Tag Archives: young adult

Noble Ark

Book Review of Noble Ark, by Colette Black

Noble ArkI downloaded a copy of Colette Black‘s book, Noble Ark, from the Amazon free list. At the time of posting, it was still free.

Description from Goodreads:
Mwalgi pirates, parasitic aliens who consume human spinal fluid, are boarding the Noble Ark. When Larkin Trovgar, a half-human member of the attacking alien ship, turns on his own people, saving Aline Taylor’s life, she feels duty-bound to watch over the impossible monstrosity. Despite his easy-going charms and virile physique, she’s determined to see him as she would any Mwalgi—nothing better than an animal. As Larkin’s presence brings out the best and worst in the human crew, and the Noble Ark is harassed by more Mwalgi ships, will Aline look past Larkin’s alien heritage to find love, or will mistrust cost her everything?

Review:
I think I probably enjoyed this more than it deserved, because when I started mentally tallying all the points I wanted to make in this review the criticisms outnumbered the compliments. But I still enjoyed it. Sometimes that just happens with a book. In such cases, I tend to go with my emotional response, even if not all together logical. So, the final takeaway is that I had fun reading Noble Ark.

The simple fact is that a lot of this plot is…*shakes head*…well, I couldn’t believe half of it. The amount of freedom of movement Larkin, an enemy hostage, is given is unprecedented.

But before I even get to that though, there is the fact that almost everyone on board the ship hates the Mwalgi, except for a few convenient people in Aline’s life who suddenly and inexplicably turn out to be Mwalgi sympathisers. Most notable of these are the family of her best friend and her therapist. Isn’t that convenient to the plot? The people most likely to bring her around to not hating Larkin are the only ones who don’t hate his kind to start with.

The necessity of putting Larkin in Aline’s room, instead of the brig is utterly ridiculous. Even if your father is the captain, especially if your father is the captain, there’s no way he’s risking your life like that just be cause you ask. NO WAY! There had yet to be any indication to anyone but Aline that he was anything but the blood-thirty monster all other Mwalgi are seen as.

Then he’s allowed to walk around with her mostly because, and I shit you not, her psychiatrist tells her to spent more time getting to know him. Sure, “Bring your enemy, alien hostage to your therapy sessions, where we’ll talk about all your personal trauma in front of him.” seems like a perfectly normal AND BELIEVABLE thing for a therapist to insist on. At the very least, that has to be a HIPPA violation.

What’s more, dehumanising the enemy during war times is the norm, not something her counsellor would be having kittens over in the first place. So, why does he want her to get to know him and see him as more human? No one, NO ONE, else is concerned with seeing the enemy as human. (For that matter no other Mwalgi in the book are presented as human, they’re all shown to be the evil monsters people believe them to be.)

Plus, when the few important characters who don’t see them as monstrous all give Aline the  ‘but we’re all human, really, it’s just our governments that are at war’ it felt forced and was unpleasantly sappy. It was the most juvenile part of the book and despite the books’ general lack of believability, one of the few time I found myself truly disappointed by it.

Another one was the games. I found it unlikely that Larkin would have been allowed to participate, convenient archaic rule or not and I find it even more unlikely that other participants would play with him. Realistically, most should have been traumatised by the sight of him.  Plus, they just lasted for flippin’ ever! I thought they might never end, detailing every single stage and points scored as the section did.

I also found the onboard baddie, David, shallow, uni-dimensional and too insanely focused to be as smart as he was said to be. This is very much a YA sci-fi romance. A lot, A LOT, more time is spent on board with Larkin, Aline and David that with enemy engagements. So, for most of the book this angsty teenage attempt at romance is the main focus.

Given that so much attention was paid to the onboard drama, a lot less attention was paid to the galaxy and general world-building. I was often confused on what the treaties and conventions that were obviously being ignored were meant to actually establish, who/what species were, how many types, was there a multi-world alliance of some sort, etc. This was a very real weakness.

