Tag Archives: f/f romance

Review of Witchmark and Stormsong, by C.L. Polk

I purchased a copy of Witchmark (by C.L. Polk) some time ago but hadn’t gotten around to reading it. Then Netgalley offered a copy of the sequel, Stormsong. I accepted a copy so I could read the whole Kingston Cycle together. How could I not want to with those covers? So gorgeous.


Description of Witchmark:

In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own.

Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family’s interest or to be committed to a witches’ asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans’ hospital, Miles can’t hide what he truly is.

When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen. Description of Witchmark:In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own.

Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family’s interest or to be committed to a witches’ asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans’ hospital, Miles can’t hide what he truly is.

When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen.

Review:

I don’t know why I held onto this so long, reluctant to read it for some reason. But it was a mistake. I really enjoyed it. Admittedly, I was confused in the beginning. It took a while for the magic and political system to untangle itself enough to make sense. Once it did, however, I was hooked. Then I was outraged. Then I felt vindicated.

The world is an interesting one, with some electronic gadgets (run on aether), early cars, carriages, and complex bicycle etiquette. Men and women seemed to hold equal positions of power (and victimization). And, while not deeply explored, there appear to be several species of ‘human.’ For a small book, it packed a lot in.

I loved Miles and Turner as characters and appreciated the difficult position Grace was in. Though, I only appreciated that in the end. At the middle mark, I was wondering why Miles wouldn’t just let her die. (That would be my extended moment of outrage on his behalf.)

All in all, I’m really looking forward to reading book two.


Description of Stormsong:

Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There’s revolution in the air, and any spark could light the powder. What’s worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation, and closer to Grace’s heart.

Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?

Review:

I must admit that I didn’t love this as much as Witchmark. It was still enjoyable, mind you, but not as good IMO. The reasons being that it ended quite abruptly—with a lot still in the air (pending you don’t simply assume everything will work out as planned, nothing else has)—and I didn’t feel the romance AT ALL.

The problem with the romance was that though you know in advance who the romantic interest is (it’s in the blurb), for half the book any affections she showed Grace felt like manipulation to get a story. I didn’t believe for a moment a woman as astute as Grace would see all the touching and soft words as anything else, given their limited acquaintance and the circumstances. What’s more, when later Grace makes decisions, stating they are to be with Jess, it feels like a leap. She wants to be like Jess, her brother, and Tristan. She likes who she is with them. But that’s not the same as being in love with someone, especially since it’s not limited to one person. So, I didn’t make the connection to love, be it romantic or otherwise. All of which left me pretty cold on the romance front. I liked them both, but I didn’t feel a romance bloomed between them.

All in all, however, I’d be happy to read more in there series (if there is any) and certainly more of Polk’s writing.

fire and water

Book Review: Fire & Water (Kate Kane, Paranormal Investigator #3), by Alexis Hall

I received a copy of Fire & Water, by Alexis Hall, through Netgalley. I read and reviewed the first two books Iron & Velvet and Shadows & Dreams in 2014. My god, 2014!

Description from Goodreads:

I like my whiskey like I like my women: embroiled in a magical war

Ten years ago I fought for the Witch Queen of London in a mystical showdown against a King Arthur wannabe with a shaved head and a shotgun. Back then, the law did for him before he could do for us.

I don’t think we’ll get that lucky again.

As if the mother of all wizard battles wasn’t bad enough, fate or destiny or a god with a really messed-up sense of humor has dropped a weapon that could rewrite the universe right into the middle of London, and anybody with half a sniff of arcane power has rocked up to stake their claim on it. Last time this happened, the city went to pieces. This time, it might just go to Hell.

Also, still dating a vampire. Still got an alpha werewolf trying to get in my pants. Still sharing a flat with a woman made of animated marble—only now apparently there are two of her. But you know what they say: the more things change, the more they stay the same crap that’s been trying to kill you your entire life.

Review:

It’s been almost five years since I read the first two books in this series. So, I went into Fire & Water a little warily. I wasn’t sure I’d remember enough to follow the plot or if my memory of enjoying the earlier books was accurate. But Alexis Hall is one of my favorite authors, so I had faith. Hall catches the reader up on past events, in the beginning, carries Kate’s sardonic humor throughout and wraps everything up (while leaving an opening for more) in the end. All in all, it was another win for me.

However, I did think things just sort of happened. From the start to the finish, the book is a series of Kate did this, did that, then a small section fo Elsie did this and that, then more Kate did this before a lot of people did that. There isn’t really any pause in the series of events for any character development or even getting to know anyone if you don’t already.

Despite my one complaint, I look forward to more Kare Kane in the future. I just hope I don’t have to wait five years for this one.

Homecoming

Book Review of Homecoming by Marian Snowe & Ruby Grandin

I received and Audible code for Homecoming by Marian Snowe and Ruby Grandin.

Description from Goodreads:

Scarlett McKennon’s life in the big city is a big flop. 

Her cupcake bakery went under, her roommate at her expensive apartment left her high and dry, and her girlfriend just reacted to “I love you” with “No thanks.” Her sophisticated metropolitan dream has crumbled all around her, and the only thing left to do is pull up stakes and return to the small town where she grew up. 

What could be worse than limping home in defeat? The minute she steps off the train, Scarlett finds out: her first love, Joan, is waiting there to drive her into town, looking like the picture of sexy confidence. Joan was once a scared, self-conscious girl; now she’s come into her own as a mechanic and soccer coach, and Scarlett can’t help but wonder what might have been. 

Carrying on a secret high-school romance in a conservative town was brutal, and Joan hadn’t been able to take the pressure. She broke Scarlett’s heart in exchange for a “normal” life that was doomed from the beginning. Now that Joan’s divorced, fate keeps putting Scarlett in her path. They may have tried to forget each other, but their chemistry is still undeniable. 

Both women start to wonder if they might be right for each other after all… But is the spark they both feel enough, or will their shared past prove too painful to overcome?

Review:

Not bad, but also not a huge winner for me. I just never felt any spark between the characters. The whole thing kind of hinges on their past. But all we’re really told from the past is about Joan insisting on staying hidden and then breaking up with Scarlet. You don’t get any of the passion. Then, in the present, it’s more of the same until Joan suddenly decides to change. I understood her fears and felt angst, but no passion at all. 

None of this is helped by the writing being heavy on the exposition. We’re told almost everything and shown very little. So, there is always a distance from the characters that keeps them feeling flat…and passionless. 

The writing itself seems fine and Deuchler did a fine job with the narration. But I’d call this a solid middle-of-the-road read.

On a side note, I think this needs a much more hipster cover. The characters make fun of lesbians in flannel, after all; and one is described in retro dresses (needing victory curls) and the other wears two braids and greasy jeans, with boots. The little Mary Sue on the cover doesn’t match the vibe of the book, IMO.