and by the end of a week (probably less, but a few days at least) they’re madly in love and happily mated for life. At no point does the reader feel their relationship progressing. Wilder feels like he’d bed any woman available (and at the new moon, he probably would) and Satira feels like she’s out to bag herself a bloodhound to protect and care for her. But somehow we’re not supposed to see it that way, but as true lurvvve. Meh.

I have no idea how vampires came to inhabit the world, what exactly a bloodhound is, what the point of their mating frenzy at the new moon is (since it’s stated that it isn’t procreation), etc. There is no depth to the world.

I was also disgusted by the cliche use of gender roles. Bloodhounds and vampires were solely male. Vampires apparently only ‘fed’ (implying both blood and sex) on women. They enslaved men as ghouls to work for them. Women couldn’t be educated or hold careers. Thus, apparently the only purpose of females was, to use the exact words of the book, “those whose time was rented, and those who were outright owned.” I presume that included the married. And this is reinforced when the first major act of the book is for Wilder to take Satira—a smart, capable, spit-fire of a woman-to a whore house to be tarted up before they entered the badlands (i.e. the land of the male predators). Meh. No, that’s not strong enough. MEH!

I did appreciate that Satira was sexually aware and more than happy to go after what she wanted and even vocalise it. She was no shrinking, virginal violet. You don’t come across too many of those. It’s just unfortunate that she also came across as so desperate.

Even the rescue was solved with unbelievable ease. They camped out in a hotel for a few days, showing Satira off (to what point, I don’t actually know) got a lead immediately, had a quick break for 3 days of non-stop sex and then marched into town, walked through an unlocked door, for Christ’s sake, and defeated the baddie in about 15 minutes. What? Meh. The writing itself was fine, but I’ll be passing on anymore of this series, thank you very much.