Tag Archives: M/M

Things I read over Thanksgiving Break 2017

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I visited my aunt and uncle in Tennessee this Thanksgiving. That’s a six hour drive from my house, plus a four day visit and a six hour drive home. As my husband is one of those men who insists on always driving, that meant I got lots of reading time in. But while rural Tennessee is beautiful and we couldn’t have gotten better weather, the internet connection is sketchy, at best. So, I opted to save all my reviews for one post once I got home, instead of the normal one post per book.

This is that post. I’ll give each a little review below; but as you can maybe see from the books I chose, I was going for base enjoyment. St. Nacho’s was the winner of the bunch and Misbehaving  ranked bottom of the pack, closely followed by Undaunted. Leaving Jarek, Hell is Where the Heart is and Submerging Inferno lingering in the middle somewhere, neither wowing me nor leaving me cringing to admit I read them.

Undaunted, by Devin Harnois

This was one of those books in which everyone is just so darned lovely you can’t stand it. People make instant connections, earn trust in no time, love blooms easily, and EVERYONE lives happily ever after together. The writing was ok, though the dialogue didn’t feel particularly natural, at times. But the pacing felt off and I didn’t believe the relationships for a moment.

Jarek, by Celia Kyle & Erin Tate

I think you kind of have to be invested in the Mars Needs Women trope to enjoy this, it’s just so pared down. Unless you already know what to expect from the genre, you might not feel satisfied with this. Mars Needs Women is one of my guilty pleasures. I generally find them cheesy fun and this one was no different. There just isn’t a lot to it and what there is is diluted by a lot of outside drama and it felt like it might be part of a spin-off series, as there was a lot of history discussed. It wasn’t bad, but certainly wasn’t one of my favorite to use the trope.

Misbehaving, by Ava Mallory

Bad, just bad. It jumps around, the pacing is a mess and it needs an editor. But what really ruined it is that it’s literally like 95% dialogue. It’s really hard to make a novel work when it is all dialogue, and not even good dialogue. Mallory didn’t manage it.

St. Nacho’s, by Z.A. Maxfield

Slow and heavy, but good. I’ll admit that the beginning of this book left me confused, but once it found its groove I thought it really pretty. I liked that Maxfield messed with expectations in Cooper and Shawn’s relationship and Shawn was just a truly lovely character. The book did break my hear a little bit. I’d love to read Jordan’s book, which I think is #2 and Kevin’s, which I don’t think exists.

Hell is Where the Heart is, by Eden Winters

I was tempted to write this book off as absolutely ridiculous, but honestly that’s its whole point. It is ridiculous, but it laughs at itself and I found the whole think amusing in a silly sort of way.

Submerging Inferno, by Brandon Witt

Not too bad. A bit repetitive, the middle dragged a bit, I didn’t really buy Brett ‘s decisions, and it ended just about the time it got most interesting, but not bad. It has an interesting plot, two likable heroes and a diverse cast.

Book Review of Treading Water (Forgotten Soldier #1), by Jessie G.

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I received an Audible copy of Treading Water from the author, Jessie G.

Description from Goodreads:
After devoting eighteen years of his life to the US Navy, Petty Officer First Class Shane Parker is struggling with the very real possibility of becoming unnecessary. If he doesn’t make Chief Petty Officer before his twenty—and it doesn’t seem likely that he will—he’ll be retired from active service and placed on the Fleet Reserve list until his mooring lines are officially cut forever. While it would all be very honorable and ceremonial, he simply wasn’t civilian material.

Before even swearing-in, Julian Brand knew he wasn’t cut out to be a soldier, but refusing wasn’t an option. Generations of Brand man made careers in the military and the expectation of every Brand son was to follow in those prestigious footsteps. Though the prospect of being rolled back hindered his every step, he survived Battle Stations and did his time. Six years out of uniform and Julian still struggles to find familial acceptance as he fights to live life on his terms.

On the surface, they couldn’t be more different, but when Jared Ramos calls, neither are capable of refusing. If they can find a way to work together, they might be able to save a friend and each other in the process.

Review:
I read Micah’s Soldier at the tail end of 2015. About it I said, “Not particularly deep, but well developed for something so short. It’s also very sweet.” So when I saw an audio version of the sequel available I was happy to give it a go.