Now, I did really appreciate that the author allowed bad things to happen. I don’t mean I like bad things, but in circumstances in which there can be no happy ending, the reader needs to know tragedy can strike. But many authors aren’t willing to go there and I’m glad Black did.

The book is well written and I didn’t notice any glaring editorial errors. Plus, like I said at the beginning, I really enjoyed the book. Larkin is a wonderful hero and, with exception of her extreme and annoying naivety concerning David, Aline was a strong fun heroine. There were some interesting tech and species described as well.  So, though I had a lot of complaints, I’d still recommend readers pick it up. You kinda gotta give up on reasonable believability and just go with the flow, but if you can do it, it makes for a pleasant read.

throne of glass

Book Review: Throne of Glass, by Sarah J. Maas

Throne of Glass 1I grabbed a copy of Sarah J. MaasThrone of Glass from my local library.

Description from Goodreads:
After serving out a year of hard labor in the salt mines of Endovier for her crimes, 18-year-old assassin Celaena Sardothien is dragged before the Crown Prince. Prince Dorian offers her her freedom on one condition: she must act as his champion in a competition to find a new royal assassin. Her opponents are men-thieves and assassins and warriors from across the empire, each sponsored by a member of the king’s council. If she beats her opponents in a series of eliminations, she’ll serve the kingdom for three years and then be granted Throne of Glass 2her freedom. 

Celaena finds her training sessions with the captain of the guard, Westfall, challenging and exhilirating. But she’s bored stiff by court life. Things get a little more interesting when the prince starts to show interest in her… but it’s the gruff Captain Westfall who seems to understand her best. 

Then one of the other contestants turns up dead… quickly followed by another. 

Can Celaena figure out who the killer is before she becomes a victim? As the young assassin investigates, her search leads her to discover a greater destiny than she could possibly have imagined.

Review:

This book was an all-right YA read, but it didn’t live up to its hype or that cool cover—the one with the dangerous-looking hunting knives, not the sweet sixteen (which actually does match the tone of the book, to my disappointment). Do me a favor, open a new tab, and do a quick image search. Find both copies and have a look. They give totally different impressions of what the book will be like.

I like and wanted a gritty, tough assassin-woman, and the first cover promises that. I’m not all that fond of sensitive, if skilled, teenage girls slowly falling in love. The second cover could easily relay that…Of the two, the second cover is far more appropriate for the book.

And you know what? I wouldn’t have picked it up. Just goes to show the importance of a book’s cover. I COMPLETELY read this book because the version I got my hands on has the first one, and the awesome cover pulled me in. I was fooled.

Here’s an example of what I mean. Celaena is said to have been the best and most notorious assassin in all of the kingdom. However, in the course of the book, we NEVER (not once!) see her act as an assassin. The closest she comes is using that skill (which we’re repeatedly told she has but almost never see) to save someone’s life. At ~85%, there is finally a fight scene, but due to extenuating circumstances, she’s not even in peak condition for it. So, her as an assassin really was an existential thing.

As a result, I found Celaena COMPLETELY unbelievable as an assassin. Because, as I said, we almost never see her act like one (you know, killing anyone or even perpetrating violence of any sort). She was involved in a truly imbecilic competition in which almost all of the challenges were individual events like archery, knife throwing (both at targets), or identifying poisons, and the vast majority of them were actually glossed over. So, even though the competition is referred to as “brutal” in the sequel’s blurb, it was actually really tame. She did a lot of reading and flirting and almost no fighting.

But also because she had such a lovely disposition. She had the personality of a nice girl next door most of the time. Yes, she’d let the occasional threat fly and frequently imagined how she might kill someone, but otherwise, she was pleasant as can be. For someone with as much horrible history as she was supposed to have, she was remarkably well-balanced.