I had a mixed experience with Treading Water. I really thought Shane and Julian were a cute couple and I liked the way their relationship progressed. I thought the writing was pretty good and I liked that injured soldiers were shown to have lives even after injury. This was all good.

But I struggled with having five first person POVs and with Shawn as a character. (Well, I struggled keeping Shawn and Shane straight in general. Why are the names so similar?) But I had some difficulty because his injury is what holds the whole book together; it’s the reason Shane and Julian meet at all and why they spend time together. But Since Shane and Julian are the main characters, it left Shawn and his traumatic injury feeling a bit like a storytelling prop.

About the narrator, Casey Hunter…I hate to say it, but he didn’t do a very good job. (Though it did improve as the book went on.) His voice was easy to listen to, but the timing was off in so many ways. There were extra long pauses where you wouldn’t expect them, like in the middle of a sentence, and almost no pauses where you would, like between chapters. There were times I was honestly left confused about who was saying what or that we’d moved on to a new character or section. I don’t know how audiobooks are produced. Maybe this should be put on the shoulders of the producer, not the narrator. Because, as I said, his voice and intonations was fine. But the timing issues definitely effected my listening experience.

All in all, I’d be willing to read more by Jessie G. and that’s really what I judge an author by in the end.

Learning to Want

Book Review of Learning to Want, by Tami Veldura

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I think I picked Tami Velbura‘s Learning to Want up in a Instrafreebie giveaway. It was certainly something along those lines.

Description from Goodreads:
Khoram is an enforcer, a bodyguard, but his boss has just betrayed him. Now he’s stranded on a desert planet he’s never heard of, chained to the only other human around.

Atash grew up in the cracks of Dulia’s complex social structure, where dominance and submission are a man’s worth. He’s struggled for years on a lower caste but Khoram could be his ticket to a better life if they can find common ground.

Atash wants to teach Khoram the art of submitting by choice and maybe make a name for himself along the way. Khoram, however, isn’t here to play Atash’s political games. He’s going to escape, if his former employer doesn’t see him killed first.

Review:
So, I found my experience with Learning to Want mixed at best. Picking up a book about a master/slave relationship (and not one in which characters play master or slave, but a real one in which one is actually owned by the other) is always an iffy proposition. Add to the mix that the enslaved character was a free black man, even if the enslaving character is black scaled (he’s still of the dominant, slave owning culture) is an uncomfortable echo of recent Western history. Though, if this was just the authors attempt to include some diversity I have to appreciate the effort.

There was just a lot of squink around the edges of the story. Even the Ohiri, the perfectly bland race that entered enslavement willingly and was supposed to be an example of unproblematic slavery, were raised from birth to submission. There willingness was coerced at best and they’re completely dismissed in the book. Background fodder, basically.

But my main issue is that, with the exception of transport in the beginning, which we’re told was 20+ days, but we don’t see, the whole book is about a week. In that time a free man was captured, molested, sold at auction, fondled some more (with some dubious consent), introduced to BDSM (which was really JUST SPANKING), come to NEED it, fallen in love, accepted and appreciated his ‘collar and cuffs’ (a euphemism of slavery), performed a perfect power-play sex ‘scene’ in front of hundreds, formed a soul bond and lived happily ever after (as a slave). And I was just like, “Ummmm, uh-uh. No way. We have skimmed over some major trauma here.”

Some books have a magic peen, where someone has sex one time and everything is magically perfect in the plot. This book had a magic paddle. One spanking and Khoram released all his guilt over being a drug dealing slaver in the past and accepted his lot as a sexual slave, craved it even. NO. Big fat No.

This book seemed to want to have both slaves and consent in the same people. In fact, that the slave must consent is stated more than once by characters in the book, seriously stressed even. And that just can’t work. It can’t. Veldura tried real hard, but IT DOES NOT WORK.

The writing is fine. In fact there are the occasional turns of phrase that are really beautiful. And the editing didn’t stand out as problematic. But the plot did. It is too rushed and the ‘free and consenting slave’ is an impossibility that Veldura failed to make feel anything but icky. As fluff, ok it’s fine. I could even like it. But think even the smallest amount about the plot and the whole thing collapses in on itself.