I think it’s unfair to the reader and untenable for an author to separate a character’s history from her current manifestation. Celaena was supposed to have been trained in assassination since she was 8. She was referred to as the ‘Queen of the Underworld.’ This is a woman who was supposed to have endured, seen, and perpetrated enough heinous acts to terrify a nation. That is the premise of her character. But the nice girl she actually was in the story, the one who valued life so much and felt so bad about killing or slavery, CANNOT SUPPORT THAT PAST. It just can’t. And if the very structure on which the story is built is compromised by such a yawning hole, I guarantee the rest will collapse for me.

I’m not saying the book is bad. In fact, it’s remarkably well written, with snappy dialogue and a rare heroine who, in one sense, chose her own freedom over some mythical idea of true love. I really, really respect that and was impressed by it. (I imagine it will be undone in future books, but here I got to be pleased.) It’s just that it sets itself up to be this heavy, ponderous, maybe even violent book when it’s actually pretty light and fluffy. It’s not what I expected to read, based on the cover and blurb, and while a lot of people love it (I didn’t actually hate it), I did feel cheated out of the story I was promised.

Hey, by the way, I notice that until June 18 Goodreads has a contest to win a copy. Go here.

Hope’s Daughter

Book Review of Hope’s Daughter (The Ambrosia Sequence #1), by Melanie Cusick-Jones

Hope's DaughterAuthor, Melanie Cusick-Jones sent me an ecopy of her book Hope’s Daughter.

Description from Goodreads:
Life should be simple for Cassie.

For the small population of Earth survivors who live on the Space Station Hope everything they do is planned and scheduled, down to the cyclical food menus, their roles in the station, even how many children they have.

Despite rigid controls directing her life, Cassie feels more out of synch than ever and worries she won’t find a place for herself within the station community. Perhaps that’s because she’s hearing things inside her head that can’t possibly be real. Or maybe it’s the regular elopements of her peers, heading off to a romantic future in the Married Quarter of the space station, whilst she’s never even been attracted to a boy – no matter how hard her best friend Ami pushes them at her. Then there are the odd questions her work placement partner Balik keeps raising. His questions are just as troubling for her as his distracting smiles and eyes that seem to see inside her.

As Cassie draws closer to Balik she finds that everything else in her life begins to shift. He tells her things that call into question the system they live within. She can’t believe he is right, but at the same time she finds it hard to deny the sincerity of his ideas. Could there be a connection between Cassie’s problems and Balik’s questions? The truth will drag them both to a terrifying and deadly conclusion beyond anything they could have imagined.

Review:
I really rather enjoyed Hope’s Daughter. It is a romantic YA sci-fi novel. However, the emphasis should be very strongly placed on romantic. For much of the book it is the primary focus. In fact, the plot doesn’t really travel far from the romantic for a good 50% or so of the book. There are just sci-fi hints dropped in amongst the romance. It’s also a very YA romance—lots of angst and self doubt and then lots of complete dedication to that same love. But it’s still enjoyable.

I adored Balik. He made a marvelous male lead. I vacillated on Cassie. Sometimes I loved her and other times I kind of wanted to slap her, mostly during her internal waffling moments. We spend a lot of time in Cassie’s head, listening to her self-doubts. Most of which are unfounded. Together, however, they made a strong dynamic duo that I was more than happy to follow.

The plot itself is an interesting one. However, I had two personal complaints on that front. One, there were a lot of convenient solutions to problems presenting themselves. It would be hard to go into details without spoilers, but answers seemed to come to Cassie instead of the other way around. Two, I had a hard time believing the twist with her ‘father.’ It required an unexplained and otherwise impossible change in someone that just didn’t feel plausible to me. I get what the author was trying to do here in showcasing the power of love, etc. But it rang pretty false for me. Neither issue really detracted too much from my basic enjoyment of the book though.

It had a fairly slow start and there are a number of info-dumps, but it reads well, keeps you interested, and leaves you open to more. All in all, I’d be more than happy to recommend this book to young sci-fi lovers.